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Wire - Silver/Lead
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|||||| -----------------=--= RELEASEiNFO =-=------------------- ||||||
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|||| |||
||| Artist Name_____> Wire |||
||| Album Name______> Silver/Lead |||
||| Label___________> Pinkflag |||
||| Genre___________> Rock |||
||| URL_____________> http://www.pinkflag.com |||
||| Release Date____> 2017-03-21 |||
||| Street Date_____> 2017-03-31 |||
||| Size____________> 251.25mb ||
|| Playtime________> 36:03 ||
|| Encoder_________> FLAC 1.3.1 ||
|| Quality_________> 926 kbps / 44.1khz / 2 channels ||
|| ||
| |
| -----------------=--= TRACKLiST =-=------------------- |
| |
| |
| 1 Playing Harp For The Fishes 3:44 |
| 2 Short Elevated Period 2:54 |
| 3 Diamonds In Cups 4:08 |
| 4 Forever & A Day 4:06 |
| 5 An Alibi 3:10 |
| 6 Sonic Lens 4:30 |
| 7 This Time 4:16 |
| 8 Brio 3:37 |
| 9 Sleep On The Wing 2:59 |
| 10 Silver/Lead 2:39 |
| |
| |
| -----------------=--= N O T E S =-=------------------- |
| |
| |
| Silver/Lead is the 15th studio album from musical pioneers Wire. |
| It arrives on the 40th anniversary of their debut performance. Yet |
| it's about as far from nostalgia as you could get. This is the |
| sound of a uniquely addictive 21st century psychedelic post-punk. |
| |
| |
| |
| Colin Newman and Matt Simms' guitar work is alternately jagged and |
| luminous, while bassist Graham Lewis's ear-catching lyrics are |
| vivid yet oblique. Meanwhile, drummer Robert Grey provides a |
| virtual masterclass in percussive minimalism. But it's how the |
| various instruments mesh together that really counts. And Newman's |
| production creates a sonic space in which even the smallest |
| gesture is accorded some recognition. |
| |
| |
| |
| Highlights include the optimistic dazzle of 'Diamonds In Cups', |
| with its almost T. Rex-style buzz and chug, and the moody swing of |
| 'This Time'. Elsewhere on the musical spectrum, there's the |
| menacing widescreen grandeur of 'Playing Harp for the Fishes' and |
| breakneck-paced guitar pop of 'Short Elevated Period'. |
| |
| |
| |
| Wire are one of the world's most ground-breaking bands, their |
| influence acknowledged by bands as diverse as Blur, Sonic Youth, |
| R.E.M. and Savages. But they have never been interested in |
| exploiting past glories. For Wire, there is only ever one possible |
| direction: forwards. So it's perhaps not surprising that over |
| recent years, they've played strings of sold-out shows, achieved |
| career-best record sales, and been cited as a strong influence by |
| yet another generation of bands. |
| |
| |
| |
| Wire's last three albums garnered nothing but rave reviews. From |
| 2013's strangely beautiful Change Becomes Us ("It's fantastic." - |
| Pitchfork) to the crackling motorik of 2015's Wire ("It's all |
| really well turned, potent and crisp." - The Guardian), and last |
| year's punchy mini-album Nocturnal Koreans ("It's a cracker and |
| sounds defiantly modern." - The Quietus). Consequently, although |
| it may be being released on the band's 40th anniversary, |
| Silver/Lead is an album which has nothing to do with the past and |
| everything to do with the future. |
| |
| |
| -----------------=--= GREETiNGS =-=------------------- |
| |
|\ /|
|\\ AEROHOLiCS - ENTiTLED - FNT - FTD - PMS - r35 /|
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