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░▀▀██▄ ░█▓░░ ▓███▀▀░ ░░░▓█████░ P R O U D L Y ░█████▓░░░ ░▀▀███▓ ░░▓█ ▄██▀▀░
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░██░▄▓▄ ░ Artist :......: Joelle Leandre ░ ▄▓▄░██░
░██░ ▀ Album :.......: For Flowers ▀ ░██░
░░██▓ ░ Rls Date :....: Dec-21-2004 ░ ▓██░
░░██▓░ Retail :......: Jul-20-2004 ░▓██░
░▓██▓░ ▀▀██▄ Label :.......: Leo 396 ▄██▀▀ ░▓██░░
░███▓░ ░██▓ Genre :.......: Jazz ▓██░ ░▓███░
░███▓▓░ ░▓███░ Ripper :......: padfoot ░███▓░ ░▓▓███░
░████▓▓▓▓████▓░ Quality :.....: VBRk HQ True Stereo ░▓████▓▓▓▓████░
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░ ,.o T R A C K L I S T I N G o., ░
01 04:33 Hibiscus
02 05:10 White Lily
03 06:23 Water Lily
04 06:37 Violet
05 04:58 Crocus
06 07:47 Tulips
07 04:51 Lilac & Red Poppy
08 13:57 Iris
54:16 min Total Playing Time - Total Size 72,5 MB
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░ ░▓██▓░ ▀█▄ ░░▀▀▀▀█ ,.o R L S I N F O o., █▀▀▀▀░░ ▄█▀ ░▓██▓░ ░
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Assembled from two concerts presented on
consecutive nights in June 2001, at the
Orleans and La Villette jazz festivals
(both in France), For Flowers reveals
another of Joδlle LΘandre's
project-specific lineups. This is one of
her best groups of the early 2000s. The
compatibilities between her playing and
American violinist Mat Maneri's are
numerous, particularly in the
complementary ways they approach
microtonality. Christophe Marguet is a
known drummer on the Parisian mainstream
and left-field scenes, but gets his first
international exposure here as a free
improviser. He listens well and
contributes nice textures and rhythmic
counterpoint, but he remains too discreet
for too long; one ends up phasing him out
in favor of the two string players. The
surprise factor in these concerts is Joel
Ryan. The computer-based real-time sound
treatments of this once member of Evan
Parker's Electro-Acoustic Ensemble add a
lot of depth, complexity, and emotional
charge to the music. He is witty and
quick to pick up on any sonic material
offered, presenting back to the group a
distorted mirror image of itself. LΘandre
and Maneri react strongly to his input,
shifting between techniques and ideas in
order to interact with these images.
"Hibiscus" makes a strong opener, but
fades out too quickly after four and a
half minutes. Maybe the remainder of the
improvisation was of a lesser quality,
but as it stands, the piece ends before
it has a chance to say all it tries to
say and thus would have been better used
later in the track list. Two strong
highlights happen in "Crocus" and
"Tulips," two cuts where Ryan's work
takes center stage. The first piece
features his manipulation of Marguet's
percussion. In the second one, he focuses
on the double bass and the violin,
multiplying and corrupting the
instruments. When LΘandre begins to
vocalize on top of this duet, her voice
gets slowed down to the pitch of her
instrument. The concluding "Iris" is the
longest track at 14 minutes and, by
sticking to a very quiet drone
throughout, provides a rather weak
anticlimax. Its sinuous textures are
interesting but no match for the lively
playing experienced in the first three
quarters of the album. ~ Franτois
Couture, All Music Guide
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▄███▀░░ ,.o G R O U P I N F O o., ░░▀███▄
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░▓███▓▓░ ▄▓▄ Many things have changed over the past 5 ▄▓▄ ░▓▓███▓░
░████▓░░ ░ ▀ years since KSi was formed, but one thing ▀ ░ ░░▓████░
░▓█████▄░░ ▄ remains unchanged... that is KSi's commitment ░░▄█████▓░
░▓███████▄▄▄░ to providing you with the best music ░▄▄▄███████▓░
░ ▀▀████████████▀▀ the world has to offer. Whether ▀▀████████████▀▀ ░
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