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:: MONSIEUR FLAC IS PROUD TO PRESENT ::
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|:: Peter Broderick - Grunewald ::|
|::___________________________________________________________::|
|:: ::|
|:: Artist : Peter Broderick ::|
|:: Title : Grunewald ::|
|:: Label : Erased Tapes ::|
|:: Genre : Classical ::|
|:: Source : CD EP ::|
|:: Size : 102.51MB ::|
|:: Encoder : FLAC 1.3.1 ::|
|:: Quality : 586 kbps avg / 44.1 kHz / 2 channels ::|
|:: Rel Date : 2017-01-08 ::|
|:: ::|
|:: ::|
|:: · T R A C K L I S T · ::|
|::___________________________________________________________::|
|:: ::|
|:: # _title_ _time_ ::|
|:: ::|
|:: 01 Goodnight 4:26 ::|
|:: 02 Low Light 3:46 ::|
|:: 03 Violin Solo No. 1 3:21 ::|
|:: 04 It's A Storm When I Sleep 7:43 ::|
|:: 05 Eyes Closed And Traveling 3:43 ::|
|:: ───── ::|
|:: Total Time 22:59 ::|
|:: ::|
|:: ::|
|:: · R E L E A S E N O T E S · ::|
|::___________________________________________________________::|
|:: ::|
|:: Not long after the release of Peter BroderickÆs seventh ::|
|:: solo album æPartnersÆ in August of this year, the ::|
|:: composer closes the year with his equally exceptional ::|
|:: æGrunewaldÆ recordings, out on December 9th 2016 via ::|
|:: Erased Tapes. ::|
|:: ::|
|:: Born in just one night inside the four walls of the ::|
|:: discrete yet majestic Grunewald Church, situated on the ::|
|:: outskirts of Berlin, this five-track EP is an ::|
|:: exploration of the alluring partnership between the ::|
|:: acoustic space and Broderick's solo performance on ::|
|:: piano and violin. Reflecting the grandeur of the room ::|
|:: and the natural interaction between the instruments and ::|
|:: their surrounding environment, 'Grunewald' pays homage ::|
|:: to a very unusual space that's become a haven for an ::|
|:: entire generation of contemporary composers. ::|
|:: ::|
|:: Words from Peter, October 2016: ::|
|:: ::|
|:: ôIn the few years between 2008 and 2011 or so, the ::|
|:: Grunewald Church in Berlin was something of a hotspot ::|
|:: for a group of us musicians. It started when Nils ::|
|:: scouted it as a location in which to record The Bells . ::|
|:: . . and then it seemed like we were in there every ::|
|:: month or two for a while, either for recordings or for ::|
|:: concerts. ::|
|:: ::|
|:: There was a lady living just down the street from the ::|
|:: church, and weÆd just knock on her door, give her a ::|
|:: couple hundred euros, and then sheÆd hand over the keys ::|
|:: to the church! To be given unsupervised access in a ::|
|:: space like that is really quite unheard of most of the ::|
|:: timeà For anyone who likes reverb, the Grunewald is a ::|
|:: dream come true. That in combination with the beautiful ::|
|:: old B÷sendorfer piano made it the perfect place for ::|
|:: both recording and performing. ::|
|:: ::|
|:: When mixing the recordings that comprise this EP, ::|
|:: simply titled Grunewald in homage to that old haven of ::|
|:: ours, there were no artificial reverbs or delays used . ::|
|:: . . only the natural sound of that epic space. ::|
|:: Originally these piano recordings were released as part ::|
|:: of a split album on a small Japanese label, and the ::|
|:: violin piece was included on a compilation, also ::|
|:: Japanese . . . but all these pieces were recorded on ::|
|:: the same night, in the same space, and it is with great ::|
|:: pleasure that I see them reunited for this release.ö ::|
|:: ::|
|:: http://www.peterbroderick.net ::|
|:: ::|
|:: ::|
|:: · G R O U P N E W S · ::|
|::___________________________________________________________::|
|:: ::|
|:: Wanna FLAC with us ? Ask around :) ::|
|:: ::|
|:: ::|
|:: · G R E E T I N G S · ::|
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|:: ::|
|:: N/A ::|
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|:: ::|
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