┌───────────────────────────────────────────────────────────────────┐
│■ ■│
│ .-/ .-. │
│ _.-~ / ___ | ~-._ │
│ \:/ -~| / __/| .\:/ │
│ / || (:/:| \ │
│ / /\/| |:\___\| |\ \ │
│ / /:::|.::/:::/:.|:\ \ │
│ / /:::/ \\/:::/::/:::\ \ │
│ / .::\ \-~~~~-/\/:.. \ │
│ /..:::::\ /:::::..\ │
│ /::::::::- -::::::::\ │
│ \:::::-~ ~-:::::/ │
│ \:-~ ~-:/ │
│ METAL CLASSICS ARCHIVE │
│ │
│ │
│ │
│ P R E S E N T S │
│ │
│ │
│ + Anthrax - For All Kings + │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Information ║ │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║ ║ │
│║ Release Date.Feb-28-2016 Encoder......L3.97 -V2 --vbr-new ║ │
│║ Genre........Metal Graber.......EAC ║ │
│║ Year.........2016 Khz/Bitrate..44,1/ Br ║ │
│║ ║ │
│║ Ripper.......anthem Songs........cd1: 13 cd2: 4 ║ │
│║ Covers.......Yes Url... www.anthrax.com ║ │
│║ ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│ │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Notes ║ │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║ ║ │
│║ Artist : Anthrax Rating : You Decide! ║ │
│║ Album : For All Kings Label : Nuclear Blast ║ │
│║ ║ │
│║ ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║ ║ │
│║ Description : ║ │
│║ ║ │
│║ ║ │
│║ Anthrax has been a name synonymous with heavy ║ │
│║ metal for the past four decades. A member of the ║ │
│║ Big 4 of thrash, a staple of music festivals ║ │
│║ worldwide and after a five year gap between ║ │
│║ albums, now ready to unleash the brand new ║ │
│║ record For All Kings, this February 26th via ║ │
│║ Nuclear Blast Records. ║ │
│║ ║ │
│║ For All Kings immediately inspires images of all ║ │
│║ things grandiose. ItÆs big in every way ║ │
│║ imaginable. For starters the artwork, by Alex ║ │
│║ Ross, his third collaboration with the band, ║ │
│║ sets the scene. With band members depicted in ║ │
│║ mammoth statues beckoning the listener inside. ║ │
│║ The album itself begins with an almost æGame of ║ │
│║ ThronesÆ type instrumental enticing the ║ │
│║ audience, the atmospherics hauntingly inching ║ │
│║ towards the first track, æYou Gotta BelieveÆ. ║ │
│║ The riffs, the hooks, the production, the ║ │
│║ delivery, front man, BelladonnaÆs incredible ║ │
│║ vocal performance, it all sounds hugeà..and ║ │
│║ thatÆs just track one! The beginning is ║ │
│║ something to play loudà..and I mean annoy the ║ │
│║ shit out of your neighbourhood loud! ║ │
│║ ║ │
│║ Where 2011Æs Worship Music was an emphatic ║ │
│║ return for the æ80s version of Anthrax with Joey ║ │
│║ Belladonna taking back the reigns of vocalist, ║ │
│║ For All Kings is a stout exclamation mark. There ║ │
│║ will no doubt be John Bush v Belladonna ║ │
│║ arguments before or after the albumÆs release, ║ │
│║ heck, even I canÆt hide from being a massive ║ │
│║ John Bush fan, however there can be no denying ║ │
│║ the form of Belladonna on these last two albums, ║ │
│║ in particular For All Kings. He has delivered in ║ │
│║ spades. ║ │
│║ ║ │
│║ When the album calls for melody, æMonsters at ║ │
│║ the EndÆ, æSuzerainÆ and the incredible, ║ │
│║ æBreathing LightningÆ, Belladonna soars, when ║ │
│║ the harder egded Anthrax thrashier tracks come ║ │
│║ in such as opener, æYou Gotta BelieveÆ or the ║ │
│║ finishing æZero ToleranceÆ, Belladonna crushes. ║ │
│║ All the while the guitar work from Scott Ian and ║ │
│║ Jonathan Donais on guitars, the latter an ex- ║ │
│║ Shadows Fall axeman slay on this album. Some ║ │
│║ great hooks to reimagine some moments from State ║ │
│║ of Euphoria and Persistence of Time, a prime ║ │
│║ example the powerful track æEvil TwinsÆ. ThereÆs ║ │
│║ even a nod to Bush vocalised albums with Sound ║ │
│║ of White Noise, as tracks such as æYou Gotta ║ │
│║ BelieveÆ and æDefend AvengeÆ that would not of ║ │
│║ looked out of place on that æ90s classic. ║ │
│║ ║ │
│║ The mix between knowing when to transcend into ║ │
│║ lighter moments and then destroy amps sits ║ │
│║ succinctly on this record. The brooding ║ │
│║ beginnings and then the outro to æBreathing ║ │
│║ LightningÆ and the melodic title track two ║ │
│║ shining examples. The epic æBlood Eagle WingsÆ ║ │
│║ breathes in and out, often climaxing to heavier ║ │
│║ tones but seeping back to a story telling ║ │
│║ moment, both lyrically and with music. The ║ │
│║ combination of all out attack and melody within ║ │
│║ For All Kings as a whole is quite stunning. ║ │
│║ ║ │
│║ Worship Music was great, in fact it was ║ │
│║ downright killer and with For All Kings the band ║ │
│║ have left nothing in the tank, smashing out an ║ │
│║ equally as good an album. IÆll forget AnthraxÆs ║ │
│║ cover album Anthems ever occurred, For All Kings ║ │
│║ is truly an awesome start to 2016. Out February ║ │
│║ 26th, weÆve got an early contender for album of ║ │
│║ the year! ║ │
│║ ║ │
│║ ║ │
│║ Joey Belladonna - Vocals ║ │
│║ Jonathan Donais - Guitars ║ │
│║ Scott Ian - Guitars ║ │
│║ Charlie Benante - Drums ║ │
│║ Frank Bello - Bass ║ │
│║ ║ │
│║ ║ │
│║ ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│ │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Tracklist ║ │
│╚═════════════════════╩══════════════════════════════════════════ │
│ │
│ - CD1 [ ] │
│ - [ ] │
│ 01 - Impaled [01:32] │
│ 02 - You Gotta Believe [06:01] │
│ 03 - Monster At The End [03:56] │
│ 04 - For All Kings [05:01] │
│ 05 - Breathing Lightning [05:38] │
│ 06 - Breathing Out [00:56] │
│ 07 - Suzerain [04:53] │
│ 08 - Evil Twin [04:41] │
│ 09 - Blood Eagle Wings [07:53] │
│ 10 - Defend / Avenge [05:14] │
│ 11 - All of Them Thieves [05:15] │
│ 12 - This Battle Chose Us! [04:53] │
│ 13 - Zero Tolerance [03:48] │
│ - [ ] │
│ - CD2 [ ] │
│ - [ ] │
│ 01 - Fight ┤Em ┤Til You Can┤t (Live) [06:11] │
│ 02 - A.I.R. (Live) [06:38] │
│ 03 - Caught In Aosh (Live) [05:18] │
│ 04 - Madhouse (Live) [04:06] │
│ │
│ Total Length : [81:54 minn │
│ │
│ │
│ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ │
│ │
│ │
│ │
│ ╔═════════════════════╗ │
│ ║ Greetings To: ║ │
│ ╚═════════════════════╝ │
│ │
│ Too all people who contributes to make this │
│ archive of good music in a exceptional conditions │
│ │
│ │
│ │
│■ ■│
└───────────────────────────────────────────────────────────────────┘