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│ METAL CLASSICS ARCHIVE │
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│ P R E S E N T S │
│ │
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│ + Steelwing - Reset, Reboot, Redeem + │
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│ │
│╔═════════════════════╗ │
│║ Release Information ║ │
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│║ ║ │
│║ Release Date.Jan-31-2016 Encoder......L3.97 -V2 --vbr-new ║ │
│║ Genre........Heavy Metal Graber.......EAC ║ │
│║ Year.........2015 Khz/Bitrate..44,1/ Br ║ │
│║ ║ │
│║ Ripper.......anthem Songs........09 ║ │
│║ Covers.......Yes Url... n/a ║ │
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│╔═════════════════════╗ │
│║ Release Notes ║ │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║ ║ │
│║ Artist : Steelwing Rating : You Decide! ║ │
│║ Album : Reset, Reboot, Redeem Label : Noiseart ║ │
│║ ║ │
│║ ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║ ║ │
│║ Description : ║ │
│║ ║ │
│║ ║ │
│║ The 3rd outing by STEELWING sees them developing ║ │
│║ their post-apocalyptic lyrics in a more ║ │
│║ thoughtful and mature way. Sonically challenging ║ │
│║ at points and deep in its meanings forces the ║ │
│║ listener into exciting self-reflections while ║ │
│║ challenging pre-conceived world views. This ║ │
│║ album would have been out of place and needless ║ │
│║ in the post-cold war 1990s, but with darkening ║ │
│║ world views becoming the norm this set five ║ │
│║ Swedes provide the sound track for the end of ║ │
│║ the world. ║ │
│║ ║ │
│║ Definitely your thinking manÆs thrash metal ║ │
│║ album, drawing on heavy themes of freedom, ║ │
│║ spiritually and political decay set in a ║ │
│║ dystopian mind set. Opening with the eerie ║ │
│║ melodies on ôCarbon Waste Lifeformsö to ║ │
│║ transport you away from reality in time for ║ │
│║ ôReset, Reboot, Redeemö with itÆs crushing riffs ║ │
│║ and infectious grooves, you can imagine the ║ │
│║ crowd shouting ôDANCE YOU FUCKING PUPPETSö ║ │
│║ before headbanging with the solo then circle ║ │
│║ pitting to the riff that follows. ôOch VΣrlden ║ │
│║ Gav Vikaö show cases very intricate guitar leads ║ │
│║ and their native tongue of Swedish, the melody ║ │
│║ felt fresh and is something they should ║ │
│║ definitely do in the future in a world dominated ║ │
│║ by English speaking bands. Following the ║ │
│║ aftermath of the Paris attacks, no truer words ║ │
│║ of ôdefending our freedom by taking our freedoms ║ │
│║ awayö have never been uttered, ôArchitects Of ║ │
│║ Destructionö rages against totalitarian ideals ║ │
│║ and offers a searing critique of American ║ │
│║ Presidents by sampling speeches (notably G.W. ║ │
│║ BushÆs.) ItÆs a bleak masterpiece, hitting far ║ │
│║ too close to home and all the better for it. ║ │
│║ ôNetworkö may seem like a sub-1 min album ║ │
│║ filler, but give it a few listens and unpick the ║ │
│║ lyricsà if youÆre not reconsidering your views ║ │
│║ on religion you may need to listen again. ôLike ║ │
│║ Shadows, Like Ghostsö is one of the shorter, ║ │
│║ punchier songs on the album and deals with ║ │
│║ concepts of death and our temporal state in the ║ │
│║ universe. ║ │
│║ ║ │
│║ Showcasing more progressive influences, ║ │
│║ ôHardwiredö starts with a slow-paced but ║ │
│║ enticing intro before bursting in a Galloping ║ │
│║ verse. ItÆs a true thrash metal rollercoaster ║ │
│║ between souring leads and hefty riffing. RileyÆs ║ │
│║ vocals range is stunning, able to lead you ║ │
│║ through songs like a consummate story teller or ║ │
│║ forcing bleak messages front and centre to get ║ │
│║ the point across, shown to itÆs full extent on ║ │
│║ the final track. The rhythm section of Nic and ║ │
│║ Oskar deserve phenomenal praise for underpinning ║ │
│║ every song with a level of quiet majesty, ║ │
│║ creating much space and tension while still ║ │
│║ leaving an open canvass for vocals and guitars. ║ │
│║ The 9.30 minute epic ôWe Are All Left Here To ║ │
│║ Dieö could be at risk of becoming bland without ║ │
│║ them, but with them every intelligently woven ║ │
│║ vocal line hits home and is likely to become a ║ │
│║ live anthem in the near future, and forms a ║ │
│║ triumphant finish for a lofty album. ║ │
│║ ║ │
│║ This album is best listened to when on long ║ │
│║ journeys (the overnight Megabus London-Glasgow ║ │
│║ for example) and any form of physical exercise. ║ │
│║ Bands normally struggle to form an individual ║ │
│║ identity while wearing their influences on their ║ │
│║ sleeves as they do, but STEELWING pull off with ║ │
│║ sincerity and bravado without becoming another ║ │
│║ 80s parody band. ║ │
│║ ║ │
│║ ║ │
│║ Riley - Vocals, Synthesizer ║ │
│║ Oskar ┼stedt - Drums ║ │
│║ Nic Savage - Bass ║ │
│║ Alex Vega - Guitars ║ │
│║ Robby Rockbag - Guitars ║ │
│║ ║ │
│║ ║ │
│║ ║ │
│╚════════════════════════════════════════════════════════════════╝ │
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│╔═════════════════════╗ │
│║ Release Tracklist ║ │
│╚═════════════════════╩══════════════════════════════════════════ │
│ │
│ 01 - Carbon WateLifeforms [01:40] │
│ 02 - Reset, Reboot, Redeem [05:10] │
│ 03 - Ozymandias [06:46] │
│ 04 - Och Varlen gav Vika [05:36] │
│ 05 - Architecs Of Destruction [06:19] │
│ 06 - Network [00:58] │
│ 07 - Like Shadows, Like Ghosts [04:30] │
│ 08 - Hardwired [07:26] │
│ 09 - We Are All Left Here To Die [09:30] │
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│ Total Length : [47:55 minn │
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│ ╔═════════════════════╗ │
│ ║ Greetings To: ║ │
│ ╚═════════════════════╝ │
│ │
│ Too all people who contributes to make this │
│ archive of good music in a exceptional conditions │
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│ │
│■ ■│
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