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September Collective - September Collective
Title : September Collective
Artist : September Collective
Genre : Electronic
Year : 2004
BCC Rel Date : Mar-29-2005
Audio Bitrate : VBR kbps / Joint-Stereo
Sample Rate : 44,1 kHz Stereo
Encoder : LAME
Tracks : 10
Label : Geographic 027CD
Ripped By : BCC Team
Source : CDDA
Length : 31:55 min
Size : 44,5 MB
01.welsclub [03:41]
02.spacer [01:57]
03.cirkeln [01:53]
04.some of these days [04:36]
05.the return [05:52]
06.schneller urlaub [02:06]
07.san [01:41]
08.gardna [03:04]
09.am viadukt [01:57]
10.three in one [05:08]
-------
31:55 min
September Collective may well be the most
beautiful electronic record of the year. It
features Stefan Schneider (To Rococo Rot and
Mapstation), Barbara Morgenstern, and Polish born
musician, Paul Wirkus, in a series of
improvisations which originated from the encores
they played together while touring Poland as three
solo projects. At a time when improvisation often
seems more about the musiciansÆ egos than the
music, September Collective is all about melody,
rhythm, surprise, context; and it's impossible to
listen to without imagining a time or a place.
Perhaps because it was recorded there, it starts
to feel Polish. Sleeve artist, Alison Mitchell,
seems to have imagined a pastoral neo-1960s world
which we sometimes see in the incredible Polish
screen prints of that time.
In other ways this record, which is by three
absolutely modern musicians, has a soft-focus
melancholy about it; in the outro of The Return
for instance, an acoustic guitar suddenly seeps
into the mix affecting the whole sound and
recalling comedown moments in soundtracks by John
Barry and Ennio Morricone. It also touches on
Schneider and Morgenstern's recent work with Bill
Wells, and on Wirkus's Intelletto D'Amore set. In
the process, each musician is constantly adding
something; a melody line, an atmosphere, a forward
propulsion, and the whole of the record is always
fluid and three-dimensional. Part of the September
Collective magic is that it's never that easy to
identify which member is doing what, although one
thing all three members pay attention to is
melody.
Recently The Wire identified Wirkus as one of the
true pioneers of laptop based music, comparing him
to Fennesz in his ability to zoom out from the
technical moment of the glitch, and to present a
picture of the music which is taking place.
Although less concerned with the glitch, this
description applies equally well to Schneider who
always seems to instinctively know exactly where
he is in a piece of music, and has expertly added
low-end melody lines and morse code signals to To
Rococo Rot, and a complete design in his own
Mapstation project. Morgenstern's music is perhaps
the most eclectic of the trio, switching between
an almost neo-classical sense of music structure
and the avant-pop brilliance of her three Monika
albums. If the September Collective always has a
good energy or momentum, it's hard not to imagine
Morgenstern driving things forward, and never
allowing things to become stuck in the static
moment.
In its improvised roots, the September Collective
always had an air of unrepeatable coincidence, but
the fact that the coincidences were so memorable
has inspired the group members to continue working
together. No-one in the September Collective views
it as a side-project and the quest is already
underway to coincide once more.
--labelinfo
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