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Cherry Glazerr - Apocalipstick
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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||| Artist Name_____> Cherry Glazerr |||
||| Album Name______> Apocalipstick |||
||| Label___________> Secretely Canadian |||
||| Genre___________> Indie |||
||| URL_____________> http://cherry-glazerr.com |||
||| Release Date____> 2017-01-23 |||
||| Street Date_____> 2017-01-20 |||
||| Size____________> 261.59mb ||
|| Playtime________> 34:31 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 1011kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Told You I'd Be With The Guys 4:35 |
| 2 Trash People 3:09 |
| 3 Moon Dust 2:36 |
| 4 Humble Pro 2:44 |
| 5 Nuclear Bomb 3:46 |
| 6 Only Kid On The Block 3:45 |
| 7 Lucid Dreams 3:42 |
| 8 Sip O' Poison 2:22 |
| 9 Nurse Ratched 3:02 |
| 10 Instagratification 2:45 |
| 11 Apocalipstick 2:05 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Society would deem that a prodigious girl can't be in a |
| progressive rock band while also being in complete control of its |
| creative vision, business plan and social messaging. Society is |
| wrong. Clem, a 19 year old teen Queen with a headstrong resolve |
| like her hero Patti Smith and a cartoon laugh like Muttley the |
| dog, dreamed up Cherry Glazerr in her LA bedroom alone and is |
| perhaps more capable of figuring a music career out than anyone |
| who attempts this treacherous life path. And yet, she carries |
| herself very lightly. ôThis one's going to be a flop!ö she jokes, |
| here to discuss the newly lined-up trio's second album, |
| Apocalipstick. It's every bit as epic, funny, life-assuring, |
| doom-defiant and flaming fire as that title sounds. What's more, |
| it's the soundtrack to their collective rockstar evolution. |
| |
| Today things look a little different from the bandÆs early days |
| back in 2014 when they were associated with much-loved Cali |
| imprint Burger Records (who put out their intoxicating debut Haxel |
| Princess) and Suicide Squeeze (who released the Had Ten Dollaz |
| 7-inch). Back then, they were born as a different trio, featuring |
| Hannah Uribe and Sean Redman who have since both moved onto other |
| artistic pursuits. |
| |
| Now bolstering Clem's vision is the loud-in-every-way-possible |
| drummer Tabor Allen and the level-headed but bad-ass, |
| multi-instrumentalist Sasami Ashworth who plays synths and notably |
| French Horn (Clem is still scheming on how to incorporate that |
| into Cherry Glazerr's sound). The first time the new trio all |
| jammed together minds were blown. ôMy world was rocked,ö recalls |
| Clem. ôI'd never played with someone who was technically that good |
| before. It made me think, Man I gotta really step my shit up!ö |
| |
| On Apocalipstick the band worked with ôrock'n'roll wizardö Joe |
| Chicarelli [White Stripes, The Shins, The Strokes] and Carlos de |
| la Garza [Bleached, M83, Tegan and Sara]. Understandably the band |
| felt a sense of vulnerability when laying themselves bare to Joe, |
| a producer they had so much respect for. Dispelling her own sense |
| of ego was an added hurdle for Clem, but it allowed for their |
| greatest risk-taking as a band yet and has paid off exponentially. |
| ôI didn't even smoke weed during pre-production because I didn't |
| wanna disappoint Joe. I didn't wanna get in trouble!ö laughs Clem. |
| She adds, ôMaking a record is such a spiritual thing. You laugh, |
| you cry, you're miserable and the happiest you'll ever be.ö Tabor |
| chimes in with typically comedy drummer timing, ôIt was so much |
| simpler than that for me. Just, 'These drums sound sick.ö |
| |
| The band's newfound self-discipline and motivation has evolved |
| Cherry Glazerr into a wildly complex, hugely guitar heavy, and |
| unapologetically loud machine. ôPeople may be shocked by the jump |
| in our sound,ö says Sasami, eager to establish that this record |
| isn't intended to be some fancy statement about reaching their |
| pinnacle. It was simply an opportunity they couldn't turn down. |
| Clem has since learned how to quit focusing her attention on the |
| fans or wider critical response. ôThere was a time when I just |
| couldn't write songs because of that. You can't do that,ö she |
| says. ôYou can't be emotionally free if you're pandering to |
| anyone. Serving the music is the one and only thing that matters.ö |
| That's hard when you have people telling you what to do all the |
| time. |
| |
| ôComedy in music is extremely important to me because humour is |
| all we have as human beings,ö Clem adds. The jests are |
| particularly strong on the disgustingly catchy track 'Trash |
| People' û it's quite literal in its self-deprecation levels. |
| ôThat's a fun song about how I have dirty fucking habits,ö says |
| Clem. ôIt's about being road rats, nasty ass, dirty fuckers. |
| That's how I like to live.ö 'Instagratification' is a |
| tongue-in-cheek musing on social media narcissism, which the band |
| admit to feeding off. Sasami notes that women are shamed so much |
| more often for their posts: ôWho the fuck cares? If you wanna post |
| a photo of your pussy go for it! The ultimate white privilege is |
| sweating the small shit, judging people for things that don't |
| matter.ö |
| |
| When it comes to sweating the major shit, Cherry Glazerr live like |
| they want to see others live. They don't want to preach certain |
| politics, they'd rather hold court for an open discourse. The |
| subject of equality among the sexes, however, holds a special, |
| unavoidable place for Clem, torchbearer for feminism in its |
| raddest forms. That's so key to her aesthetic that it's the |
| opening sentiment of Apocalipstick via the anthemic, |
| disaster-laden 'Told You I'd Be With The Guys'. The song documents |
| Clem's realization that she needed to establish solidarity with |
| other women and stop being a ôlone wolfö. ôSexism is so ingrained |
| in me, I can often feel that men are the only ones who can help me |
| socially, economically. The most important thing in my life is |
| that I've realized I need to work for solidarity. That song's both |
| hopeful and dismal!ö she laughs. Clem still feels the constant |
| need to prove herself. ôWomen work from behind their oppression. |
| In order to make good art you need to be emotionally free and |
| sadly, not a lot of women are able to do that. That always puts a |
| fire under my ass.ö |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
|\ /|
|\\ AEROHOLiCS - ENTiTLED - FNT - FTD - PMS - r35 /|
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