Ravish_Momins_Trio_Tarana-Climbing_the_Banyan_Tree-2004-JUST

Section
MP3/FLAC
Group
JUST
Size
65,75 MB
Files
9
Date
2005-01-15

NFO

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     ▄▓█████████▓▓█▀                                               ▀▀▀▓██▓▌
░   ▓█████████▓▓█▀       [ J U S T F U N . P R E S E N T S ]        ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                      ██▓▓█▀▀
░  ▓████▓▌  ░  Artist.......: Ravish Momin's Trio Tarana             ▐▓▀▀
▓ ▐█████▓█     Album........: Climbing the Banyan Tree               ▀ ░
▀█▄▓████▓▓▄█▀  Genre........: Jazz                                   ░▓ ▌
 ▄▀██▓██▓▓▀    Language.....: English                               ░▓░▐▓
 ▓▓▄▀█▓▓▓▀     Label........: Clean Feed Records                   ░▓░ █▓▌
 ▐█▓▓ ▀▓       Catnr........: CF030CD                            ░▓▓▓ ▐█▓▓
  ▓█▓▌         URL..........: www.cleanfeed-records.com            ▓░ ███▓▓[z0o]░
  ▐██░                      ░                           ░  ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
   ▀▓█░▄   ▌             ░▓░ [ R E L E A S E . I N F O ] ▓░   ▓▀▓█████████████▓▓▓▀
 ░   ▀▀▓█▄▐▓          ░▓▓▓░                             ░▓▓▓░ ░ ▀▓██████▓██▓▓▀  ░
   ░ ░    █▓▌▄▄▄ ▄▓ ░▓▓▓░  source......: CDDA             ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
    ░▓▓░ ▐█▓▓   ░ ░▓▓░     playtime....: 46:13 min             ░▓▓ ▐███████▓▓▌  ░
 ░░      ███▓▓  ▓▓░▓░      rip.date....: Jan-09-2005          ░▓▓░ ▓███▀ ▀▓█▓▓  ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄     str.date....: 000-00-2004           ▓  ▐█▓▀  ░ ░▀█▓▌
 ▀▓█████████████▓▓▓▀       ripper......: JUST                ░▓░  █▀ ░░▓▓▓   ▀▓
  ░ ▀▓██████▓██▓▓▀  ▓░     grabber.....: EAC v.0.9 beta 4     ▓▓ ▀░ ░ ░ ░▓░   ░▀
      ▀▓█████▓▓▓  ░░▓      encoder.....: LAME v.3.90.3       ░▓▓░▓▓▓▓   ▓▓▓░
  ░   ▐███████▓▓▌░▓▓▓░     size........: 65,8 MB               ░▓▓▓▓▓  ▓░▓▓░░ ░
      ▓███▀ ▀▓█▓▓ ▓░░      quality.....: VBRkbps/44,1Hz/Joint-Stereo░    ░▓░   ░
     ▐█▓▀ ░░  ▀█▓▌░                                                      ░      ▒
     █▀ ░▓▓▓▓░  ▀▓                                                    ░  ░    ░
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  ░    ▄█▒████████▓▓▀                                               ▀▓██▓███▓▄
     ▄▓██░██████▓▓█▀        [ T R A C K . L I S T I N G ]              ▀▀▀▓██▓▌
    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
   ▐███▓██▀▀▓▀░                                                          ██▓▓█▀▀
   ▓████▓▌  ░ track  title                                          time ▐▓▀▀
   ▓████▓▌                                                               ▀ ░▌
   ▓████▓▌     01.   dai genyo                                     04:33   ▓▌
   ▓████▓▌     02.   weeping statue                                07:52   ▓▌
   ▓████▓▌     03.   instance of memory                            03:59   ▓▌
   ▓████▓▌     04.   peace for kabul                               06:53   ▓▌
   ▓████▓▌     05.   gyarah                                        07:55   ▓▌
   ▓████▓▌     06.   song at dusk                                  02:46   ▓▌
   ▓████▓▌     07.   string drum tarana                            03:49   ▓▌
   ▓████▓▌     08.   gathering song                                06:40   ▓▌
   ▓████▓▌     09.   parting with a view                           01:46   ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌              [ A B O U T . T H i S . R E L E A S E ]            ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       "Drummer-led albums can be somewhat pale affairs.         ▓▌
   ▓████▓▌       After all, the ability to swing hard and play             ▓▌
   ▓████▓▌       various grooves does in itself not necessarily            ▓▌
   ▓████▓▌       suffice to create well-rounded, highly personal           ▓▌
   ▓████▓▌       pieces of music. Climbing the Banyan Tree, though,        ▓▌
   ▓████▓▌       is different. It is all about melody, the central         ▓▌
   ▓████▓▌       element in bandleader Momin's approach to drums.          ▓▌
   ▓████▓▌       Rather than more or less enthusiastically swaying         ▓▌
   ▓████▓▌       through his parts in set tempos, Momin builds up          ▓▌
   ▓████▓▌       tension by pulling back and forth his time, in the        ▓▌
   ▓████▓▌       way of a singer or a violin player. Hunched over          ▓▌
   ▓████▓▌       his carefully tuned drum kit and various percussion       ▓▌
   ▓████▓▌       items, he concentrates on building a dynamic scope        ▓▌
   ▓████▓▌       of attack and tone shaping. As such he follows a          ▓▌
   ▓████▓▌       path that before him has been trodden by people           ▓▌
   ▓████▓▌       like Andrew Cyrille (who was one of Momin's               ▓▌
   ▓████▓▌       teachers) and, within a somewhat more traditional         ▓▌
   ▓████▓▌       framework, Chico Hamilton.                                ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Through the efforts of Momin's sidemen (Shanir            ▓▌
   ▓████▓▌       Blumenkranz on bass and oud, Jason Hwang on violin)       ▓▌
   ▓████▓▌       the combination of instruments works very well            ▓▌
   ▓████▓▌       together. With the percussion weaving in and out,         ▓▌
   ▓████▓▌       oud and arco violin freely circle around each             ▓▌
   ▓████▓▌       other, as do bass and pizzicato violin, the               ▓▌
   ▓████▓▌       pizzicato violin at times assuming the function of        ▓▌
   ▓████▓▌       the oud. The oud is a fretless Arabic lute, which         ▓▌
   ▓████▓▌       carries an age-old, highly respectful musical             ▓▌
   ▓████▓▌       tradition in the Near East.                               ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       In the local way of making music each musician            ▓▌
   ▓████▓▌       organizes his part from the same melody, depending        ▓▌
   ▓████▓▌       on the characteristics of his instrument.                 ▓▌
   ▓████▓▌       Intonation then becomes an art in itself, giving          ▓▌
   ▓████▓▌       way to much more melodic subtlety than is possible        ▓▌
   ▓████▓▌       in the rather clunky Western well-tempered system,        ▓▌
   ▓████▓▌       as exemplified in any given keyboard instrument.          ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       One could compare the basic approach of these             ▓▌
   ▓████▓▌       musicians to this Arabic concept of performing,           ▓▌
   ▓████▓▌       albeit with a much more free sense of improvising.        ▓▌
   ▓████▓▌       Hwang's very musical glissandos and skillful              ▓▌
   ▓████▓▌       intonation only deal with the terror of well-             ▓▌
   ▓████▓▌       tempered tuning when he feels like it. As such, his       ▓▌
   ▓████▓▌       well-versed playing skills dip into the full              ▓▌
   ▓████▓▌       potential of his instrument. Blumenkranz keeps his        ▓▌
   ▓████▓▌       bass and oud parts a bit more close to the ground,        ▓▌
   ▓████▓▌       but very effective and musical nonetheless.               ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       As the great Willie Dixon remarked, Arabic music          ▓▌
   ▓████▓▌       has the same feel as blues. One might describe this       ▓▌
   ▓████▓▌       music as highly improvised Oriental blues.                ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Although Momin's compositions at times suffer from        ▓▌
   ▓████▓▌       a triadic simplicity which goes a bit too far             ▓▌
   ▓████▓▌       beyond plain folksy, these players are so well            ▓▌
   ▓████▓▌       versed in the concepts of improvisation that they         ▓▌
   ▓████▓▌       don't let a minor detail like that inhibit them.          ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Climbing the Banyan Tree is a pearl of a record, as       ▓▌
   ▓████▓▌       unassuming as it is beautiful. Idiosyncratic as the       ▓▌
   ▓████▓▌       basic idea may sound, from its extended                   ▓▌
   ▓████▓▌       improvisational stylings it manages to present us         ▓▌
   ▓████▓▌       through its universal bluesiness with a deeply            ▓▌
   ▓████▓▌       enjoyable, high quality listening experience."            ▓▌
   ▓████▓▌       (in allaboutjazz.com by Jochem van Dijk)                  ▓▌
   ▓████▓▌                                                                 ▓▌
   ▓████▓▌       Enjoy ...                                                 ▓▌
   ▓████▓▌                                                                 ▓▌
░  ▓████▓▌                                                                 ▓▌
▓ ▐█████▓█                       [ A B O U T . U S ]                       ▓▌
▀█▄▓████▓▓▄█▀                                                              ▓▌
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       ▄█▒████████▓▓▀                                        ▀▀▀▀▀  ▀▓██▓███▓▄
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    ▓█████████▓▓█▀                                                      ▐█▄██▓▀
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▓ ▐█████▓█         50gb++ for our archive.                           ▄     ▓▌
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      ▀▓                                                     ░███          ▓▌
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      ▐▓   █▓▌                                              ▐░▓▓▓▓▌  █▓▌   ░▌
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      ░   ███▓▓                                              ▀▀▀▀▀  ███▓▓
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  ▀▓█████████████▓▓▓▀                                       ▀▓█████████████▓▓▓▀
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       ▀▓█████▓▓▓                   by z0oy0rk                   ▀▓█████▓▓▓
       ▐███████▓▓▌                                               ▐███████▓▓▌
       ▓███▀ ▀▓█▓▓    [ J U S T F U N born in Apr. 2 0 0 0 ]     ▓███▀ ▀▓█▓▓
      ▐█▓▀    ░▀█▓▌                                             ▐█▓▀    ░▀█▓▌
      █▀         ▀▓                                             █▀         ▀▓
     ▀░       ░   ░▀                                           ▀░         z!░▀

Files

PathSize
01-dai_genyo-just.mp36,41 MB
02-weeping_statue-just.mp310,84 MB
03-instance_of_memory-just.mp35,91 MB
04-peace_for_kabul-just.mp310,22 MB
05-gyarah-just.mp310,75 MB
06-song_at_dusk-just.mp33,47 MB
07-string_drum_tarana-just.mp35,60 MB
08-gathering_song-just.mp310,31 MB
09-parting_with_a_view-just.mp32,24 MB