┌───────────────────────────────────────────────────────────────────┐
│■ ■│
│ .-/ .-. │
│ _.-~ / ___ | ~-._ │
│ \:/ -~| / __/| .\:/ │
│ / || (:/:| \ │
│ / /\/| |:\___\| |\ \ │
│ / /:::|.::/:::/:.|:\ \ │
│ / /:::/ \\/:::/::/:::\ \ │
│ / .::\ \-~~~~-/\/:.. \ │
│ /..:::::\ /:::::..\ │
│ /::::::::- -::::::::\ │
│ \:::::-~ ~-:::::/ │
│ \:-~ ~-:/ │
│ METAL CLASSICS ARCHIVE │
│ │
│ │
│ │
│ P R E S E N T S │
│ │
│ │
│ + Thin Lizzy - Black Rose: A Rock Legend + │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Information ║ │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║ ║ │
│║ Release Date.Feb-28-2016 Encoder......L3.97 -V2 --vbr-new ║ │
│║ Genre........Hard Rock Graber.......EAC ║ │
│║ Year.........1979 Khz/Bitrate..44,1/ Br ║ │
│║ ║ │
│║ Ripper.......anthem Songs........09 ║ │
│║ Covers.......Yes Url... www.thinlizzyband.com ║ │
│║ ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│ │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Notes ║ │
│╠═════════════════════╩══════════════════════════════════════════╗ │
│║ ║ │
│║ Artist : Thin Lizzy Rating : You Decide! ║ │
│║ Album : Black Rose: A Rock Legend Label : Phonogram ║ │
│║ ║ │
│║ ║ │
│╠════════════════════════════════════════════════════════════════╣ │
│║ ║ │
│║ Description : ║ │
│║ ║ │
│║ ItÆs a heavier approach we find IrelandÆs finest ║ │
│║ (sorry, U2) rock band swathed in on this effort, ║ │
│║ having since dispatched guitarist Brian ║ │
│║ Robertson (injured in a bar fight, heÆd later ║ │
│║ gone to rattle cages briefly with Motorhead) in ║ │
│║ favor of Gary Moore. The manÆs speed, weight and ║ │
│║ general all around breathtaking guitar abilities ║ │
│║ could never be anything but a boon to any band, ║ │
│║ and this wasnÆt the first time Phil Lynott and ║ │
│║ company had called on him to pinch hit. HeÆd ║ │
│║ stepped into the breach on the Bad Reputation ║ │
│║ tour, and here he is as a full-blown member of ║ │
│║ the Lizzy lineup proper. ║ │
│║ ║ │
│║ ║ │
│║ Material wise, itÆs another straight shooting ║ │
│║ collection of material that continues the bandÆs ║ │
│║ ever upward spiraling legacy, although fewer and ║ │
│║ fewer dollars were forthcoming despite the ║ │
│║ overflowing art on display. A much thicker ║ │
│║ guitar tone than previous is immediately evident ║ │
│║ on ôDo Anything You Want To,ö a rumbling, bass ║ │
│║ driven number thatÆs fun, but a shade formulaic ║ │
│║ by LizzyÆs usually mould-busting standards. The ║ │
│║ real heat arrives with ôToughest Street In ║ │
│║ Town,ö a tale of rough stuff in the city, fueled ║ │
│║ by LynottÆs visceral visions, and MooreÆs ║ │
│║ relentless shredding. ôWaiting For An Alibiö is ║ │
│║ a great twin-guitar motivated number; featuring ║ │
│║ some of the bandÆs most impressive six string ║ │
│║ layering ever. ôMy Sarahö is a lovely tune ║ │
│║ Lynott wrote for his young daughter, which is ║ │
│║ hardly appropriate for snarling rock, so Lizzy ║ │
│║ appropriately perform this one at half-mast, ║ │
│║ with melodious solos aplenty. ║ │
│║ ║ │
│║ ║ │
│║ By this time it must be admitted that the man ║ │
│║ (Lynott) and the bandÆs drug addiction was on ║ │
│║ the brink of seriously addling their collective ║ │
│║ futures. Thus, the frankness with which said ║ │
│║ addiction is confronted in ôGot To Give It Upö ║ │
│║ is startling, and would be downright morose, if ║ │
│║ not for boasting some of the bandÆs toughest ║ │
│║ riffs ever. ItÆs clear that whereas most rock ║ │
│║ stars saw drug æn booze excess as their right, ║ │
│║ Lynott saw it for what it was; a yoke he was ║ │
│║ sadly not able to walk away from, right up until ║ │
│║ his death. The far punchier and terse ôGet Out ║ │
│║ Of Hereö is a humorous detour, and a real ║ │
│║ relief, while ôRoisin Dubh (Black Rose)ö is ║ │
│║ metal greatness galore. Lyrically recalling ║ │
│║ ôEmeraldö from the bandÆs own Jailbreak, itÆs ║ │
│║ another journey into LynottÆs learned Gaelic ║ │
│║ mind, and boasts some staggering incendiary ║ │
│║ guitar work from both Moore and longtime Lizzy ║ │
│║ accomplice Scott Gorham. ║ │
│║ ║ │
│║ ║ │
│║ And so the Lizzy rampage rolls on, bloodied, ║ │
│║ intoxicated and still in search of a sizable ║ │
│║ audience. From here, there would be two more ║ │
│║ albums (Chinatown and Renegade) of varying ║ │
│║ quality and varying lineups (Moore would split, ║ │
│║ not being able to handle the heroin, whilst ║ │
│║ Snowy White and Midge Ure would have brief and ║ │
│║ odd tenures with the band). But just as the ║ │
│║ skies were darkest, the heavens crashed and ║ │
│║ suddenly there was Thunder And Lightning. Go ║ │
│║ directly to 1983, if you please, for LizzyÆs ║ │
│║ crushing coda. ║ │
│║ ║ │
│║ ║ │
│║ ║ │
│╚════════════════════════════════════════════════════════════════╝ │
│ │
│ │
│ │
│╔═════════════════════╗ │
│║ Release Tracklist ║ │
│╚═════════════════════╩══════════════════════════════════════════ │
│ │
│ 01 - do anything you want to [03:53] │
│ 02 - toughest street in town [04:00] │
│ 03 - s & m [04:06] │
│ 04 - waiting for an alibi [03:30] │
│ 05 - sarah [03:34] │
│ 06 - got to give it up [04:24] │
│ 07 - get out of here [03:37] │
│ 08 - with love [04:41] │
│ 09 - r≤isφn dubh (black rose) a rock legend [07:05] │
│ │
│ Total Length : [38:50 minn │
│ │
│ │
│ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ │
│ │
│ │
│ │
│ ╔═════════════════════╗ │
│ ║ Greetings To: ║ │
│ ╚═════════════════════╝ │
│ │
│ Too all people who contributes to make this │
│ archive of good music in a exceptional conditions │
│ │
│ │
│ │
│■ ■│
└───────────────────────────────────────────────────────────────────┘