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Supersilent - 13
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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||| Artist Name_____> Supersilent |||
||| Album Name______> 13 |||
||| Label___________> Smalltown Supersound |||
||| Genre___________> Avantgarde |||
||| URL_____________> http://www.smalltownsupersound.com |||
||| Release Date____> 2016-09-26 |||
||| Street Date_____> 2016-09-30 |||
||| Size____________> 316.98mb ||
|| Playtime________> 56:49 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 662 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 13.1 7:04 |
| 2 13.2 4:06 |
| 3 13.3 3:37 |
| 4 13.4 4:13 |
| 5 13.5 7:25 |
| 6 13.6 2:13 |
| 7 13.7 12:31 |
| 8 13.8 2:45 |
| 9 13.9 12:55 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Currently a trio featuring Helge Sten, Arve Henriksen and Stσle |
| Storl°kken, Supersilent Æs album number 13 marks a turning point |
| in the groupÆs two-decade career. After a dozen recordings under |
| the umbrella of the diverse Rune Grammofon label, Supersilent have |
| now signed to Oslo based Smalltown Supersound, where they join the |
| likes of Lindstr°m, DJ Harvey, Prins Thomas and Andre Bratten as |
| labelmates. |
| |
| After live and studio dalliances with Led ZeppelinÆs John Paul |
| Jones in the last few years, they return to the trio format with a |
| real hunger and wigged-out vibe, covering more distance in the |
| space of one record than many bands do in their whole career. |
| |
| Atavistic, abstract and alien, 13 documents a tangle of ribboning, |
| in-the-moment thought processes in oscillation between atonal, |
| asymmetric rhythms and discord and much lusher, spacious flights |
| of fancy, with each player alternately operating at full, noisily |
| expressive wingspan, and also at their most hunched, grubbing. |
| |
| Perhaps most shocking is prominent appearance of crushing, |
| post-techno sludge impulses and almost darkwave-styled themes, |
| whether infiltrating the opener with sloppy syncopation, slung low |
| under 13.3 like Wolf Eyes at their most primal, squashed into the |
| sprawling, psychotomimetic structure of 13.7 or clattering and |
| fizzing under the weight of 13.9. |
| |
| But thatÆs just one of many deeply skewed aspects that light up |
| across 13, which also shares much in common with the surrealistic, |
| dissonant illuminations of Rashad Becker throughout, whilst the |
| likes of 13.4 head off on crankiest electro-acoustic vectors |
| recalling Edgard VareseÆs early electronics or the ferric tang of |
| Gottfried Michael Koenig, whereas 13.8 recalls the gloaming |
| spectres of Gruppo DÆImprovvisazione, and the ecstatic squall of |
| 13.9 feels like Fennesz undergoing some radical metamorphosis. |
| |
| Figure it out for yourself, but for us this is one of the wildest, |
| freeform sides of 2016 so far. |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
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