Martin_Gore-Counterfeit_Mode_Vol_1-Bootleg-2003-AMOK

Section
MP3/FLAC
Group
AMOK
Size
111,97 MB
Files
15
Date
2005-03-13

NFO

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        _\      \________\___/ \/     /_______________/_____\     ___/2oo3

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               ...:... . In Joint Forces With EWiG . .....:...

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       Martin Gore - Counterfeit Mode Vol 1 -Bootleg- (c) 2003 Bootleg

-/\/----------------------------------------------------------------------\/\-

    Supplier: 5-8-6              Encoder...: Lame 3.90.3 MOD

    Ripper..: 5-8-6              Quality...: VBR kbps / 44.1Hz / Joint-Stereo

    Source..: CDDA               Label.....: Bootleg

    Scans...: None               Catalogue#: n/a

    Tracks..: 15                 Type......: Bootleg

    Rel.Date: 03/13/2005         Genre.....: Electronic

   

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   recorded live in Koln Germany 24-04-03 by composer and keyboardist

   Martin Gore was born in Basildon, England, on July 23, 1961. As a

   teen he joined French Look, a duo featuring schoolmate Vince Clarke;

   with the subsequent additions of keyboardist Andrew Fletcher and

   singer David Gahan, the group re-christened itself Depeche Mode,

   soon jettisoning all instruments excluding their synthesizers and

   honing a slick, techno-based sound to showcase Clarke's catchy

   melodies. Depeche Mode's 1981 debut LP Speak and Spell was a major

   British hit, its success spurred by the smash single "Just Can't Get

   Enough," but following the album's release principal songwriter

   Clarke abruptly exited to form Yazoo with singer Alison Moyet,

   leaving the group's future in grave doubt. In Clarke's absence, Gore

   grabbed the songwriting reins, and while 1982's A Broken Frame

   deviated only slightly from Depeche Mode's earlier work, his ominous

   songs grew more assured and sophisticated by the time of 1983's

   Construction Time Again. Some Great Reward, issued the following

   year, was Depeche Mode's artistic and commercial breakthrough, as

   Gore's dark, kinky preoccupations with spiritual doubt ("Blasphemous

   Rumours") and psycho-sexual manipulation ("Master and Servant") came

   to the fore. The egalitarian single "People Are People" was a major

   hit on both sides of the Atlantic, and typified the music's turn

   toward more industrial textures. 1986's atmospheric Black

   Celebration continued the trend towards grim melancholy, and further

   established the group as a major commercial force. In 1989, Gore

   issued the solo EP Counterfeit; the following year saw the release

   of Depeche Mode's Violator, a Top Ten smash which spawned the hits

   "Enjoy the Silence," "Policy of Truth," and "Personal Jesus."

   Although 1993's Songs of Faith & Devotion entered the charts in the

   number one slot, internal conflicts resulted in a four-year wait for

   the follow-up, Ultra.



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   01 Intro (Dj Set)                                               04:19

   02 In My Time Of Dying                                          05:09

   03 Stardust                                                     03:27

   04 I Cast A Lonesome Shadow                                     04:46

   05 Only When I Loose Myself                                     05:19

   06 The Sweetest Perfection                                      04:54

   07 Coming Back To You                                           04:12

   08 By This River                                                04:40

   09 Lost In The Storm                                            02:50

   10 In Your Room                                                 05:48

   11 Walking In My Shoes                                          04:52

   12 Never Turn Your Back On Mother Earth                         03:13

   13 Surrender                                                    06:10

   14 The Love Thievs                                              06:42

   15 Candy Says                                                   07:44



                                                  Total:111,10 MB/ 74:05 min

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   MORAL DiSCLAiMER: We are very aware of the fact that our releases

     contribute to the growing sale losses of record companies.

     Unfortunately our style primarily targets small, independant labels

     that need sales to survive.



     For these reasons we ask you not to distribute this release on public

     sites or P2P tools; if more and more receive their music from the net,

     artists and labels will have to face even less sells than nowadays.

     Please do not consider this release as a substitute to the original, but

     only as a way to check out and learn about new music.

     We absolutely do not approve of DJs or other individuals that earn

     money from pirated music - Don't let them get their hands on it!



     By buying the albums you like you disperse the guilt we feel by

     releasing this music - Enjoy the music and be fair with the artists!

     YOUR support is required to keep them financially alive and producing!





                                   <Thinking AMOK - The Superior Lifestyle>

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:::::/____/::::::::::/___ |:::::::::::::::\______/:.............. ..... ... .;

:  to our competitors    \|

:     and friends in:

:

          amrc apc blizzard cmg cnmc dps gem mgc ms nbd

          nuhs psi psycz radial rns snd star ube wax wlm

:

`------------------------< AMOK - Dancefloor Massacre >------------- --- -- ->

 ::::::::::::::::::::::::                              ::::::::::::: ::: :: :

 [nfo layout v2.3.2-release: Team AMOK]              [last updated: o3/o6/24]

Files

PathSize
01-intro_(dj_set)-amok.mp36,58 MB
02-in_my_time_of_dying-amok.mp37,71 MB
03-stardust-amok.mp35,18 MB
04-i_cast_a_lonesome_shadow-amok.mp37,11 MB
05-only_when_i_loose_myself-amok.mp37,95 MB
06-the_sweetest_perfection-amok.mp37,35 MB
07-coming_back_to_you-amok.mp36,39 MB
08-by_this_river-amok.mp37,12 MB
09-lost_in_the_storm-amok.mp34,37 MB
10-in_your_room-amok.mp38,96 MB
11-walking_in_my_shoes-amok.mp37,43 MB
12-never_turn_your_back_on_mother_earth-amok.mp34,90 MB
13-surrender-amok.mp39,27 MB
14-the_love_thievs-amok.mp39,97 MB
15-candy_says-amok.mp311,68 MB