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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Black Lips
Album : Satan's Graffiti Or Gods Art?
Label : Black Lips / Vice Music
Genre : Rock
Street Date : 2017-05-05
Quality : 256 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 106.65MB
Time : 54:30 min
Url : http://tinyurl.com/k2qu2wf
[Tracks]
1. Overture: Sunday Mourning 0:55
2. Occidental Front (Ft. Yoko Ono) 2:49
3. Can't Hold On 3:39
4. The Last Cul De Sav 3:46
5. Interlude: Got Me All Alone 3:32
6. Crystal Night 3:38
7. Squatting In Heaven 3:00
8. Interlude: Bongos Baby 0:30
9. Rebel Intuition 3:02
10. Wayne 4:03
11. Interlude: E'lektric Spider Webz 2:47
12. We Know 4:19
13. In My Mind There's A Dream 4:14
14. Lucid Nightmare 3:03
15. Come Ride With Me 3:30
16. It Won't Be Long 2:36
17. Loser's Lament 4:02
18. Finale: Sunday Morning 1:05
[Notes]
When Mark Ronson and Patrick Carney want to clean up your act, what do you
do? If you're in the Black Lips, you go along, which turned out to be a good
idea on 2011's Arabia Mountain, produced by Ronson, and not so great on
2014's Underneath the Rainbow, with Carney of the Black Keys at the
controls. If those two albums don't do much to advance your career beyond
your current cult following, what's your next move? Well, you start hanging
out with your friend Sean Lennon, and get him to produce an album that
throws you back into the deep end of murk. Released in 2017, Satan's
Graffiti or God's Art? not only reestablishes the group's former sonic
personality as the fuzzy nexus between the Fall and the Trashmen, it's one
of the most chaotic things the Black Lips have cut since 2005's Let It
Bloom. With John Lennon's son at the mixing board, no one is likely to
second guess your production choices, and while Sean gives the Black Lips a
punchier sound than they had pre-Ronson, ultimately this is the work of a
band that was clearly encouraged to get loose after a few years of
struggling to be tight. And loose is clearly the band's comfort zone, with
these performances wandering all over the place between the ragged guitars,
honking saxophones, and wailing keyboards, though the rhythm section
valiantly labors to keep things traveling in the same direction. However,
while the Black Lips seem to be having a good time conjuring up some
dirty-ass rock & roll on these sessions, their songwriting takes a serious
hit, and the most memorable songs are the seriously awful ones (most notably
the clumsily tasteless "Crystal Night," which includes guitar and vocals
from Saul Adamczewski of Fat White Family). And the band even botches its
opportunity to have Yoko Ono do a guest scream on the album, with her
trademark wailing on "Occidental Front" mostly buried under the guitars. The
Black Lips still sound like the rulers of an unwholesome party underworld on
Satan's Graffiti or God's Art?, but it's hard not to feel like both hosts
and guests are running out of steam.