/\
/ \
( ·· )
\ /
______)(______
____) (____
..__________________) ·· ·· (___________________..
:: ::
:: MONSIEUR FLAC IS PROUD TO PRESENT ::
:: ::
________ ________ __________ __________________ _____________ _____________
_/ | // __ |______| |______/ // |
| _ / | | ______| _| | ____ _/_______|_
| _ / _____| _ ___| \) | / | / |
| Y_______|_________ | |_________________|/_____.______\____ |
|________( \ \ | |_______| \ / / / )__________|
\ \ \______\________|________| \ \ \____________/______/_______/____/ /
\________\/ _______________\ \ \______\/_____________________________ /__________/
|.. \________\/ ..|
|:: ::|
|:: ::|
|:: Daniel Isaiah - Come Into Gone ::|
|::___________________________________________________________::|
|:: ::|
|:: Artist : Daniel Isaiah ::|
|:: Title : Come Into Gone ::|
|:: Label : Secret City Records ::|
|:: Genre : Rock ::|
|:: Source : CD (LP) ::|
|:: Size : 267.09MB ::|
|:: Encoder : FLAC 1.3.1 ::|
|:: Quality : 870 kbps avg / 44.1 kHz / 2 channels ::|
|:: Rel Date : 2016-12-16 ::|
|:: ::|
|:: ::|
|:: · T R A C K L I S T · ::|
|::___________________________________________________________::|
|:: ::|
|:: # _title_ _time_ ::|
|:: ::|
|:: 01 Heart Attack 4:14 ::|
|:: 02 Sail 3:32 ::|
|:: 03 I Had To Fight 3:07 ::|
|:: 04 Tug Of War 3:41 ::|
|:: 05 Information Blues 5:22 ::|
|:: 06 Heaven Is On Fire 3:50 ::|
|:: 07 Mirror Soul 4:09 ::|
|:: 08 Two Brothers 3:17 ::|
|:: 09 I'm So Glad 5:08 ::|
|:: 10 Loose Ends 4:29 ::|
|:: ───── ::|
|:: Total Time 40:49 ::|
|:: ::|
|:: ::|
|:: · R E L E A S E N O T E S · ::|
|::___________________________________________________________::|
|:: ::|
|:: Come Into Gone (CIG) is the second album by Daniel ::|
|:: Isaiah, Montreal born and raised and based. Though ::|
|:: Isaiah has spent considerable time in Europe and the ::|
|:: U.S., and is known in some circles as much for his ::|
|:: award-winning short films (under the name Daniel ::|
|:: Schachter), CIG is a distinctly local work. The new ::|
|:: album was written in his cozy Mile End flat, in a ::|
|:: 10-foot by 10-foot room with a perfect view of ::|
|:: Mont-Royal, and a little piano in it hauled over from ::|
|:: Halifax, on which many of the songs were composed. ::|
|:: Isaiah had never taken this approach before, but ::|
|:: through it he found chords that he wouldnÆt have on his ::|
|:: usual guitar. And though writing the songs took ::|
|:: considerable time, not much rehearsing or preparation ::|
|:: went into recording them. The looseness of the ::|
|:: recordings works so well precisely because the songs ::|
|:: are so well crafted. ::|
|:: ::|
|:: CIG is more focused, sonically, than his debut record, ::|
|:: the folk-influenced High Twilight. Where that one ::|
|:: played like an assured collection of songs (and put him ::|
|:: on festival stages the likes of SXSW, POP Montreal, and ::|
|:: Osheaga), CIG is a successful attempt at creating what ::|
|:: is decisively an album. Minus a few overdubs, itÆs the ::|
|:: same band playing on every song. From the Oh Mercy-era ::|
|:: Dylan smoothness of opener ôHeart Attackö to the ::|
|:: Bowie-funk-inflected murder ballad ôHeaven Is On Fire,ö ::|
|:: all the way through the playful swagger of the T. Rex-y ::|
|:: ôIÆm So Glad,ö Come Into Gone deftly pulls off the ::|
|:: ultimate albumular challenge of providing variety as ::|
|:: well as cohesiveness. The album is very much the work ::|
|:: of five people playing together in a room. ::|
|:: ::|
|:: Recording went down with Martin Horn in grimy ::|
|:: Griffintown over two three-day sessions with a band ::|
|:: including Chris Flower (one of MontrealÆs best-kept ::|
|:: secrets) on guitar, and Matthew Woodley (Plants and ::|
|:: Animals) on drums, plus overdub contributions from Sea ::|
|:: Oleena. CIGÆs hallmarks are shimmery production, big, ::|
|:: reverby drums, and guitars both percussive and slippery ::|
|:: clean, as exhibited so sublimely on tracks such as the ::|
|:: cinematic ôMirror Soulöùwherein the narrator takes the ::|
|:: listener on a romantic driving tour of the American ::|
|:: South, only to end up back on the freezing streets of ::|
|:: Montreal recovering from a traumatic partingùand the ::|
|:: soon-to-be-classic ôInformation Blues.ö ::|
|:: ::|
|:: IsaiahÆs life is all over these songs, but heÆs not one ::|
|:: for navel-gazing autobiography. Rather, on CIG he looks ::|
|:: at his life as an aesthetic object, and transforms it ::|
|:: into universal art. Whether itÆs the heart attacks that ::|
|:: run in his family (ôHeart Attackö), his Jewish ::|
|:: education (ôTug of Warö) or an American stepsister ::|
|:: separated by geography (ôTwo Brothersö), these songs ::|
|:: are full of people and places close to his life. But ::|
|:: another undercurrent to the album is IsaiahÆs film ::|
|:: career and the world traveling that it has brought ::|
|:: about. His 2013 short film Entre Chien et Loup, ::|
|:: starring Monia Chokri, screened all over the planet and ::|
|:: received an enthusiastic response from audiences at ::|
|:: festivals in Palm Springs and Rhode Island, among ::|
|:: others, and he has written three feature film scripts ::|
|:: since High Twilight was released, most notably ::|
|:: Passover, an ensemble drama that was inspired by his ::|
|:: upbringing, and which is currently in pre-production ::|
|:: with Peripheria Inc. ::|
|:: ::|
|:: CIG works successfully as a thinking manÆs ôrockö ::|
|:: recordùit fits as snugly on DadÆs CD shelf next to ::|
|:: Petty and Dire Straits as it does on your college-aged ::|
|:: sisterÆs iPod between Cass McCombs and War on Drugs. ::|
|:: Yet it can be heard as an introspective breakup record, ::|
|:: as well. The closing song, the haunting ôLoose Ends,ö ::|
|:: is, says Isaiah, about ôthe healing potential of ::|
|:: sadness. Sadness can be purifying. ItÆs a lot better ::|
|:: than anger or anxiety, which hardens you. Sadness ::|
|:: softens.ö Come Into Gone is the sound of young wisdom. ::|
|:: The sense of knowing that much has been learned through ::|
|:: navigating the familiar calamities, but also ::|
|:: recognizing thereÆs many unknowable days ahead. ::|
|:: ::|
|:: http://www.secretcityrecords.com ::|
|:: ::|
|:: ::|
|:: · G R O U P N E W S · ::|
|::___________________________________________________________::|
|:: ::|
|:: Wanna FLAC with us ? Ask around :) ::|
|:: ::|
|:: ::|
|:: · G R E E T I N G S · ::|
|::___________________________________________________________::|
|:: ::|
|:: N/A ::|
|:: ::|
|:: ::|
|__________________________________________ ________________|
:: ________ / / ::
:: ______ /____ / / / ::
:: / ____ \/ \/ /___________ / / lAST nFO ::
_/ \/ / _\____ /______/_ / uPDATE: ::
\_____/ / / \/ /_) / / o1/2o14 ::
/______/_____/ /_____/ ____/ / _____ ::
:: / ______\ _ ___/ ____\__ //__ ::
:: kEEP cALM /____/ / \ \/ /_________ :
:: aND dRINK vODKA / / \ _/ / ____ / :
:: nFO by mother/rUSSIA / / /________/ / ____/_ :
:: / / / / /_
:::::::::::::::::::::::::::: $ $ :::::: /______________\
. .