Artist.......: Mungo Jerry
Album........: Berlin Live
Label........: n/a
Genre........: Blues
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2016-05-09
Str.date.....: 2016-00-00
Quality......: 223kbps/48.0kHz/Joint Stereo
Url..........: http://www.mungojerry.com/
track title time
1. Berlin Live 57:45
Runtime 57:45
Size 92.37
Release Notes:
SUPPORT LATEST LAME !!
Mungo Jerry are one of rock's great one-hit successes. Outside of England,
they're known for exactly one song, but that song, "In the Summertime," is a
seasonal anthem known by listeners who weren't even born when it was released.
Mungo Jerry was a solid blues outfit as well -- in fact, one suspects they were
the kind of blues band that purists Alexis Korner and Cyril Davies would have
loved, had they ever intersected -- and knew how to get the most out of their
jug band sound, which helped them survive for decades.
Mungo Jerry were formed in 1970 by singer/guitarist Ray Dorset (born March 21,
1946), who had a fascination with early rock & roll sounds, as well as skiffle
and blues. The other original members were Mike Cole on upright bass; Paul King
on guitar, kazoo, and jug; Joe Rush playing washboard; and Colin Earl at the
keyboards. Dorset and Earl had first hooked up in the Good Earth, a group with a
mixed rock & roll and blues sound that cut some tracks for the mid-priced Saga
label, none of which sold. Cole, King, and Rush came aboard and the lineup was
complete. The name Mungo Jerry -- from a T.S. Eliot poem -- came next, with a
contract from Pye Records.
The quartet had a pleasing, low-key jug band sound, folk-like but also bluesy,
which was unusual in 1969, a time when most British bands that were into blues
were shooting for high-wattage virtuosity. They sounded less like Cream or Blind
Faith and a lot more like Jesse Fuller or Tampa Red, or even Piano Red (aka Dr.
Feelgood). Mungo Jerry became one of the very first acts placed on the Pye
label's new Dawn Records imprint, a progressive label that was intended to
update Pye's image. In May of 1970, following an appearance at the Newcastle
Hollywood Festival, their debut single, "In the Summertime," written by Ray
Dorset, was released. The record, an easygoing, catchy skiffle-like piece
reflecting the mood of the season in its title and the sexual ethos of the late
'60s was an instant hit, shooting to number one in England in only two weeks and
riding the charts for much of the summer. Concerts and television appearances
followed in profusion, although the most often seen among the latter is a
performance mimed to the single. It was a Top Ten hit in America, riding the
charts for weeks, and was a success in practically every country in which it was
released, ultimately selling between eight and 16 million copies around the
world.
A self-titled debut album was rush-released that summer to capitalize on the
hit. By the time the LP was recorded, washboard-player Rush was gone, and Cole
had left by the time the record was issued, the beginning of a dizzying series
of personnel changes. The group's second single, "Baby Jump," was a chart-topper
in England but didn't fare as well overseas, and heralded a second album,
Electronically Tested, which was followed by a third, You Don't Have to Be in
the Army, that same year, with a parallel U.S. release, Memoirs of a Stockbroker
(Janus Records). "Maggie," "Johnny B Badde," "Mighty Man," "Lady Rose," and "You
Don't Have to Be in the Army to Fight in the War" all charted in England and got
decent, if not spectacular, airplay at various other points around the globe.
The membership of Mungo Jerry began coming apart almost from the outset of their
success. Cole, who was replaced by John Godfrey, was followed out of the lineup
by King and Earl, although their exit was somewhat more acrimonious. They
attempted to take the name Mungo Jerry, but Dorset, as the singer, guitarist,
and songwriter, held onto the name. Instead, King and Earl cut solo albums for
Pye and went on the road as the King Earl Boogie Band with former bandmate Rush
in the lineup. Meanwhile, Dorset recruited keyboard player Jon Pope and drummer
Tim Reeves for Mungo Jerry.
Essentially, from 1972 onward, Dorset was Mungo Jerry, even more than Ian
Anderson was Jethro Tull. Drummer Paul Hancox (ex-Chicken Shack), bassist (and
future Ozzy Osbourne alumnus) Bob Daisley, and keyboard man John Cook passed
through, as did piano player Ian Milne and guitarist Dick Middleton, and that
was just during the band's time on Pye through 1975. In the later '70s, when the
band was signed to Polydor, original members Earl and Rush were back in the
lineup. Earl and King later formed a group called Skeleton Crew.
Mungo Jerry's chart hits stopped coming, but they continued to attract audiences
on-stage everywhere from Eastern Europe to the Middle East. Ironically, Dorset
found himself unable to emerge from the shadow of his group's identity. His solo
albums, including 1987's A Case for the Blues, featuring Peter Green on guitar,
failed to attract any attention. Decades after the band's founding, Mungo Jerry,
which could consist of any lineup from a quartet down to Dorset with taped
accompaniment, continued to work on-stage and "In the Summertime" remained their
signature tune. Reggae singer Shaggy recorded a cover version of "In the
Summertime" in 1995, which hit the charts worldwide, and in 2010 Dorset
re-recorded it (as Mungo Jerry & Bluestone featuring MC Skibadee) to celebrate
the song's 40th anniversary. Occasional albums have appeared under the Mungo
Jerry name in the 21st century, including 2001's Candy Dreams, 2003's Adults
Only, 2007's Naked - From the Heart and When She Comes, She Runs All Over Me,
and 2012's Cool Jesus.
RLS-Crc: 415F2D5F4D5033:E4CAB3