███████▀█████████████████████████████████████████████████████████████▀▓███████
████▓░ ░ ▀▓████████████████████████████████████████████████████████▓ ▌ ███████
█▓░▀ ▄▒░ ▀▀█▓▒▄▄ ░ ▀▀▀▀█▓▒▄▄ ░ bc<cia> ▓▄ ▀▀▓███
▄ ░▀████▓▓▒░ ░ ▀▀▀█▓▒▄ ▀▀▀█▓▒▄ ░ ░▒▓██▓▀▀ ▀▀█
██▓▄▄ ▀█▀ ▄ ▄ ▓ ░▀▀▀ ▄ ▓ ░▀▀▀█▄▄ ▄ ██▀ ▄▄████
▓ ░ ▄▄█▄██ ▐ █▄▄▄▄▄ ▒▀███████
▓ ▒ ▄███████ ░ █ ███████▄ ░ ▀████
██ ░ █████▌▓██▄▄ ▐████████ ▒▄█▓ █████████ ░ ▄▄▄ ▀██
███ ░ █████░ ██▓██▓░ █████████ ░ ▓██ █████████ ░ █▓████▄▄ ██
██▓ ░ ▐██████▒ █████████ ▒▄██▒ ▐ ███▐█████ ░ ▐████████▓ ▐█
██▓ ▐███████▐████████▓ ▓█▀ ░ █ ███▐█████ ▒ ▐█████████▌ ▓▐
██▒ ▄██▓▒ ██▒██████████████▓ █▀ ▐█ ███ ░████ ▓ ▒██████▀░ ▒▐
██▓ █████▌▐█████████████████▓ ▓ ▒██ ███ ░▒█▀ ▀▀▀▀ ░█
███ ▀▓███▓█████████████████▓▒ ▌ ▐███▌███▓▄ ▄██
▀ ▀▄██████████████████░ ▄████▒███████▄▄ ▒ ▄████
██▄▄▄ ▄▄▄▄▄██████████████████▀ ▄▓█████▓███████████████▄▄ ▄▄░██████
█████░███████████████████████▄▄▄▄░█████████████████████████████████████▒██████
█████▒██████▓████▓▓████▓█████████▒█████████████████████████████████████▓██████
██████▀▀▀ ▀▀▀▀███▓███████████████▀▀▀▀▀ ▀▀▀████▓█
▓█▀▀ ▓ ▀███████████▓▀ ▒ ▀▀▒█
▒ ░░▒░ ░ ░ ▓██████████▒ ░░ █
▌ ░ ▒██████████░ ▐
Proudly ░▓███▒ ███▓ Presents
▄███▓ ▒███▄
▄▄██▓▒░░ ░ ▄███▓▀▒ ▀████▄ ░ ░░▒▓██▄▄
▄███████████▓▄▄▄▄▄ ▄▄▄▓████▀▀ ░ ▀▀████▓▄▄▄ ▄▄▄▄▄▓███████████▄
██████████████████████████████▓███▓▄ ▄▓███▓█████████████████████████████
█████████████████████████████████████▀ ▀▀███████████████████████████████████
▀██████████████████▓▓▒▒░░ ░ ▀▀▀▓ ▓▀▀▀ ░ ░░▒▒▓▓█████████████████▀
▀████████████▀ ▒ ▀█▓██████████▀
▀██████▀▒ ░ ▀██████▀
████ ░ ████ ▓
██▓ ░ ░ ░▒▓▓██▌ ▒
██▒ ▀██
▄▓██░ ▓
██░ Kerwin "sleek" Young - Beats, Breaks & Rhymes (199░
██
██
██ ▐
██▓ █
░ ░ ░▒▓█▓▓▄ ▄ █
░▒ ░ ▓▄▄███
░ ▀▀ ▀ ▀▓▀▀ ▀▀▀████████▓▀
░ ▒ ░▓█████
░ ▒███▀
Title [Beats, Breaks & Rhymes (1991-1995) Vol. 2 ] ░██▓
Artist [Kerwin "sleek" Young ] ██▒
Label [Chopped Herring ] Genre [Hip-Hop ] ██░
Quality/Size [44.1 @VBR 41.81 MB] Ripped [12.02.2015 ] ▒██
Grabbed from [Vinyl ] Enc [Lame 3.98 ] ▓██
Website [http://www.choppedherringrecords.com/ ] ▒██
░██
░██
Track Time Title ██
⌐--÷¬ ⌐-- ⌐-- -÷- -≥ ≤¬ - ¬ ██
██
01 03:27 Prodigy Ft. Dr Seus - Catchin' Bodies ██
02 04:04 Dr Seus - Clips ██
03 02:48 510 Posse - Don't Let This One Slip Away ██
04 01:03 Prodigy - Don't Pull The Trigger ██
05 04:50 Son Of Bezerk - Freestyle For Fun ██
06 03:24 Sonny Skillz - Lost In The Storm ██
07 03:28 Smoov - Rough & Rugged Motion ██
Totals ██
07 23:04 ██
██
██
· ▒ ██
▓ ██▓▄▄
░ ▄ ▄▄ ▄███▓▒░ ░ ░ ░ ░ ░▒▓█▓
▓ █▀ ░▒
█ ▒ ░
██▒ ░
▄ ▄██░ :
██░
██▓▒░ ·
▄███▓▒░░ ░
▄███████████▓▄▄▄▄▄
████████████████████
▀██████████████████▓▓▒▒░░ ░
▀██████▓█████▀
▀██████▀▒
████ ░ .▄
██▓ ▀ ▀██▄ ░ ░░▒▓██▐▄
██▒ ████▓▄▄▄ ▄▄▄▄▄▓███████████▄
░ ░ ░▒▓█▓▓▄ ▄ ▄▓███▓█████████████████████████████
░▒ ▀▀██████████████████░████████▓███████
░ ▓▀▀▀ ░ ░░▀▀▓▀█▀▓██████████████▓▀
░ ▒█▓█████░▓█████
░ ▀█████▒███▀
Release Notes: ░██▓
██▒
Kerwin worked out of Public Enemy's Long Island studio at 510 ██░
South Franklin Ave in Hempstead, 7 days a week; sleeping ██
there several days at a time. He worked out of a room rented ██
by Paul Shabazz. The spot was legendary. Back in 1984, ██
Charles Casseus had produced and recorded the Electro classic ██
"Breakin In Space" there. The premises was owned by a ██
dentist, a Dr Gant and Bomb Squad member Paul Shabazz was ██
renting out rooms in the building. Kerwin first hooked up ██
with Public Enemy in the summer of 1987. He had met them ██
through two friends from the Hempstead N.A.A.C.P. Youth ██
Council. He began making beats in 1988 and would bring tracks ██
to Keith Shocklee & Eric Satler to listen to. He began ██
assisting Eric in the studio in 1989 while working on "Fear ██
of a Black Planet" & Ice Cube's "AmeriKKKaz Most Wanted". He ██
started to work with Professor Griff in the summer of 1989, ██
around the time of the "Fight The Power" video shoot. He went ██
on to produce tracks on all Griff's solo albums and spent ██
time down in Miami at Luther Campbell's studio. ██
██
He began production with his college friend Rich Simmons who ██
had a small home set-up [MPC60 + Juno 106]. The two of them ██
had a daily routine in the early 1990's. In the evenings they ██
would be in the studio writing, mornings Kerwin would play ██
ball in the gym at NYIT, before riding out to NYC to shop ██
tracks. It was at various label offices, studio's and cutting ██
houses that they would make valuable music industry contacts. ██
When he was up at Rush Management HQ at 298 Elizabeth Street, ██
he saw the young Havoc and Prodigy. He later ran into Prodigy ██
again at Tong Kwon Chinese restaurant just opposite the ██
Hempstead studio. Prodigy told him that they were shopping a ██
deal at Island Records and Kerwin asked him to swing by the ██
studio and check out his beats, which Prodigy did. This led ██
to a meeting with 4th & B'dway where Kerwin was paid to ██
produce 5 tracks for the debut Mobb Deep album "Juvenile ██
Hell". ██
██
Kerwin worked on a bunch of high profile Hip Hop projects ██
throughout the 90's. As well as all the Public Enemy ██
releases, he was project coordinator (lit. Producer/Song- ██
Writer) for Eric B & Rakim's "Don't Sweat The Technique" LP, ██
he worked on the Gravediggaz demos, was in the studio and ██
helped out [uncredited] on a LOAD of Hip Hop records incl. ██
sessions with Busta Rhymes ["Woo Hah"], Young Black ██
Teenagers, Schoolly D, 2 Live Crew [while down South], Lauryn ██
Hill [debut album] and many many more. Later into the 90's ██
he began writing for film and TV. ██
██
Outside of Hip Hop music, he had begun studying composition ██
in 1994 and composed his first orchestral works ██
in 2001. His first classical piece to be performed was for a ██
work entitled "Tales of a Fon Griot" at Jackson State ██
University in Mississippi in 2008. He was a resident composer ██
at Spelman College in 2008, before going back to school in ██
2009 at UMKC for a bachelor and masterdegrees in music ██
composition. ██
██
So Volume 2 of "Beats, Breaks and Rhymes" includes more SICK ██
joints from heads who passed through Kerwin's room at the ██
Public Enemy Studio on Long Island, from the early to mid ██
90's. Props to the man himself for [after many months of ██
pestering] taking a flight back down to Atlanta to locate the ██
original DATS from the Dr Seus period. They sound ██
ILLL!!!!!!!!!! ██
██
██
▓██
▓██
▒██
░██
░██
· ▒ ██
▓ ██▓▄▄
░ ▄ ▄▄ ▄███▓▒░ ░ ░ ░ ░ ░▒▓█▓
▓ █▀ ░▒
█ ▓ We Have NO Public IRC ░
█ ▒ channel and offer no ░
██▒ ░ files. If you like this
▄ ▄██░ : release, support the
██░ artist and buy it......
██ ·
██
██▓▄ ▄▄ FTD Group Info
▒▓█▓
░▒
░ Fuck the Dumb .. bringing you e-beefless hiphop since 2000.
░