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| music for body and soul |______________________|| |
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|| release infos |
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| |
| + artist ........... Oliver Nelson and Lou Donaldson |
| + album ............ Back Talk |
| + label ............ Chess |
| + cat .............. GCH 2-6032 |
| + year ............. 1976 |
| + genre ............ Jazz |
| + source ........... Vinyl |
| + quality .......... VBRkbps / 44,1Khz / Joint-Stereo |
| + release date ..... 13.02.2005 |
| + size ............. 103,5 MB |
| + link ............. n/a |
.| |
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|| tracklist |
'| |
| |
| 01.Hobo Flats 04:15 |
| 02.Post No Bills 05:33 |
| 03.A Bientot 03:48 |
| 04.Three Plus One 03:26 |
| 05.Take Me With You 05:30 |
| 06.Daylie's Double 04:02 |
| 07.Teenie's Blues 04:09 |
| 08.Laz-Ie Kate 04:04 |
| 09.Tippin' In 05:27 |
| 10.L.D. Blues 03:19 |
| 11.Days Of Wine and Roses 04:30 |
| 12.Ignant Oil 05:04 |
| 13.Rough House Blues 06:40 |
| 14.Back Talk 04:06 |
| 15.Huffin' 'n Puffin' 05:35 |
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| (t!) total 69:28 min |
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|| release notes |
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| |
| This two-record set combines two seemingly unrelated sessions |
| recorded for Cadet in the early '60s. The earlier session features |
| Oliver Nelson leading a large ensemble made of veterans like Phil |
| Woods, Jerome Richardson, Grady Tate, and Snooky Young, while |
| Patti Bown makes the best of a rather out-of-tune piano. Nelson |
| contributed the arrangements and most of the songs, except for |
| Billy Taylor's "A Bientot," which features the leader's powerful |
| tenor sax, and the somewhat gospel-flavored "Daylie's Double," |
| written by Audrey Nelson, the leader's spouse. Some of the tracks |
| might have benefited from additional takes, as Nelson's playing is |
| occasionally a bit sloppy in places, especially on a remake of |
| "Teenie's Blues." This disc was originally issued under the title |
| Fantabulous. The second LP is by Lou Donaldson, originally issued |
| separately as Rough House Blues, with arrangements by Nelson. |
| Woods and Tate are also on this date (as is the little-known tenor |
| saxophonist Robert Ashton), with organist Lloyd Mayers Jr., |
| baritone saxophonist Danny Bank, and trumpeter Ernie Royal among |
| the key players. Aside from a lively take of "Tippin' In" and an |
| imaginatively voiced treatment of "Days of Wine and Roses," the |
| leader wrote all of the songs for the date. The spirit of the |
| church also comes through in "Back Talk," where Donaldson's alto |
| sax seems to be preaching a sermon supported by the band as his |
| choir. One drawback from this session is the rather muddy sound of |
| Mayers' organ. Later reissued by Green Line in Europe without the |
| liner notes or personnel listings, this compilation is worth |
| purchasing in spite of the rather insipid cover photo with a rear |
| view of a nude African-American couple; one is tempted to ask why |
| neither band is featured playing "Cheek to Cheek." AMG Review |
| |
| Robert Ashton - Clarinet, Sax (Tenor) |
| Danny Bank - Sax (Baritone) |
| Patti Bown Piano |
| Dave Burns - Trumpet |
| Richard Davis - Bass |
| Lou Donaldson - Sax (Alto) |
| Arthur Hoyle - Trumpet |
| Oliver Nelson - Sax (Alto), Sax (Tenor) |
| Jerome Richardson - Flute, Flute (Alto), Sax (Baritone) |
| Ernie Royal - Trumpet |
| Tony Studd - Trombone (Bass) |
| Grady Tate - Drums |
| Ben Tucker - Bass |
| Ray Wiegano - Trombone |
| Phil Woods - Clarinet, Sax (Alto) |
| Snooky Young - Trumpet |
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|| group notes |
'| |
| mbs is a new and free music lover association on the net. |
| we only share the music we love, with the people we like. |
| keep your mind, your body and your soul open. peace. |
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