Linda_Martell-Color_Me_Country-(Remastered)-2014-ERP

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MP3/FLAC
Group
ERP
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26 B
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0
Date
2016-01-16

NFO

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    ┌────────┐
────┤ Info   ├─────────────────────────────────────────────────────────────────
    └────────┘

     Artist  | Linda Martell
     Title   | Color Me Country

     Genre   | Country                              Format  | Album
     Source  | CDDA                                 Time    | 27:37

     Label   | Plantation Records                   Store   | 2014
     Catalog | PCD9                                 Rip     | 2016

     Bitrate | 230 kbps                             Size    | 48.04 MB
     Freq    | 44.1 kHz                             Encoder | Lame 3.98.4

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     01. Bad Case Of The Blues                                       2:31
     02. San Francisco Is A Lonely Town                              3:04
     03. The Wedding Cake                                            2:32
     04. Tender Leaves Of Love                                       2:49
     05. I  Almost Called Your Name                                  2:08
     06. Color Him Father                                            2:41
     07. There Never Was A Time                                      2:52
     08. You're Crying Boy, Crying                                   2:22
     09. Old Letter Song                                             2:38
     10. Then I'll Be Over You                                       1:55
     11. Before The Next Teardrop Falls                              2:05

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     Linda Martell was one of the few African-American women to become a popular
     country music singer. She was born in Leesville, South Carolina and started
     out singing R&B in Columbia clubs. She got her start in country music in
     1969 when she signed with Shelby Singleton's Plantation label. That summer
     she made the Top 25 with "Color Him Father," which helped her become the
     first black woman to appear on the Grand Ole Opry. In 1970 she scored two
     Top 60 hits with "Before the Next Teardrop Falls" and "Bad Case of the
     Blues," and never again appeared on the country music charts.

     Once you get past Charley Pride and Stoney Edwards, you'd be hard-pressed
     to name an African-American country music star of the '60s and '70s (or any
     decade, for that matter), but for a brief moment Linda Martell seemed
     poised to crack two glass ceilings at once. Martell was the first
     African-American woman to sing on the Grand Ole Opry, and she managed to
     land two singles in the Country & Western Top 40 in 1969 before she quit
     the music business to raise a family. "Color Me Country" was Martell's
     first and only album, and while it's by no means a lost classic, it's a
     fine set of songs from a singer who clearly had the talent for bigger
     things. The set includes Martell's versions of "Color Him Father" and
     "Before the Next Teardrop Falls," both of which hit the Billboard C&W
     charts, and her rich, smooth voice does wonders with the Winstons' hit
     about accepting your new stepdad (which fares well in a subtle C&W
     arrangement fortified with pedal steel) as well several brokenhearted
     weepers on board ('I Almost Called Your Name' could almost pass for a
     classic Patsy Cline number).

     Martell even displays some credible yodeling skills on the leadoff track,
     "Bad Case Of The Blues", and "There Never Was A Time" is a heart-tugging
     tale of hard times that shows a strong Merle Haggard influence and shows
     Martell could handle a broadly emotional tune without sounding sappy or
     overly theatrical. Martell also had a career as an R&B singer, but "Color
     Me Country" clearly aims to sell her to the C&W market, so she doesn't get
     to show off her soulful side on this set, but as a country vocalist, she
     was clearly above average, and with better promotion and production (Shelby
     Singleton, Jr.'s studio skills are average at best), she might have become
     the female Charley Pride. That was not to be, but "Color Me Country" makes
     it clear that wasn't because of a lack of talent, and this is a fascinating
     and entertaining curio from a forgotten country music pioneer.

    ┌────────┐
────┤ Group  ├─────────────────────────────────────────────────────────────────
    └────────┘


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