UDEMY_HOLLYWOOD_FILM_AND_TELEVISION_DIRECTING_MASTERCLASS_TUTORIAL-kEISO
- Section
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Appz
- Group
- kEISO
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- 1,35 GB
- Files
- 31
- Date
- 2017-04-19
NFO
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▀▓█▓▄▄▓████▄▄▄██▀▀ RELEASE INFORMATION ▀▀██▄ ▄████▓▄▄▓█▓▀
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█ ▀█▓▓██▄▄██ TITLE: Hollywood Film and Television Directing ██▄▄██▓▓█▀ █
█▀ ▐█▒▓██░██ Masterclass ██░██▓▒█▌ ▀█
█▀ █▓███▒█▌ ▐█▒███▓█ ▀█
█▀ ▐█▓███▓█░ ░█▓███▓█▌ ▀█
█▀ ▐██████▌ PUBLISHER..........: UDEMY ▐██████▌ ▀█
█▀ ▀▀████▓ LINK...............: https://v.gd/vKN84V ▓████▀▀ ▀█
▌ ▓██▌▄ ▀▀ AUTHOR.............: Alex Ferrari ▀▀ ▄▐██▓ ▐
▌▐███░▒███▌ LEVEL..............: All Levels ▐███▒░███▌▐
▌ ████▓████ RUNTIME............: 196 minutes ████▓████ ▐
█ ▐▓█▀█████░ LANGUAGE...........: ENGLISH ░█████▀█▓▌ █
█▀ ▀▄█▄▄▀▀█▓ RELEASE TYPE.......: RETAIL ▓█▀▀▄▄█▄▀ ▀█
█▀▄ ▄▀███▓▄ RELEASE FORMAT.....: ISO ▄▓███▀▄ ▄▀█
█▀█ ▐▓▄▀████ STORE DATE:........: 2017.04.19 ████▀▄▓▌ █▀█
█▀█ ▐█▌▓██▓ RELEASE DATE.......: 2017.04.19 ▓██▓▐█▌ █▀█
▓▀█ ▓▌░██▓ ISO SIZE...........: 1,444,544,512 ▓██░▐▓ █▀▓
▒▀█ █ ▓█▓ ISO CHECKSUM.......: 17757B4A ▓█▓ █ █▀▒
░ █ ▌░██ DISKCOUNT..........: 29 * 50MB ██░▐ █ ░
▓█▌▓█▌ SAVED MONEY........: YOU DID! ▐█▓▐█▓
░ ▒█▐██ DISKNAME...........: keiso_uhftdm ██▌█▒ ░
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█▀ ▓░ ▄ █▄▌██ ▄ ▀ ▀█▌▐▓▀ TUTORIAL ▀▓▌▐█▀ ▀ ▄ ██▐▄█ ▄ ░▓ ▀█
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█▀█ ▄▓ ▄ ▐▌ ▐▌ ▄ ▓▄ █▀█
█▀█ █▓ ▄▓▄▀ Join over 10,000 Students who are learning from our ▀▄▓▄ ▓█ █▀█
█▀█ ▓▒ ▒ courses. ▒ ▒▓ █▀█
█▀█ ▒░ ░ ░ ░▒ █▀█
▓▀█ ▒░ Want to learn how great directors create ░▒ █▀▓
▒▀█ ░▓ award-winning films? Want to learn how to become a ▓░ █▀▒
░ █ ▒ working Hollywood director in Television or Film? ▒ █ ░
▓ ░ ░ ▓
░ ▒ ░ In this online course you'll learnáWhen to Move the Camera. ░ ▒ ░
░ The key here is that camera movement must be invisible. It should ░
░ serve the story without calling attention to itself. Next, ░
░ learnáHow To Move the Cameraámost effectively by systematically ░
░ fulfillingáFive Tasksáwhen designing each moving master ░
░ shot. Finally, learn how a master of visual design like Zemeckis ░
░ customizes his application of theseáFive Tasksáto the unique ░
░ demands of each scene. ░
░ ░
░ Veteran film and television director Gil ░
░ Bettmanáwill teach you how to enhance drama and ░
░ heighten action by using different lenses. This is ░
░ the key toáLensmanshipáû the technique which ░
░ Spielberg borrowed from Wells, Kubrick and others to ░
░ transform the look of today's films. ░
░ ░
░ Once you have graspedáLensmanshipáyou are ready for the final ░
░ lessoná-- How to Shoot Action Sequences. Gil will show you how ░
░ Kathryn Bigelow, John Woo and others ignite the screen by ░
░ putting the camera in the right place and using the right lenses. ░
░ Here's what will be covered in the course. ░
░ ░
░ * Why you must shoot with a moving camera ░
░ * When to move the camera ░
░ + Why all camera movement should be invisible ░
░ + The three kinds of camera movement that are always ░
░ invisible ░
░ * How to move the camera û shoot the best moving ░
░ master shot ░
░ + The five tasks of a moving master: ░
░ o Establishes geography and believability ░
░ o Eliminates edits ░
░ o Generates eye candy ░
░ o Focuses the audience on the center of the drama ░
░ o Picks up coverage ░
░ + How to customize the five tasks to each scene ░
░ o Examples: dailies from: ░
░ # Movies for TV ░
░ # Low budget features ░
░ # Big budget features directed by Bob Zemeckis ░
░ * Lensmanship ░
░ + How the look of 3 different lenses is the key to ░
░ understanding all lenses ░
░ + The three ways that lenses change the look of a ░
░ shot ░
░ o Perspective ░
░ o Field of Vision ░
░ o Depth of Field ░
░ * Shooting Action ░
░ + The 3 key components to shooting action ░
░ o Put the camera in the right place ░
░ # Breaking down your shots ░
░ o Put the right lens on the camera ░
░ # How lenses affect motion in the frame ░
░ o Get the right number of pieces ░
░ # How coverage heightens energy ░
░ + How to shoot a chase ░
░ + How to shoot a fight ░
░ ░
░ So what are you waiting for. Jump start your ░
░ filmmaking career as a film director. ░
░ ░
░ ░
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Files
| Path | Size |
| keiso_uhftdm.nfo | 15,94 KB |
| keiso_uhftdm.r00 | 47,68 MB |
| keiso_uhftdm.r01 | 47,68 MB |
| keiso_uhftdm.r02 | 47,68 MB |
| keiso_uhftdm.r03 | 47,68 MB |
| keiso_uhftdm.r04 | 47,68 MB |
| keiso_uhftdm.r05 | 47,68 MB |
| keiso_uhftdm.r06 | 47,68 MB |
| keiso_uhftdm.r07 | 47,68 MB |
| keiso_uhftdm.r08 | 47,68 MB |
| keiso_uhftdm.r09 | 47,68 MB |
| keiso_uhftdm.r10 | 47,68 MB |
| keiso_uhftdm.r11 | 47,68 MB |
| keiso_uhftdm.r12 | 47,68 MB |
| keiso_uhftdm.r13 | 47,68 MB |
| keiso_uhftdm.r14 | 47,68 MB |
| keiso_uhftdm.r15 | 47,68 MB |
| keiso_uhftdm.r16 | 47,68 MB |
| keiso_uhftdm.r17 | 47,68 MB |
| keiso_uhftdm.r18 | 47,68 MB |
| keiso_uhftdm.r19 | 47,68 MB |
| keiso_uhftdm.r20 | 47,68 MB |
| keiso_uhftdm.r21 | 47,68 MB |
| keiso_uhftdm.r22 | 47,68 MB |
| keiso_uhftdm.r23 | 47,68 MB |
| keiso_uhftdm.r24 | 47,68 MB |
| keiso_uhftdm.r25 | 47,68 MB |
| keiso_uhftdm.r26 | 47,68 MB |
| keiso_uhftdm.r27 | 42,48 MB |
| keiso_uhftdm.rar | 47,68 MB |
| keiso_uhftdm.sfv | 783 B |