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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Ragni, Rado, MacDermot
Title | DisinHAIRited
Genre | Soundtrack Format | Album
Source | Vinyl Time | 46:52
Label | RCA Store | 1970
Catalog | LSO-1163 Rip | 2016
Bitrate | 257 kbps Size | 91.23 MB
Freq | 48.0 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
A01. One Thousand Year-Old Man 4:04
A02. So Sing The Children On The Avenue 2:10
A03. Manhattan Beggar 1:44
A04. Sheila Franklin / Reading The Writing 2:34
A05. Washing The World 2:00
A06. Exanaplanatooch 2:51
A07. Hello There 1:35
A08. Mr. Berger 1:29
A09. I'm Hung 1:46
A10. Climax 2:33
B01. Electric Blues 2:49
B02. I Dig 1:51
B03. Going Down 2:28
B04. You Are Standing On My Bed 2:42
B05. The Bed 2:46
B06. Mess O'Dirt 2:58
B07. Dead End 2:50
B08. Oh Great God Of Power 3:26
B09. Eyes Look Your Last / Sentimental Ending 2:16
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Throughout its various runs off-Broadway, at the Cheetah nightclub, and on
Broadway, the musical Hair was subjected to continual tinkering by composer
Galt MacDermot and lyricist/cast members James Rado and Gerome Ragni, with
songs and other elements added and removed. In fact, Rado and Ragni were
briefly fired from the production in April 1969 for introducing too many
changes, especially ones that made the show more risque. The same month,
however, the original Broadway cast album topped the charts, and RCA Victor
became more interested in all those extra songs than the show's producer.
So, the creative team reconvened with past and present cast members and put
together this follow-up album, which annotator Nat Shapiro admitted was
undefinable: "In addition to being a very special bonus trip", he wrote,
"'DisinHAIRited' is an extension, an amplification and a continuation of
Hair. Some of its songs were first written or projected for the original
New York Shakespeare Festival production, some for Broadway, and some for
this recording. This is not an original-cast album (actually, we don't know
what it is)".
While the collection didn't contain any sure-fire hits on the order of
"Aquarius," "Good Morning Starshine," or "Hair," it did have the same
combination of irreverence, wit, and timely commentary in the lyrics and
pop/rock eclecticism in the music that its predecessor had. "I Dig," for
example, was another of those non-rhyming personal statements like "Frank
Mills"; "The Bed" was gentle, sexy, and catchy; and "Eyes Look Your
Last/Sentimental Ending" was a closer with the intensity of "The Flesh
Failures/Let the Sunshine In" (such songs as 'Electric Blues' and 'Going
Down' had long since made it into the stage production). If the album was
ultimately a coda to the first LP, it nevertheless had its pleasures for
fans of the show.
┌────────┐
────┤ Group ├─────────────────────────────────────────────────────────────────
└────────┘