Tidszon_-_Unsk-(Creative_Sources)-2004-BCC
- Section
-
MP3/FLAC
- Group
- BCC
- Size
- 58,77 MB
- Files
- 8
- Date
- 2005-02-01
NFO
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░█ █+ Tidszon - Unsk ▄ +█ █░
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░█ ▓█ ▄▀▀ ▄█░
░█ +█ Title : Unsk ▀▀▀▄▄ ▀█░
░█ ░█ Artist : Tidszon ▀ ▓█ █░
░█▄ █ Genre : Avantgarde ░█ █░
░██ █ Year : 2004 █ ▄█░
░██ █ BCC Rel Date : 01-31-2005 █ ██░
░██ █ Audio Bitrate : VBR kbps / Joint-Stereo █ ██░
░█ ▄▀ Sample Rate : 44,1 kHz Stereo █ ▀█░
░█ █▓ ▀ Encoder : Lame █░ █░
░█▄ ▀▀▄▄▄ Tracks : 08 █+ █░
░█▀ ▄▄▀ Label : cs014 █▓ █░
░█ █▓ Ripped By : BCC Team ▓█ █░
░█ █+ Source : CDDA +█ █░
░█ █░ Length : 44:00 min ░█ █░
░█ █+ Size : 58,8 MB ▄█ █░
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░█ █░ 01.HOVT [08:34] ░█ █░
░█ █░ 02.IRKST [03:25] ░█ █░
░█ █░ 03.MAWT [03:49] ░█ █░
░█ █░ 04.SYOT [05:23] ░█ █░
░█ █░ 05.AZODT [07:33] ░█ █░
░█ █░ 06.YAKST [02:21] ░█ █░
░█ █░ 07.ANAT [07:23] ░█ █░
░█ █░ 08.CHOT [05:32] ░█ █░
░█ █░ ------- ░█ █░
░█ █░ 44:00 min ░█ █░
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░██ █ INFO: █ █░
░██ █ █ ██░
░██ █ Of all the recent releases by the fine Creative █ ██░
░██ █ Sources label, Unsk by the collective Tidszon may █ ██░
░██ █ be the richest. The quartet consists of trumpeter █ ██░
░██ █ and electronician Birgit Ulher, saxophonist Martin █ ██░
░██ █ Kⁿchen, electronician Lise-Lott Norelius, and █ ██░
░██ █ percussionist Raymond Strid. Kⁿchen and Strid █ ██░
░██ █ are doubtless the more familiar of the four players █ ██░
░██ █ here, and of the four they are the more expressive. █ ██░
░██ █ Strid is a fantastic player, taking off roughly from █ ██░
░██ █ Paul LovensÆ rumbling and slashing percussion █ ██░
░██ █ but extending that influence in multiple ways. He █ ██░
░██ █ has graced any number of excellent recordings █ ██░
░██ █ with Marilyn Crispell and Mats Gustafsson, and on █ ██░
░██ █ each he strikes that difficult balance between █ ██░
░██ █ muscle and color. And Kⁿchen is an amazing, and █ ██░
░██ █ at times incendiary, saxophonist who recently won █ ██░
░██ █ some deserved acclaim for last yearÆs fab █ ██░
░██ █ Exploding Customer disc on Ayler Records. But █ ██░
░██ █ paired with Ulher û a terrifically inventive trumpeter █ ██░
░██ █ who explores territory close to that of Franz █ ██░
░██ █ Hautzinger, Ruth Barberan, and Greg Kelley û and █ ██░
░██ █ Norelius (who is new to me but is quite adept with █ ██░
░██ █ her electronics), they explore a frostier, more █ ██░
░██ █ remote area of improvised music. . █ ██░
░██ █ . █ ██░
░██ █ While these improvisations are clearly informed by █ ██░
░██ █ contemporary electro-acoustic music, they are █ ██░
░██ █ equally beholden to robust European traditions of █ ██░
░██ █ free blowing. And there are many moments in █ ██░
░██ █ TidszonÆs music û with objects rolling on █ ██░
░██ █ drumheads, spit gurgling in horns and long █ ██░
░██ █ electronic tones connecting it all like threads in a █ ██░
░██ █ web û where that elusive synthesis between old █ ██░
░██ █ and new idioms seems to have been achieved. █ ██░
░██ █ Some pieces come across like genuine four-part █ ██░
░██ █ conversations, with clearly distinct gestures █ ██░
░██ █ popping here and there like flash bulbs: a flourish █ ██░
░██ █ of electronics, a delicate brush stroke, a chewy █ ██░
░██ █ reed or brass lick. Yet just as many radiate with █ ██░
░██ █ the aural equivalent of listening to a colony of █ ██░
░██ █ insects laboring away on the other side of a steel █ ██░
░██ █ plate; there are sounds of grinding, boring, drilling, █ ██░
░██ █ and wheezing. Even on these occasions, the █ ██░
░██ █ fascinatingly cryptic playing sparkles with the █ ██░
░██ █ individuality of the players, who clatter, gurgle, █ ██░
░██ █ chortle and burn in distinct ways. . █ ██░
░██ █ . █ ██░
░██ █ So much freely improvised music succeeds or █ ██░
░██ █ fails on the basis of gesture: what possibilities can █ ██░
░██ █ be opened up with/through a single utterance or █ ██░
░██ █ feint? How does a lone chirrup crystallize a larger █ ██░
░██ █ flow of events? Or in what ways might a █ ██░
░██ █ meaningful narrative be spun not so much from █ ██░
░██ █ continuous wild expressionism as from. █ ██░
░██ █ interlocking muted asides? These are the █ ██░
░██ █ questions Tidszon pursues and, if the music █ ██░
░██ █ doesnÆt seem to resolve over the course of these █ ██░
░██ █ eight improvisations, thatÆs largely because the █ ██░
░██ █ musiciansÆ collective aesthetic resists closure. In █ ██░
░██ █ TidszonÆs world, that openness is the mark of █ ██░
░██ █ compelling, challenging improvisations. █ ██░
░██ █ . █ ██░
░██ █ http://www.japanimprov.com/indies2/creativesour █ ██░
░██ █ ces/tidszon.html . █ ██░
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Files
| Path | Size |
|---|
| 01-tidszon_-_hovt-bcc.mp3 | 11,77 MB |
| 02-tidszon_-_irkst-bcc.mp3 | 4,50 MB |
| 03-tidszon_-_mawt-bcc.mp3 | 4,91 MB |
| 04-tidszon_-_syot-bcc.mp3 | 7,43 MB |
| 05-tidszon_-_azodt-bcc.mp3 | 10,24 MB |
| 06-tidszon_-_yakst-bcc.mp3 | 3,00 MB |
| 07-tidszon_-_anat-bcc.mp3 | 9,63 MB |
| 08-tidszon_-_chot-bcc.mp3 | 7,29 MB |