_ _ _ _ _ _ _ _ _
_ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ -
F u F F E N S p r o u d l y p r e s e n t s a r e l e a s e w h i c h
i n t e n t i o n i s t o p l e a s e a n d t o e n l i g h t e n t h
o s e l e s s a w a r e o f t h e t r u e m e a n i n g a n d q u a l
i t y o f m u s i c d u e t o d a m a g e s r e l a t e d t o m t v b
u t w i t h o u t f u r t h e r a d o f u f f e n s o f f e r y o u t
o i n c r e a s e y o u r k n o w l e d e g e a b o u t m u s i c a n
d i n t h a t w a y c r e a t e a b e t t e r w o r l d f o r o u r c
h i l d r e n t h e f o l l o w i n g m a s t e r p i e c e o f a r t
_ _ _ _ _ _ _ _ _
_ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ -
a r t i s t pablo ablanedo octet
a l b u m from down there
l a b e l Fresh Sound New Talent
g e n r e jazz
r i p d a t e 26-02-2005
s t r e e t d a t e 00-00-2001
o r i g i n a l r e l 2001
s u p p l i e r m00g
s o u r c e cd
b i t r a t e VBR
e n c o d e r lame 3.90.3
r e l e a s e n o t e s
Influenced by such diverse, but compatible artists as Astor
Piazzolla, Igor Stravinsky, and Bill Evans, pianist/composer Pablo
Ablanedo writes complex arrangements that address group
improvisation, ambient soundscapes, and straight-ahead modal blowing.
Featuring a group of young and ambitious fellow Berklee School of
Music grads, From Down There is a cinematic and introspective debut.
Many of Ablanedo's compositions feature striking violin lines via
Jenny Scheinmann and mournful horn accents that devolve into swirling
waves of slow tango. Ablanedo seems to be interested in mixing sounds
from his native Argentina with progressive jazz that borders on the
avant-garde. Indicative of this is "Chacarera de la Esperanza," with
its atonal piano backgrounds against a weepy horn melody line that
cuts to a flamenco-driven solo section. Similarly, the title track,
with its odd time signature and rolling piano riff, starts out like a
Dave Brubeck piece and quickly breaks down into an airy Bill
Frisell-like improvisation featuring the plaintive call-and-response
bends of brother-and-sister team Avishai Cohen and Anat Cohen, on
trumpet and tenor saxophone, respectively. All in all, Ablanedo's
third stream, world jazz compositions lend themselves to both
intellectual dissection and late-night, after-dinner relaxation.
...and remember: s t a y f u f f e n s f o r l i f e
t r a c k l i s t
from down there 04:42
para dejar 08:22
el acecho 03:23
dreaming 08:24
la viajera 07:44
claroscuro 09:18
u.m.m.g. 07:48
chacarera de la esperanza 05:34
dreaming (a cappella) 01:03
56:18
MB 74,8
g r o u p n e w s
From now on, we rip everything in VBR, using --alt-preset standard.
h e l p f u f f e n s
We are looking for quality sites in Europe and US, to be afilliated
on. Remember, we are not in it for the creds, but for the spreading
of quality music - we just want to get our releases out to the ppl
that wants/needs it. More pre sites fills this purpose.
g r e e t s
BCC CMS CMG diss DPS HiT2000 IGR JUST kw miso NuHS om sb SER sfE smc
s p e c i a l g r e e t s t o : SChiZO and FRAGMENT
_ _ _ _ _ _ _ _ _
_ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ -
i f y o u l i k e t h i s r e l e a s e t h e n g e t y o u r l e e c
h a s s d o w n t o y o u r l o c a l r e c o r d d e a l e r a n d b
u y t h e s t u f f b e c a u s e t h i s i s m a d e b y r e a l a r
t i s t s a p a r t f r o m t h e m a i n s t r e a m p r o d u c t s
t h a t s i n t h e t o p 2 5 l i s t i n t h a t s t o r e y o u w i
l l v i s i t r i g h t a w a y t o s h o w y o u r s u p p o r t t o
t h e t r u e a r t i s t s o f m u s i c - t h e f u f f e n s a r t
i s t s t h a t s i n i t f o r t h e m u s i c n o t t h e m o n e y
_ _ _ _ _ _ _ _ _
_ - - _ - - _ - - _ - - _ - - _ - - _ - - _ - - _ -
a l w a y s d o r e m e m b e r : s t a y f u f f e n s f o r l i f e
⌐ FuFFENS 2 0 0 3