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░░██░ play yer tunes ███
proudly presents
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Moacir Santos - Coisas
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Artist: Moacir Santos
Album: Coisas
Company: Universal
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Rel. Date : 12/22/2004
Ripper : team pyt Supplier : team pyt
Genre : Jazz Style : Jazz
Quality : VBRkbps / 44.1kHz Mode : Joint-Stereo
Grabber : EAC Encoder : Lame 3.90.3 -aps
Songs : 10 Playtime : 32:07 min
Size : 49,4 MB
Type : Album Source : CDDA
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One of the main Brazilian arrangers, having renovated the
country's harmonic language in the '50s, the underrated
Moacir Santos had nevertheless a highly influential role as
he had as his pupils, in the '60s: Paulo Moura, Oscar
Castro-Neves, Baden Powell, Maurφcio Einhorn, Geraldo Vespar,
Bola Sete, SΘrgio Mendes, Dom Um Romπo, Joπo Donato, Roberto
Menescal, Carlos Lyra, Dori Caymmi, Airto Moreira, and Flora
Purim, among others. In 1968, he was admitted into Henry
Mancini's cinema music writing team and, four years later, he
launched his first album in the American market, The Maestro,
which was nominated for a Grammy award; it was followed by
Saudade (1974), Carnival of the Spirits (1975), and Opus 3,
No. 1 (1979). Owner of a distinctive Brazilian style as a
composer and arranger, Santos' most-known tunes are "Nanπ"
(written with Mßrio Teles), which had over 150 different
recordings (including those by Herbie Mann and Kenny
Burrell); and "Coisas" (number one to 12); not to mention a
series of compositions with Vinicius de Moraes ("Triste de
Quem," "Menino Travesso," "Se VocΩ Disser Que Sim,"
"Lembre-Se"), who praised him in his "Samba da Benτπo."
Having written the arrangements for, among others, Vinicius
de Moraes e Odete Lara (1963), Santos also composed the
soundtracks for the films Love in the Pacific, Seara Vermelha
(an adaptation of Jorge Amado's novel, directed by R.
Aversa), Ganga Zumba (Cacß Diegues), O Santo MΘdico (Sacha
Gordine), and Os Fuzis (Ruy Guerra), among others.
Santos had contact with music very early in his life in the
local band Flores do Paje· (Pernambuco), taking classes with
bandmaster Paixπo and joining the group at 14 on the
saxophone, clarinet, trumpet, banjo, guitar, and drums.
Leaving home two years later, he played around northeastern
Brazil until 1943, when he got a break at the Rßdio Clube de
Pernambuco. Having joined the Band of the Military Police of
Paraφba in 1945, Santos replaced Severino Ara·jo (who had
being invited to work in Rio de Janeiro) in the jazz band (a
generic and common denomination at the time, not having to do
with the repertory) of Rßdio Tabajara da Paraφba, as a
tenor/clarinetist. Two years later, he was appointed the
conductor of the band and, in 1948, he moved to Rio de
Janeiro, where his first job was at the gafieira Clube Brasil
Danτas, remaining there for 18 years as saxophonist and then
as conductor/arranger. One month after his arrival in Rio he
joined Rßdio Nacional as a solo tenor of the Orquestra do
Maestro Chiquinho, where he would work until 1967. Having
studied under Hans Joachim Koellreutter's guidance, to whom
Santos became an assistant, in 1951 he was invited by Rßdio
Nacional's A&R director, Paulo Tapaj≤s, to be one of the
regular conductors/arrangers of the cast.
In 1954, Santos went to Sπo Paulo, where he directed the
orchestra of TV Record. Two years later, he returned to Rio
de Janeiro, resuming his work at Rßdio Nacional, also
becoming Ary Barroso's assistant in the A&R direction of the
Rozemblit recording company, and conductor at Copacabana
Discos. At the peak of the success in Brazil, Santos released
in 1965 his first solo album, Coisas. In the same year, he
wrote the soundtrack of the film Love in the Pacific, having
been honored by the Brazilian government with the payment of
travel expenses to be present at the debut in New York, NY.
In 1966, he was appointed as a member of ASCAP and in the
next year he left Rßdio Nacional. Moving to the U.S., Santos
settled in Pasadena where he gave music classes at home until
he was discovered by Horace Silver. In 1985, he opened with
RadamΘs Gnattali, in Rio de Janeiro, the I Free Jazz
Festival. In 1996, he was decorated by the President of the
Republic of Brazil as Oficial da Ordem do Rio Branco. In the
same year, Santos was paid tribute at the Brazilian Summer
Festival (Ford Theater, Los Angeles, CA). His original
arrangements for several of his compositions were transcribed
by Mßrio Adnet and ZΘ Nogueira and recorded on the double-CD
Ouro Negro (2001), which had the participation of Milton
Nascimento, Joπo Bosco, Joyce, Joπo Donato, Djavan, Gilberto
Gil, Ed Motta, and Santos himself. The album was launched
with a show at the Joπo Caetano theater, which was presented
again at the Free Jazz Festival of that year.
merry christmas pals. see you next year .)
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01. [04:04] Coisa N║ 4
02. [03:09] Coisa N║ 10
03. [02:48] Coisa N║ 5
04. [03:03] Coisa N║ 3
05. [04:57] Coisa N║ 2
06. [03:11] Coisa N║ 9
07. [03:24] Coisa N║ 6
08. [02:28] Coisa N║ 7 (Quem Θ que nπo chora?)
09. [02:43] Coisa N║ 1
10. [02:20] Coisa N║ 8 (Navegaτπo)
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32:07 min
49,4 MB
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