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█░▒▓█ -====={{{{{{{ FAF Presents }}}}}}}=====- █▓▒░█
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░▒▓█ Tricky - Angels with Dirty Faces █▓▒░
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░▒▓█ ───────────────────────────────────────────────────────────────── █▓▒░
░▒▓█ Label........: n/a Ripper.......: elCuervo █▓▒░
░▒▓█ Genre........: Trip-Hop Grabber......: EAC █▓▒░
░▒▓█ Type.........: Album Encoder......: Lame █▓▒░
░▒▓█ # Of Songs...: 12 Quality......: VBRkbps/44,1kHz █▓▒░
░▒▓█ Release Date.: Apr-05-2003 Size.........: 71,6 MB █▓▒░
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░▒▓█│█ 01.Money Greedy 05:30 █│█▓▒░
░▒▓█│█ 02.Mellow 03:33 █│█▓▒░
░▒▓█│█ 03.Singing the Blues 03:28 █│█▓▒░
░▒▓█│█ 04.Broken Homes 03:34 █│█▓▒░
░▒▓█│█ 05.6 Minutes 04:46 █│█▓▒░
░▒▓█│█ 06.Analyze Me 04:00 █│█▓▒░
░▒▓█│█ 07.The Moment I Feared 04:03 █│█▓▒░
░▒▓█│█ 08.Talk to Me (Angels with Dirty Faces) 04:28 █│█▓▒░
░▒▓█│█ 09.Carriage for Two 04:44 █│█▓▒░
░▒▓█│█ 10.Demise 03:48 █│█▓▒░
░▒▓█│█ 11.Tear Out My Eyes 04:26 █│█▓▒░
░▒▓█│█ 12.Record Companies 04:25 █│█▓▒░
░▒▓█│█ ──────── █│█▓▒░
░▒▓█│█ 50:45 min █│█▓▒░
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Perhaps Maxinquaye was such a startling, focused, brilliant
debut that Tricky's subsequent albums would have paled in
comparison, regardless of their quality. Nevertheless, his
desire to distance himself from the coffeehouse trip-hop that
appeared after Maxinquaye forced him into a dark, paranoid
corner. Determined to strip away all of his fair-weather fans,
he delivered the claustrophobic Pre-Millennium Tension, a
paranoid record that its follow-up, Angels With Dirty Faces,
mirrors. Since it builds upon Pre-Millennium instead of
breaking new ground, Angels may strike some listeners as
merely a retread, but it gradually reveals new layers upon
repeated listens. Tricky has been redefining his rhythms,
adding skittering jungle loops and hardcore hip-hop beats to
his trademark dub-warped trip-hop. On top of that, he's
expanding his sonic palette, adding cheap synthesizers and
avant-garde guitarists to create a nightmarish junk-pile of
hip-hop, dub, electronica, rock, and gospel. Again, Martina is
on board and her stylish croon adds moments of relief to the
enveloping dread, as does Polly Harvey on the odd
gospel-tinged "Broken Homes." Specific tracks work well
individually ù "Mellow," "Singing the Blues," "Angels With
Dirty Faces," and the absurd, bile-ridden "Record Companies,"
in particular ù but on the whole Angels With Dirty Faces is
less than the sum of its parts. By being slightly different
but essentially the same as Pre-Millennium Tens