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The Hidden Cameras - Home On Native Land
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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|||| |||
||| Artist Name_____> The Hidden Cameras |||
||| Album Name______> Home On Native Land |||
||| Label___________> Outside Music |||
||| Genre___________> Indie |||
||| URL_____________> http://www.thehiddencameras.com |||
||| Release Date____> 2016-12-17 |||
||| Street Date_____> 2016-10-28 |||
||| Size____________> 320.14mb ||
|| Playtime________> 48:37 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 871 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Day I Left Home 3:49 |
| 2 He Is The Boss Of Me 2:53 |
| 3 Ode To An Ah 1:58 |
| 4 Dark End Of The Street 3:31 |
| 5 You And Me Again 4:26 |
| 6 Log Driver's Waltz 3:05 |
| 7 Be What I Want 3:31 |
| 8 Counting Stars 5:26 |
| 9 The Great Reward 3:56 |
| 10 Big Blue 3:17 |
| 11 Don't Make Promise 2:03 |
| 12 Drunk Dancer's Waltz 2:52 |
| 13 Feeling 'Bout You 3:19 |
| 14 Twilight Of The Season 4:31 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Coming this fall, The Hidden Cameras bring it back home to release |
| their sixth studio album. Home On Native Land marks the beginning |
| of a new chapter for singer-songwriter Joel Gibb and The Hidden |
| Cameras. An ode to Gibb's native country, he returns to Canadian |
| soil both physically and philosophically. |
| |
| The first track to be shared is also the albums' lead. On "Day I |
| Left Home" Gibb announces a departure, "I burned everything I own, |
| left it in a pile smoldering," begins "Day I Left Home", leading |
| The Hidden Cameras on a search for something simpler, more |
| beautiful and pure, playing with genre and experimenting with old |
| sounds. |
| |
| Written and recorded over ten years by Joel Gibb, this seminal |
| album once again sees Gibb assembling friends, bandmates and icons |
| including Mary Margaret O'Hara, Rufus Wainwright, Feist, Bahamas, |
| Ron Sexsmith, Neil Tennant and longtime collaborator and producer |
| Don Kerr to accompany him on this adventure in revisionist |
| history. On Home On Native Land, The Hidden Cameras explore the |
| expansive musical landscape of the Canadian countryside delivering |
| an album rich with feelings of lonesome cowboy blues and |
| heartbreak to toe-tapping rhythms, and campfire sing-a-longs. Each |
| song is a journey beckoning the listener to follow - to gather |
| 'round the fire, sing until you fall asleep and share the same |
| dream. It's a place that you might not have been before but which |
| feels like home. |
| |
| Gibb borrows from the classic country songbook, reimagining |
| soulful standards like "Dark End of the Street," and "Don't Make |
| Promises" originally recorded by Tim Harden. "Log Driver's Waltz" |
| is The Hidden Camera's cover of one of the most successful and |
| beloved Canadian folk songs of all time. "He is the Boss of Me," |
| is Gibb covering himself with a rerecording of an early 4-track |
| demo from 2001's Ecce Homo, now given a full studio treatment. |
| |
| Transitioning into the genre with infectious melodies on the |
| original tracks"Big Blue" and "Drunk Dancer's Waltz" with Home On |
| Native Land, Gibb reaches into the past to find new ground, while |
| singing playfully pointed lyrics oozing with hopefulness and |
| sorrow. |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
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