Uli_Jon_Roth-Guitare_En_Scene-DVBS-2014-JUST

Section
MP3/FLAC
Group
JUST
Size
64,69 MB
Files
4
Date
2016-03-30

NFO

Artist.......: Uli Jon Roth
Album........: Guitare en Scene
Label........: n/a
Genre........: Rock
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2016-03-30
Str.date.....: 2014-07-00
Quality......: 175kbps/48.0kHz/Joint Stereo
Url..........: http://www.ulijonroth.com/

track  title                                          time

 1.    Guitare en Scene                              51:28
        * All night long
        * Longing for fire
        * We'll burn the sky
        * In trance
        * Fly to the rainbow
        * Dark lady

                                            Runtime  51:28
                                            Size     64.68


Release Notes:

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Though he doesn't get nearly as much credit as Deep Purple's Ritchie Blackmore,
Uli Jon Roth helped lay the groundwork for neo-classical metal with his lead
guitar work for German hard rock icons the Scorpions during the '70s. Roth's
playing owed an obvious debt to Jimi Hendrix, but the elegance of his lead
lines, the fluidity of his phrasing, and his use of alternate scales learned
from classical training all helped push his oeuvre into another realm entirely.
Upon leaving the Scorpions in 1978, Roth embarked on an erratic solo career that
found him exploring his psychedelic and neo-classical influences to a degree
that would have been impossible with his former band.

Uli Jon Roth was born Ulrich Roth in Dusseldorf, Germany, on December 18, 1954.
He began playing guitar at age 13 and was performing just two years later. In
the early '70s, he joined a band called Dawn Road, which also featured vocalist
Klaus Meine. Members of the temporarily in-limbo Scorpions (their guitarist
Michael Schenker had just left to join UFO) became interested in Dawn Road's
original material, which was largely composed by Roth, and a new Scorpions
lineup was formed in 1973 with Roth on lead guitar. 1974's Fly to the Rainbow
was their first recording together, but they really hit their stride on the
follow-ups, 1975's In Trance and 1976's Virgin Killer, which made them
international stars and drew particular acclaim for Roth's soloing abilities.
However, musical tensions were evident on 1977's Taken By Force; Roth's epic
ambitions began to clash with the straight-up hard rock sensibility of the rest
of the band. After a tumultuous world tour, Roth left the group in 1978,
following the release of the live double album Tokyo Tapes.

Out on his own, Roth formed a backing band called Electric Sun, which -- in
keeping with the classic power-trio format -- featured him on lead vocals as
well as guitar. Electric Sun made its debut with the Earthquake album in 1979,
which was musically somewhat similar to his work with the Scorpions, albeit with
more Hendrix influence, generally longer songs, and a slightly hippie-ish vibe.
Those tendencies were explored in more detail on the 1981 follow-up, Fire Wind.
For the next Electric Sun project, Roth took a left turn into symphonic
neo-classical rock, greatly expanding his compositional palette while
introducing his new invention, the six-octave Sky Guitar. The result, Beyond the
Astral Skies, was released in 1984 and would prove to be the last Roth recording
for quite some time; he elected to take a break from recording in order to work
in an ambitious new direction.

Much of Roth's writing from the mid-'80s to the mid-'90s was in a classical
style, leaving rock & roll behind altogether. For example, the 1991 piece Aquila
Suite (later issued as part of the three-disc From Here to Eternity package) was
a set of 12 etudes composed for solo piano, in the style of the Romantic era.
Also in 1991, Roth was tapped by German television to direct the tribute special
"A Different Side of Jimi Hendrix," which also featured bassist Jack Bruce and
drummer Simon Phillips, among many others. In 1993, Roth returned to German
television with the "Symphonic Rock for Europe" special, in which he performed
his first rock symphony "Europa Ex Favilla" (plus several other pieces) backed
by the Brussels Symphony Orchestra. Some of those compositions later turned up
on Sky of Avalon: Prologue to the Symphonic Legends, Roth's 1996 return to
recording, which featured his new backing band Sky of Avalon. Prologue was the
first of a projected four related symphonic recordings spotlighting the sky
guitar. In 1998, Roth played his first straight-ahead rock concerts in quite
some time, joining the European leg of the G3 guitar-virtuoso package tour with
Michael Schenker and Joe Satriani. In 2000, Roth released Transcendental Sky
Guitar, a two-CD set of recent live and studio material (including selections
from a special 1999 concert in Vienna) that was split into classical and
rock-oriented halves.




RLS-Crc: 415F2D5F4D5033:E4CAB3	  	 		

Files

PathSize
00-uli_jon_roth-guitare_en_scene-2014.m3u37 B
00-uli_jon_roth-guitare_en_scene-2014.nfo4,69 KB
00-uli_jon_roth-guitare_en_scene-2014.sfv47 B
01-uli_jon_roth-guitare_en_scene.mp364,68 MB