Artist.......: Carcass
Album........: Motocultor Festival
Label........: n/a
Genre........: Death Metal
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2016-01-08
Str.date.....: 2015-08-15
Quality......: 250kbps/48.0kHz/Joint Stereo
Url..........: http://www.earache.com/
track title time
1. Motocultor Festival 45:41
* Unfit for Human Consumption
* Buried Dreams
* Incarnated Solvent Abuse
* The Granulating Dark Satanic Mills
* Cadaver Pounch Conveyor System
* Captive Bolt Pistol
* This Mortal Coil
* Exhume to Consume
* Keep On Rotting in the Free World
* Corporal Jigsore Quandary
* Heartwork
Runtime 45:41
Size 81.97
Release Notes:
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Often considered one of grindcore's founding fathers, Carcass were among the
first bands of the extreme metal genre to try a different lyrical approach --
one that reflected a fascination with surgical gadgets and peculiar words
straight out of a med student's textbook. Hailing from the same locale that
spawned the Fab Four -- in case you've lived under a rock for the past few
decades, Liverpool -- Carcass were originally formed in 1985 by singer/guitarist
Bill Steer (who would later play with Napalm Death) and drummer Ken Owen. By
1987, singer/bassist Jeff Walker had signed on with the band, resulting in a
deal with Earache Records shortly after. The trio then issued a pair of
full-lengths that are often considered classics of the grindcore genre, 1988's
Reek of Putrefaction and 1989's Symphonies of Sickness.
Shortly after the dawn of the '90s, Carcass expanded to a quartet, as Michael
Amott signed on as second guitarist, resulting in two more favorites of the
metal underground, 1991's Necroticism: Descanting the Insalubrious and 1992's
four-song EP Tools of the Trade. Whereas he once sang in a growling voice α la a
dragon desperately in need of some Pepto-Bismol, Walker adopted a slightly more
traditional metal singing style, while the band was no longer afraid to let Iron
Maiden-esque guitar work enter the mix. The result was the group's major-label
debut for Sony, 1994's Heartwork. Although Heartwork is probably Carcass'
best-known album, fan reaction is often split evenly between those who feel the
group had sold out with a more easily digestible sound (quite comparable to
thrash metal) and those who feel that it's one of the '90s great metal releases.
Either way, Amott left the group around this time, and was replaced by Carlo
Regadas for Carcass' final studio album, 1996's appropriately titled Swansong.
The same year, a compilation of rarities was issued, Wake Up and Smell the
Carcass. Subsequently, Owen, Walker, and Regadas continued working together for
a spell under the Blackstar name; Amott formed both Spiritual Beggars and Arch
Enemy; and Steer surprisingly formed a blues-rock power trio, Firebird.
The band re-formed in 2007 as a live act, with Walker, Steer, and Amott tapping
Arch Enemy drummer Daniel Erlandsson to man the kit, though there was no talk of
heading back into the studio. Amott and Erlandsson left in 2012 to focus on Arch
Enemy, and Steer and Walker, along with drummer Dan Wilding, surprised everyone
with the announcement of a new album. The resulting Surgical Steel, which was
released independently, arrived in September 2013.
RLS-Crc: 51554245:34F23BC24222