Omar_Souleyman-Wenu_Wenu-2013-GCP

Section
MP3/FLAC
Group
GCP
Size
69,92 MB
Files
11
Date
2016-03-05

NFO

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       .            ▀▀                              :..
            p r o u d l y   p r e s e n t s ..::


  ░         Artist   | Omar Souleyman
            Title    | Wenu Wenu

            Genre    | Ethnic
            Source   | CDDA
            Format   | Album
            Label    | Ribbon Music
            Catalog  | RBN029CD
            Released | 2013
            Ripped   | 2016
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            Quality  | 245 kbps avg at 44.1 kHz                    ▄▄███▀▀
            Encoder  | Lame 3.98.4 V0                             ▄▄██▀▀   ░
            Size     | 73.22 MB                                 ▄▄█████▀ ░░░
            Playtime | 39:43                    ▄███▄▄▄▄▄    ▄█▀    ▓█▄ ░░
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  ░         R E L E A S E   I N F O R M A T I O N

            A popular artist on the Syrian folk-pop circuit, Omar Souleyman is a
            wedding singer specializing in a high-octane version of dabke, a
            traditional style of music performed during line dances at weddings
            and other celebrations. A prolific artist, Souleyman and his band
            have recorded over 500 cassettes - mostly live recordings made at
            his wedding gigs - that have become a staple of music kiosks in
            major Syrian cities. Cutting a striking figure with his oversized
            sunglasses and mustache, Souleyman, a soulful but fairly
            conventional vocalist, is better known for his outlandish live
            performances - bizarre, carnivalesque affairs featuring breakneck
            techno-style synths and beats, with collaborator and
            multi-instrumentalist Mahmoud Harbi whispering lyrics into
            SouleymanÆs ear.

            After an estimated 500 bootleg wedding recordings, three
            compilations, and a live album issued by Sublime Frequencies, Omar
            Souleyman's modern dabke is finally captured in a recording studio
            with Four Tet's Kieran Hebden producing. Of course, accompanying him
            is his not-so-secret weapon, keyboard wizard Rizan Sa'id. "Wenu
            Wenu" contains seven selections, clocking in at a little under 40
            minutes. There are re-recordings of favorites, traditional songs,
            and a couple of new tunes. Souleyman's fluid, innovative dabke style
            walks its own loopy tightrope between baladi and shaabi styles and
            pushes the boundaries to create some new ones.

            His lyrics are sung poetry that can be understood by Turks, Kurds,
            and Iraqis, as well as Syrians; Westerners, not so much, but there
            are translations. Hebden does his best to capture all that is
            attractive about Souleyman's music but without the overblown
            distortion of those cassette recordings and overloaded PAs of
            wedding parties. He retains dabke's essentials; the poetry in these
            songs sometimes often comes from time immemorial; elsewhere it's
            modern. He understands that when words and rhythms are hypnotically
            paired, listeners become part of their unfolding. Sa'id's trademark
            keyboards are completely mind melting; his virtuoso pitchwheel
            acrobatics are manic; his textured rhythms link lyrics and melodies
            so precisely that even in odd time and key signatures they are
            compulsively irresistible. Hebden gives them plenty of room.

            Souleyman's voice claims his protagonist's timeless longing with
            authority; it is not a voice, it is the voice. It pleads and exhorts
            the listener to bear witness as it moans above the mix, possessed by
            it. Though "Wenu Wenu" contains more fidelity, sound separation, and
            balance, it retains much of the feel of his live offerings save for
            the live, rangey sound of the bouzouki. The throbbing title-track
            opener reflects Hebden's hearing with a massive four-on-the-floor
            beat, overdubbed backing chants, careening synth, and subtle female
            sighs, all of which reflect the devotion of the protagonist toward
            his beloved. "Khattaba" is a re-do of the 2006 hit, with
            multi-tracked samples of bouzouki, rebab, and strings; its dubwise
            sense of space is a fine expansion.

            In the improvisational ballad "Mawal Jamar", Hebden staggers piano
            chords atop the synth and loops. The gorgeous world-weariness in the
            grain of Souleyman's vocal rides the rhythms as Sa'id's winding,
            improvised solo seems to respond in affirmation. The latter man
            nearly steals the show several times. His mad, squiggly, pitch-bent
            zigzags on "Ya Yumma" are ecstatic; in the stomping closer,
            "Yagbuni", his emulation of reed instruments careen around the
            singer's voice and through Hebden's punched piano lines, loops, and
            a bass drop. "Wenu Wenu" cleans up Souleyman's music just enough to
            place it in an expanded musical and sonic context that creates a new
            frontier without sacrificing its power.
     ░
                        ░
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 ::.      ░░░░      ▀▀██████████████████████▀██████▀    ░░░░
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                           ▀▀████████████▄▄▄▄ ▀
 ::t r a c k  l i s t  :::     ▀██████▀▀
                         ::: .    ▀▀

 ------------------------------------------------------------------------------
  01. Wenu Wenu                                                           7:00
  02. Ya Mumma                                                            4:29
  03. Nahy                                                                5:32
  04. Khattaba                                                            5:11
  05. Warni Warni                                                         6:52
  06. Mawal Jamar                                                         4:19
  07. Yagbuni                                                             6:20

                                                                         -----

                                                                         39:43

 ------------------------------------------------------------------------------

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00-omar_souleyman-wenu_wenu-2013-gcp.jpg64,29 KB
00-omar_souleyman-wenu_wenu-2013-gcp.m3u247 B
00-omar_souleyman-wenu_wenu-2013-gcp.nfo21,11 KB
00-omar_souleyman-wenu_wenu-2013-gcp.sfv317 B
01-omar_souleyman-wenu_wenu-gcp.mp312,92 MB
02-omar_souleyman-ya_mumma-gcp.mp38,10 MB
03-omar_souleyman-nahy-gcp.mp39,07 MB
04-omar_souleyman-khattaba-gcp.mp39,30 MB
05-omar_souleyman-warni_warni-gcp.mp311,65 MB
06-omar_souleyman-mawal_jamar-gcp.mp37,58 MB
07-omar_souleyman-yagbuni-gcp.mp311,21 MB