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street date: August 31, 2004 rip date: 07.12.2004
artist : Freddie McGregor
title : Live DVDA
year : 2004
genre : Reggae
label : R.A.S.T.A Digital
cat-nr : RD1003
website : http://www.fattvideos.com/videos_and_dvds_by/36128/FREDDIE_MCGREGOR
ripped by : TEAM YARD
quality : VBR 44.1 Joint-Stereo
tracks : 02
length : 80:42 min
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nr. song title length
01 Opening Act 25:51
02 Live 54:51
... . .
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█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ Description for Freddie McGregor - Live DVD ▌█ █
█ █▐ ▌█ █
█ █▐ --Freddie McGregor is one of the foremost Jamaican ▌█ █
█ █▐ reggae performers, and has been so consistently ▌█ █
█ █▐ over the course of his long career, which began ▌█ █
█ █▐ at the early age of seven. He has since been named ▌█ █
█ █▐ the unofficial "Ambassador of Reggae," becoming ▌█ █
█ █▐ one of the most popular performers abroad, as well ▌█ █
█ █▐ as a legend at home. Never content to rest on the ▌█ █
█ █▐ laurels of fame, Freddie sees it as his duty to ▌█ █
█ █▐ continue to grow, to push the envelope in music ▌█ █
█ █▐ and in life, and thus his career has thrived through ▌█ █
█ █▐ the many changes that have occurred in reggae over ▌█ █
█ █▐ the past 30 odd years, including the emergence of ▌█ █
█ █▐ dancehall. Freddie has a diversity of accomplishments ▌█ █
█ █▐ to his name, including starting his own record label ▌█ █
█ █▐ Big Ship, playing for Nelson Mandela and Prince ▌█ █
█ █▐ Charles, and being the first reggae performer to ▌█ █
█ █▐ play for the Hopi Indians of Arizona. This enthusiasm ▌█ █
█ █▐ and energy is apparent on this rare, live release, ▌█ █
█ █▐ a collectors item on which Freddie electrifies the ▌█ █
█ █▐ crowd, playing his many hits from throughout his ▌█ █
█ █▐ illustrious musical tenure. Freddie McGregor, ▌█ █
█ █▐ shows off wht he does best as he gets the crowd ▌█ █
█ █▐ groving to the beat. Watch the musician -- known for ▌█ █
█ █▐ spinning such classics as "Fever", "So many people ▌█ █
█ █▐ wanna see me stop loving you", "I was born a winner" ▌█ █
█ █▐ and "Give me the right" -- feeding the audience's ▌█ █
█ █▐ thirst for upright tunes and stir them into one ▌█ █
█ █▐ fantastic frenzy. Loved all over the world for his ▌█ █
█ █▐ Lover'sRock/Roots & Culture Style, Freddie McGregor ▌█ █
█ █▐ delivers his masterful touch while creating a frenzy ▌█ █
█ █▐ and taking the crowd to higher heights. Performing ▌█ █
█ █▐ his greatest hits, Freddie McGregor captivates an ▌█ █
█ █▐ energetic, outdoor crowd, for a once in a lifetime ▌█ █
█ █▐ performance. This collector's edition 'Freddie ▌█ █
█ █▐ McGregor-Live', is a must have for Reggae music ▌█ █
█ █▐ lovers everywhere. ... ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
█ █▐ Biography Of Freddie McGregor - ▌█ █
█ █▐ ▌█ █
█ █▐ Freddie McGregor is one of reggae's most durable and ▌█ █
█ █▐ soulful singers, with an incredibly steady career ▌█ █
█ █▐ that started all the way back in the '60s, when he ▌█ █
█ █▐ was just seven years old. Since then, he's spanned ▌█ █
█ █▐ nearly every stylistic shift in Jamaican music, from ▌█ █
█ █▐ ska and rocksteady to Rastafarian roots reggae to ▌█ █
█ █▐ lovers rock (his particular specialty) to dabblings ▌█ █
█ █▐ in dancehall, ragga, and dub. Not just a singer, he ▌█ █
█ █▐ wrote some of his own material, and grew into an ▌█ █
█ █▐ accomplished producer as well. McGregor's heyday was ▌█ █
█ █▐ the early '80s, when he released several high-quality ▌█ █
█ █▐ albums and reached the peak of his popularity in ▌█ █
█ █▐ Jamaica and England. However, he remained a strong ▌█ █
█ █▐ presence on the reggae scene well into the new ▌█ █
█ █▐ millennium. McGregor was born in Clarendon, Jamaica ▌█ █
█ █▐ on June 27, 1956. At age seven, he started singing ▌█ █
█ █▐ backup for a local ska harmony duo called the ▌█ █
█ █▐ Clarendonians (naturally, with the nickname of ▌█ █
█ █▐ Little Freddie McGregor). The Clarendonians recorded ▌█ █
█ █▐ for producer Clement "Coxsone" Dodd's legendary ▌█ █
█ █▐ Studio One label for a time, and when they split in ▌█ █
█ █▐ the mid-'60s, McGregor teamed up with ex-member ▌█ █
█ █▐ Ernest "Fitzroy" Wilson to form a new duo, Freddie ▌█ █
█ █▐ and Fitzroy. They recorded several single sides, ▌█ █
█ █▐ including "Why Did You Do It" and "Do Good and Good ▌█ █
█ █▐ Will Follow You." McGregor stayed at Studio One for ▌█ █
█ █▐ much of the '70s, working as a session drummer and ▌█ █
█ █▐ backup singer while developing his own vocal style, ▌█ █
█ █▐ which owed much to smooth, Philadelphia-style soul. ▌█ █
█ █▐ He sang lead for groups like Generation Gap and Soul ▌█ █
█ █▐ Syndicate, and also recorded off and on as a solo ▌█ █
█ █▐ act during the '70s, though always in the singles ▌█ █
█ █▐ medium. During this period, he began writing some of ▌█ █
█ █▐ his own material, including songs like "Go Away ▌█ █
█ █▐ Pretty Woman," "Tomorrow Is Like Today," and "What ▌█ █
█ █▐ Difference Does It Make." In 1975, McGregor ▌█ █
█ █▐ converted to Rastafarianism, which had a profound ▌█ █
█ █▐ impact on his music. Still with Studio One and ▌█ █
█ █▐ working with Earl "Chinna" Smith, he recorded the ▌█ █
█ █▐ classics "Rastaman Camp" and "I Am a Rasta" right off ▌█ █
█ █▐ the bat, and followed them with a string of singles ▌█ █
█ █▐ that substantially raised his profile in Jamaica: ▌█ █
█ █▐ "Mark of the Beast," "Sergeant Brown," "Jogging," ▌█ █
█ █▐ "Natural Collie," "Zion Chant," "Walls of Jericho," ▌█ █
█ █▐ "Africa Here I Come," "Come Now Sister," and "Bobby ▌█ █
█ █▐ Bobylon" among them. He issued his first album, Mr. ▌█ █
█ █▐ McGregor, in 1977, under the auspices of producer ▌█ █
█ █▐ Niney the Observer. Returning to Studio One, he ▌█ █
█ █▐ offered his first LP for the label in 1980 with the ▌█ █
█ █▐ classic Bobby Bobylon, which featured a mixture of ▌█ █
█ █▐ new material and reworkings of older singles. The ▌█ █
█ █▐ album was a smash hit in Jamaica, establishing ▌█ █
█ █▐ McGregor as a budding star, and revitalizing Coxsone ▌█ █
█ █▐ Dodd's production career. Around the same time, he ▌█ █
█ █▐ started producing and arranging for other artists, ▌█ █
█ █▐ most notably on Judy Mowatt's solo debut, Black ▌█ █
█ █▐ Woman; he also worked with Johnny Osbourne and ▌█ █
█ █▐ Jennifer Lara. In 1981, McGregor scored a huge hit ▌█ █
█ █▐ single with "Big Ship," which catapulted him to the ▌█ █
█ █▐ front rank of reggae stars in the immediate post ▌█ █
█ █▐ -Marley era, along with Dennis Brown and Gregory ▌█ █
█ █▐ Isaacs. His next LP arrived in 1982, also titled Big ▌█ █
█ █▐ Ship, and featured production by Linval Thompson and ▌█ █
█ █▐ musical backing by the Roots Radics. It too was ▌█ █
█ █▐ highly successful, both creatively and commercially. ▌█ █
█ █▐ Signing with Ras for 1983's Come On Over, McGregor ▌█ █
█ █▐ extended his creative hot streak to an international ▌█ █
█ █▐ audience, making a name for himself in the U.K. and ▌█ █
█ █▐ U.S. His 1984 follow-up Across the Border was a ▌█ █
█ █▐ slightly poppier effort that contained his hit reggae ▌█ █
█ █▐ cover of "Guantanamera." Continuing in this crossover ▌█ █
█ █▐ vein, in hopes of surviving amid the dancehall ▌█ █
█ █▐ revolution, McGregor released All in the Same Boat in ▌█ █
█ █▐ 1986; it produced a major hit in "Push Come to Shove," ▌█ █
█ █▐ which became his first U.K. chart entry. He sparked ▌█ █
█ █▐ the interest of Polydor Records, and found further ▌█ █
█ █▐ U.K. success with "That Girl" and a cover of the Main ▌█ █
█ █▐ Ingredient's "Just Don't Want to Be Lonely," which ▌█ █
█ █▐ made the U.K. Top Ten in 1987. McGregor's relationship ▌█ █
█ █▐ with Polydor proved short-lived, however, and he ▌█ █
█ █▐ formed his own label, Big Ship, in 1989. The first ▌█ █
█ █▐ release was an all-covers LP called Jamaican Classics, ▌█ █
█ █▐ which was so well-received that he quickly recorded a ▌█ █
█ █▐ second volume (and, eventually, a third in 1996). ▌█ █
█ █▐ 1991's Now also featured several covers, and 1993's ▌█ █
█ █▐ Legit was an equal-time collaboration with Dennis ▌█ █
█ █▐ Brown and Cocoa Tea. Also in 1993, he had a hit with ▌█ █
█ █▐ his lovers rock cover of Justin Hinds' "Carry Go ▌█ █
█ █▐ Bring Come." 1994's Push On provided much of the ▌█ █
█ █▐ foundation for what many would call his finest outside ▌█ █
█ █▐ production work, Luciano's 1995 After All album (which ▌█ █
█ █▐ featured the major hit "Shake It Up Tonight"). Also in ▌█ █
█ █▐ 1995, McGregor issued his own Forever My Love, one of ▌█ █
█ █▐ his more sentimental offerings. After slowing his pace ▌█ █
█ █▐ in the late '90s, McGregor returned in 2000 with the ▌█ █
█ █▐ acclaimed Signature, which restored his typical balance ▌█ █
█ █▐ of roots reggae and lovers rock with touches of dancehall. ▌█ █
█ █▐ He followed it two years later with a similarly well ▌█ █
█ █▐ -received album, the Grammy-nominated Anything for You. ▌█ █
█ █▐ ~ Steve Huey, All Music Guide ▌█ █
█ █▐ ▌█ █
█ █▐ ▌█ █
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