░
▒ ▄█
▀ ▀▀▀▀▀▀▀▀▀▀████ ▓ ▄ ▀▀▀ ▄▀ █▀▀▀▀▀▀▀▀▀█████▀ ▀
░ ░ ░░ █▓▓█ █ ▄ ▄▀ █ ░ ░ ░░ █▓▓█▌
▒ ▒ ░░ ████ █ ▄ ▀▄▀ ▄█ █ ▒ ▒ ░░ ████
▓ ▓ ░░ █ █▀▄ ▄▀ █ █ ▓ ▓ ▀
█░░█ ░░░░░░░ █░░█ ▀ █ █ █░░█ ▀▀▀▀▀▀▀▀█
░▒▓██████████▓▒░ █▒▒█ ░░ █▒▒█ ░░░░ █ █ █▒▒█ ░░ ░ ░ █ ░▒▓████████████▓▒░
▄▄▄▄ ▄ ▄ ▄▄▄ █▓▓█ ░░ ████ █▓▓█ ░░░░ ▓ █ █▓▓█ ░░ ▒ ▒ ▌
▓█ ▓█ ██ ▓█ ████ ░░ ███▀ ████ ░░░ ▒ █ ████ ░░ ▓░░▓ ▄█▀▀▓██▄ ▄█▄ ▓ █▐█▀▄
▒█ ▒█▀██ ▒█▀ ▀███▌ ░ ▀ ████ ░░ ░ █ ▀███▌ ░ █▒▒█ ▓█ ▄▒█▄▀ ▀ █▌▒ █▐▓▄▀
░▀ ░▀ █ ▀█▄█▄ ▀███▄ ▄▀▀▀▄ ▀██ ░ ▓ ▀███▄ █▓▓█ ▒█ █░█ ██ █▌░ █▌▒
░ ▀▀▀▀ █▄ █ ▒ ▀▀▀▀▀▀▀▀ ▀▀█ ▀ █ ▄▀▀ ▀▀ ░
▓█▀▀ ▄▀▄ ░ █▌█▄▐ ▄ ▄█▀ ▀ ▓▄ ░ ▄▀▄▀█ ░ █▌▄▀██ ▀ ▄ ▄
░▒▓████████▓▒░ ▒█ ▓█ █▌▒ █▌▓█▀▄█▐▓ ▄▓ ▒█ ▓█ ▀ █ ▒ █▌▀▄ ▓▐█ ░░ roy ░▒░
░█▌ ▀█ █ ▓ █▌▒█ █▐▒ █▒ ░█ ▒█ █ ▓ █▌ ▓█ ▒▐█ ▄ (sac)
▀▀ ▀ ▀▀ ░█ █ ▀▀▀ ░ ▀▀▀ ░▀ ▀ ▀▀ ▀▀▀ ░ ▀▀▀
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█░█
█▓█ General Info :
█▓█ Title .........: The Day The World Stood Still
█▓█ Artist ........: The Andrew Hill Jazzpar Octet+1
█▓█ Music Style ...: Jazz
█▓█ Type ..........: Album
█▓█ Release Date ..: Dec-31-2004
█▓█
█▓█ Used Tools :
█▓█ Grabber .......: EAC
█▓█ Encoder .......: Lame 3.90.3 --Alt-Preset Standard
█▓█
█▓█ Additional Info:
█▓█ Source ........: CDDA
█▓█ No. Of Songs ..: 09
█▓█ Size ..........: 94,5 MB
█▓█ Playtime ......: 73:59 min
█▓█ Label .........: STUNTx
█▓█ Quality .......: VBRkbps / 44,1kHz / HQ / Joint-Stereo
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀
█▄ ░ ▀▀▀▀█▄▀▀▀▀█▄▀▀▀▀██▀ █▄ ██ ▄█▀██▀ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
▐ ██▄ ██▄█▀ ▄█ ██ ▄█ ▀ ██▄█▀ ▀█▄▄ ░▒▓████████████████████████████████▓▒░ ░
▐ ██ ▄█ ██ ██ ██▀██ ██ ▄ ██ ██ ▄ ██ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
█ ▀█▄██ █▀ ▀█ █▀ ▀█ ▀█▄██▄ ██ ▀█ ██▄█▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█ ▄
█░█
█▒█
█▓█ 01 ::: Not Sa No Sa ::: 09:42
█▓█ 02 ::: Flying In The Sky ::: 06:09
█▓█ 03 ::: Ghetto Echoes ::: 11:50
█▓█ 04 ::: Yesterday Tomorrow ::: 15:51
█▓█ 05 ::: Hermano Frere ::: 04:53
█▓█ 06 ::: Do To ::: 02:15
█▓█ 07 ::: When Peace Comes ::: 09:25
█▓█ 08 ::: 11/8 ::: 09:06
█▓█ 09 ::: When The World Stays Still (Part II) ::: 04:48
█▒█
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀
██▀█▄ ▄█▀█▄ █▄ ░ ▀▀▀▀█▀ ▄█▀██▀ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
▐ ██ ██ ██ ██ ██▄ ▄█▄ ░ ▀█▄▄ ░▒▓██████████████████████████████████████▓▒░ ░
▐ ██ ██ ██ ██ ██ ▄█ ██ ▄ ▄ ██ ░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░ ░
█ █▀ ▀█ ▀█▄█▀ ▀█▄██ ▀█▄██▄ ██▄█▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▄
█ ▄
█░█
█▒█
█▓█ THE ANDREW HILL JAZZPAR OCTET+1 are:
█▓█
█▓█ STAFFAN SVENSSON (trumpet)
█▓█ KLAUS L╓HRER (bass trombone/tuba)
█▓█ PETER FUGLSANG (alto sax/clarinet/bass clarinet)
█▓█ THOMAS AGERGAARD (tenor sax/flute)
█▓█ LIUDAS MOCKUNAS (soprano sax/baritone sax/clarinet/bass clarinet)
█▓█ ANDREW HILEE (piano & leader)
█▓█ SCOTT COLLEY (double bass)
█▓█ NASHEET WAITS (drums)
█▓█
█▓█ Special guest appearance on #5 LENORA ZENZALAI HELM (vocal)
█▓█
█▓█
█▓█ Pianist and composer Andrew Hill is a remarkably individualistic artist
█▓█ who definitively articulated his uncommon musical vision on a series of
█▓█ Blue Note albums as a leader from 1963-1970, while also appearing as a
█▓█ sideman for the label on titles including Hank Mobley's No Room for
█▓█ Squares and Bobby Hutcherson's Dialogue. His 1964 recording Point of
█▓█ Departure, an unqualified modern jazz masterpiece featuring Eric Dolphy,
█▓█ Joe Henderson, Kenny Dorham, Richard Davis and Tony Williams, remains one
█▓█ of the most essential jazz titles of that decade. The recording showcases
█▓█ Hill's intricate writing and innovative, if idiosyncratic, instrumental
█▓█ style on pieces including "New Monastery," a tangential reference to
█▓█ Thelonious Monk (a significant influence), and "Refuge," an extended track
█▓█ with a solo on which the pianist displays his talent for experimenting
█▓█ with time. Like the work a decade earlier of fellow Blue Note pianist and
█▓█ composer Herbie Nichols, Hill was a non-conformist who created music that
█▓█ was complex for its time and he never quite received the respect and
█▓█ recognition from mainstream jazz fans he might have deserved.
█▓█
█▓█ Born in Chicago, Hill began playing piano when he was 13, studied
█▓█ composition with Paul Hindemith and played with Charlie Parker, Miles
█▓█ Davis, and Johnny Griffin in local clubs while still a teenager. He moved
█▓█ to N.Y. in 1961 to become Dinah Washington's accompanist and worked with
█▓█ Rahsaan Roland Kirk in L.A. in 1962. Hill made his Blue Note debut in 1963
█▓█ on Joe Henderson's Our Thing and built an eclectic discography on Blue
█▓█ Note as a leader, including the albums Judgment and Smokestack that
█▓█ include such adventurous sidemen as John Gilmore and Sam Rivers. He became
█▓█ a music educator after earning a doctorate from Colgate University in the
█▓█ early 1970s and in 1977 moved to the West Coast where he taught in
█▓█ California prisons and public schools while continuing to occasionally
█▓█ tour and record for various independent labels.
█▒█
█░█
▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀