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Micro Mega - Where We Go We Don't Need It Anymore
Title : Where We Go We Don't Need It Anymore
Artist : Micro Mega
Genre : Lo-Fi
Year : 2004
BCC Rel Date : Mar-08-2005
Audio Bitrate : 192 kbps / Joint-Stereo
Sample Rate : 44,1 kHz Stereo
Encoder : LAME
Tracks : 08
Label : Ici D'Alilleurs
Ripped By : BCC Team
Source : CDDA
Length : 40:12 min
Size : 55,3 MB
01.cruising paradise [06:06]
02.straight [05:46]
03.pale shadows [04:00]
04.surface [04:30]
05.were you here [05:29]
06.open all day [05:32]
07.file [00:54]
08.the moon chapter [07:55]
-------
40:12 min
Speaking about music, one sometimes hesitates to
use those overused words which are deprived of
their original meaning. "Activist" is one of them.
Nevertheless, it seems particularly adapted to the
two musicians of micro:mega.
For two men in their thirties, Sylvain Chauveau
and FrΘdΘric Luneau have indeed an impressive
musical background. FrΘdΘric is one of the
founders of the band L÷be Radiant Dub System (4 LP
released) and has been running the project Webcam
(electro dub) on his own for a few years. He's
also a talented photgrapher , creator of
micro:mega's records artworks.
Sylvain was a member of the Watermelon Club before
launching into a brilliant solo career. After his
"Livre Noir du Capitalisme" (The Black Book of
Capitalism) which seduced the critics in 2000. His
second album "Nocturne impalpable" has received
huge positive feedback. he released a miniCD, "Un
autre dΘcembre" (Another December) for FatCat and
opened for Sigur Ros european dates in 2003. His
last album is the original soundtrack music
composed for the film "Des plumes dans la tΩte"
directed by Thomas de Thier (Official selection at
the Cannes Film Festival, 2003). Sylvain Chauveau
also has some parallel projects: Arca, with Joan
Cambon and On, with Steven Hess, from Chicago (the
album, "Your naked ghost comes back at night" is
just out now).
This enumeration isn't gratuitous, it enables us
to understand, at least partly, where the richness
and diversity of micro:mega's universe come from.
Already endowed with very different sensibilities,
the two musicians have drawn from their different
experiences a marked taste for the use of a
variety of materials and instruments and a great
deftness in the mixing of multiple sound strata.
Thanks to that, the pair can smoothly conjugate
electronic and organic and establish links between
Labradford and Pan American's America, Autechre's
England, Yann Tiersen's Brittany and Pan Sonic's
Finland, without ever forgetting what melody
means.
Less melancholic than its predecessors
("Photosphere" and "Human"), "Annex" is also
perhaps less introspective, more open. While
keeping a definitely unique place on the French
electronic scene, micro:mega seem to have reached
a kind of fullness that we are happy to share with
them.
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