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cDr|m's
.:: a klangwerk release ..................................................::.
artist :: depth charge
release :: blue lipps
year :: 1998
genre :: trip-hop
label :: d.c. recordings
catalogue :: dc 14
website :: mbi1.mbinter.com/dc/
ripper :: trickykid
date :: 11/25/2001
quality :: 192kbps/44,100hz
source :: compact disc
.::.......................................................................::.
01 blue lipps 7:14
02 deadly blow 4:24
03 blue lipps xxx 5:13
playtime :: 00h 16m 51s
.::.......................................................................::.
as block, spider, octagon man, grimm death, and (most often) depth
charge, dj/producer jonathan saul kane has been one of the more
consistent and innovative forces on the u.k. dance scene since the
late '80s. recording classic tracks such as "bounty killers" and
"the demented spirit", as well as remixing everyone from eon, bomb
the bass, and sabres of paradise to senser, silver fox and
s'express, kane's work has kept in constant touch with dance
music's hip-hop, funk, and electro roots, a fact which places him
at the nexus of a number of recent hybrids and resurgent styles.
his 1989 vinyl solution 12-inch, "bounty killers", is roundly
considered one of the earliest examples of uptempo trip-hop, mixing
chunky sampled breakbeats with brutalizing bass and kitschy kung fu
samples (a style which marks his popular depth charge work to this
day). additionally, kane's two labels, d.c. (trip-hop and dub) and
electron industries (electro and techno), have been responsible for
some of the more memorable moments in mid '90s underground dance
music, and have included releases from damon baxter (sem, deadly
avenger), ian loveday (eon), and delta, as well as depth charge and
octagon man releases such as "shaolin buddha finger", "10ft.
flowers", "the legend of the golden snake", and "the exciting world
of octagon man". many of kane's earlier (1991-1994) depth charge
releases were compiled on the compilation "nine deadly venoms",
released in 1994. several singles and eps followed on d.c. recordings
during the next few years, but it wasn't until 1999 that kane
returned with another depth charge full-length. first, the
mix-album "electro boogie : shape generator" dropped in april 1999,
then the production album "lust" followed in october. "lust vol. 2"
followed shortly in february of 2000. kane also helped found made
in hong kong, a film festival and video label (through vinyl
solution) focusing on the promotion and distribution of films in
the hong kong action cinema genre associated with actors and
directors such as chow yun fat, ringo lam, wong kar-wai, john woo,
and jackie chan.
.::.......................................................................::.
greetings :: sb, qdp, sour, dps, rac, dh, sfe, hbz, tr, igr and mgc
.::.......................................................................::.