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██ ▒ Artist : Brian Eno ░ █░ ▓███
██ ░ Album : Reflection ░ ▓▒ ▓███
██▄▄ Genre : Ambient ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Warp Records ░ ▓███
███▓ Cat. Number : WARPCD280 ▓███
███▓ Street Date : 2017-01-01 ▓███
███▓ Rip Date : 2017-01-07 ▓███
███▓ Encoder : LAME 3.98.4 -V0 ▓███
███▓ Quality : 221kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 1 ▓███
███▓ Playtime : 00:54:00 (89.7MB) ▓███
███▓ URL : http://www.brian-eno.net ▓███
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███▓ 01 Reflection 54:00 ▓███
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███▓ 54:00 min ▓███
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███▓ This is what pitchfork.com writes about this album: ▓███
███▓ ▓███
███▓ Ambient music is a funny thing. As innocuous as it may seem on the ▓███
███▓ surface, it can often be seen as an intrusion, an irritant. Muzak ▓███
███▓ annoyed as many people as it mellowed, to the point where Ted ▓███
███▓ Nugent tried to buy the company just to shutter it. When Brian Eno ▓███
███▓ teamed with guitarist Robert Fripp (planting the seeds that would ▓███
███▓ lead to his epochal Ambient series), the duo played a concert in ▓███
███▓ Paris in May of 1975 that eschewed their Roxy Music and King ▓███
███▓ Crimson fame and was subsequently met with catcalls, whistles, ▓███
███▓ walkouts and a near-riot. ▓███
███▓ ▓███
███▓ Forty years later, EnoÆs ambient works have drifted from ▓███
███▓ misunderstood bane to canonical works. EnoÆs long career has taken ▓███
███▓ him from glam-rock demiurge to the upper stratospheres of stadium ▓███
███▓ rock, from the gutters of no wave to the unclassifiable terrains of ▓███
███▓ Another Green World, but every few years he gets pulled back into ▓███
███▓ ambientÆs creative orbit. And while last yearÆs entry The Ship ▓███
███▓ suggested a new wrinkle, wherein EnoÆs art songs inhabited and ▓███
███▓ wandered the space of his ambient work like a viewer in an art ▓███
███▓ gallery, Reflection retreats from that hybrid and more readily ▓███
███▓ slots along works like the dreamlike Thursday Afternoon and 2012Æs ▓███
███▓ stately Lux. ▓███
███▓ ▓███
███▓ Like those aforementioned albums, Reflection is a generative piece. ▓███
███▓ Eno approaches it less like an capital-A Artist, exerting his will ▓███
███▓ and ego on the music, and more like a scientist conducting an ▓███
███▓ experiment. He establishes a set of rules, puts a few variables ▓███
███▓ into motion and then logs the results. Reflection opens with a ▓███
███▓ brief melodic figure and slowly evolves from there over the course ▓███
███▓ of one 54-minute piece. ItÆs not unlike the opening notes of Music ▓███
███▓ for AirportÆs ô1/1,ö with Robert WyattÆs piano replaced by what ▓███
███▓ might be a xylophone resonating from underwater. Each note acts ▓███
███▓ like a pebble dropped into a pond, sending out ever widening ▓███
███▓ ripples that slowly decay, but not before certain tones linger and ▓███
███▓ swell until they more closely resemble drones. Listen closer and ▓███
███▓ certain small frequencies emerge and flutter higher like down ▓███
███▓ feathers in a draft. ▓███
███▓ ▓███
███▓ Around the 18-minute mark, one of those wafting frequencies ▓███
███▓ increases in mass and the piece turns shrill for an instant before ▓███
███▓ re-settling. Another brief blip occurs a half-hour in, like a siren ▓███
███▓ on a distant horizon. Between these moments, the interplay of tones ▓███
███▓ is sublime, reminiscent at times of famous jazz vibraphonist Bobby ▓███
███▓ HutchersonÆs weightless solos, time-stretched until they seem to be ▓███
███▓ emanating from the moon rather than the earth. As smooth and ▓███
███▓ unperturbed as EnoÆs ambient pieces tend to be, these small events ▓███
███▓ feel seismic in scale, even if they are short-lived. ▓███
███▓ ▓███
███▓ Scale becomes the operative word for Reflection. While the physical ▓███
███▓ editions of the album last just under an hour, Eno conceived of the ▓███
███▓ piece to be the most realized version of his ambient music yet, one ▓███
███▓ without parameters or end. Around 51 minutes in, the music starts ▓███
███▓ to slowly recede from our ears, gradually returning to silence. But ▓███
███▓ thereÆs a version of the piece for Apple TV and iOS that presents a ▓███
███▓ visual component as well as a sonic version of Reflection thatÆs ▓███
███▓ ever-changing and endless. As the lengthy press release the ▓███
███▓ accompanied the album noted: ôThis music would unfold differently ▓███
███▓ all the timeûælike sitting by a riverÆ: itÆs always the same river, ▓███
███▓ but itÆs always changing.ö In this instance, reviewing the actual ▓███
███▓ album feels like taking measure of that river from a ship window; ▓███
███▓ you can sense more changes occurring just beyond its borders. ▓███
███▓ ▓███
███▓ EnoÆs ambient albums have never seemed utilitarian in the way of ▓███
███▓ many other ambient and new age works, but naming the album ▓███
███▓ Reflection indicates that he sees this as a functional release, in ▓███
███▓ some manner. Eno himself calls it an album that ôseems to create a ▓███
███▓ psychological space that encourages internal conversation.ö It ▓███
███▓ feels the most pensive of his ambient works, darker than Thursday ▓███
███▓ Afternoon. Playing it back while on holiday, it seemed to add a bit ▓███
███▓ more gray clouds to otherwise sunny days. Maybe thatÆs just an ▓███
███▓ aftereffect of looking back on the previous calendar year and ▓███
███▓ perceiving a great amount of darkness, or else looking forward to ▓███
███▓ 2017 and feeling full of dread at whatÆs still to come. ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ <LNK^2016> ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀
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