Bela_Fleck-Juno_Concerto-2017-MTD

Section

MP3/FLAC

Group

MTD

Size

82,12 MB

Files

9

Date

2017-04-17

NFO

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    [Info]

    Artist       : BΘla Fleck
    Album        : Juno Concerto
    Label        : Rounder Records
    Genre        : Classical
    Street Date  : 2017-03-03
    Quality      : 216 kbps / 44.1kHz / Joint Stereo
    Encoder      : Lame 3.98.4 -V0
    Size         : 83.01 MB
    Time         : 50:50 min
    Url          : http://www.amazon.com/Juno-Concerto-BΘla-Fleck/dp/B01MV4TAL1

    [Tracks]

    1.  Juno Concerto: Movement I                                         11:18
    2.  Juno Concerto: Movement II                                         9:42
    3.  Juno Concerto: Movement III                                        8:41
    4.  Griff                                                             14:38
    5.  Quintet For Banjo And Strings: Movement II                         6:31


    [Notes]

    Bluegrass and fusion banjoist BΘla Fleck and the Colorado Symphony Orchestra
    (a group well-placed for a progressive bluegrass experiment) here offer
    Fleck's Juno Concerto, a work named for the young son of Fleck and his less
    fleet-fingered but equally musically adventurous banjoist/vocalist wife,
    Abigail Washburn. It's not Fleck's first attempt at a banjo-classical
    fusion: often working with bassist Edgar Meyer, his experiments in this vein
    go back to the Quintet for banjo and strings, written with Meyer in 1984 and
    recorded in part here. Fleck, alone, composed an earlier full-fledged banjo
    concerto in 2011, entitled The Impostor and exploring the seeming
    contradiction between bluegrass soloist and classical orchestra. The Juno
    Concerto resembles the earlier works written with Meyer a bit more than The
    Impostor, with flowing fusion banjo solos blooming out of Copland-esque
    fanfare music in the opening movement. Fleck announced his intention "to
    create more and better slow music" in this work, and indeed the slow
    movement, based on a simple plucked figure in the banjo, is the part that
    sticks with you the most here. It's hard to associate the rather brash
    finale with Fleck's little son, but the banjo passagework is undeniably
    crowd-pleasing. Those interested in Fleck's work outside bluegrass and
    fusion might also check out Throw Down Your Heart, in which he collaborates
    with musicians from various parts of Africa, but he leaves no doubt here
    that he has the chops for long-form classical composition.

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