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██ ▒ Artist : Ianva ░ █░ ▓███
██ ░ Album : Canone Europeo ░ ▓▒ ▓███
██▄▄ Genre : Folk ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Antica Fonografia Il Levriero ░ ▓███
███▓ Cat. Number : LEV09 ▓███
███▓ Street Date : 2017-00-00 ▓███
███▓ Rip Date : 2017-06-03 ▓███
███▓ Encoder : LAME 3.98.4 -V0 ▓███
███▓ Quality : 279kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 12 ▓███
███▓ Playtime : 01:07:09 (142.8MB) ▓███
███▓ URL : http://www.illevriero.it/ianva ▓███
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███▓ 01 Parodos 1:33 ▓███
███▓ 02 Hellas 5:33 ▓███
███▓ 03 Come Ferro Battente 5:18 ▓███
███▓ 04 Resurgente 7:23 ▓███
███▓ 05 Canone Europeo 5:13 ▓███
███▓ 06 Le Rital 5:16 ▓███
███▓ 07 Rombo Di Giovane Ala 7:16 ▓███
███▓ 08 L'alba Delle Ceneri 6:12 ▓███
███▓ 09 Benvenuto 5:07 ▓███
███▓ 10 Nessuna Croce Manca 5:15 ▓███
███▓ 11 Cummandar As Shaitan 5:06 ▓███
███▓ 12 Patmos 7:57 ▓███
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███▓ 67:09 min ▓███
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███▓ New album from Ianva - as always, high quality mix of neofolk, ▓███
███▓ martial motives, tango and unrivaled Italian charm. CD is ▓███
███▓ accompanied by a multi-page booklet with all lyrics and their ▓███
███▓ translation into English. If you want the booklet, don't be shy - ▓███
███▓ buy a CD. ▓███
███▓ ▓███
███▓ IANVA - CANONE EUROPEO ▓███
███▓ The title of IANVA's thunderous new full-length is mostly ▓███
███▓ self-explanatory. ▓███
███▓ As in ôItalia: Ultimo Attoö, a veristic narrative is used with the ▓███
███▓ help of tracks conceived as snapshots of real events and ▓███
███▓ characters û whether they be famous or unknown û caught in the ▓███
███▓ very same moment where History itself is unfolding, and trying to ▓███
███▓ grasp the essence of a Spirit overlooking and encompassing stories ▓███
███▓ and lives. ▓███
███▓ The Spirit that is meant to be summoned is that of Decadence, as ▓███
███▓ it manifested itself through the European culture and arts before ▓███
███▓ those apocalyptic events we all know upset and overturned forever ▓███
███▓ the face of the entire Continent. ▓███
███▓ Presented is a real gallery of ghosts where the ineffable European ▓███
███▓ Canon û today reported missing and unlamented - is back and still ▓███
███▓ haunting, powerfully conjuring some noble causes as well as ▓███
███▓ dubious excesses, Olympian Beauty as well as suicidal gloomy ▓███
███▓ eccentricities. Nevertheless, it contains and epitomizes us all, ▓███
███▓ and its dispersion corresponds to our very same extinction. ▓███
███▓ To address such a complex and difficult issue that has obsessed ▓███
███▓ for decades legions of illustrious predecessors, IANVA look at ▓███
███▓ these artists more carefully and clearly than in the past. ▓███
███▓ And today the usual assault of IANVA's all Italian vintage ▓███
███▓ soundtrack sound meets the Central European suggestions and ▓███
███▓ motorik influences (the backbone of the first and best new wave ▓███
███▓ and new romantic releases), with the help of various guests whose ▓███
███▓ experience in ôdecadent suggestionsö is well-known. ▓███
███▓ The 19th Century Melodrama meets the clangor of Industrial ▓███
███▓ Revolution: Chanson, Cabaret and Neoclassical resonating with ▓███
███▓ echoes of European monumental cemeteries. ▓███
███▓ The European Canon is still here. ▓███
███▓ Enjoy. ▓███
███▓ ▓███
███▓ ▓███
███▓ PARODOS ▓███
███▓ Instrumental - taken from SophocleÆs ôAntigoneö. ▓███
███▓ ▓███
███▓ Thanks to Angelo Tonelli for his guesting. ▓███
███▓ ▓███
███▓ HELLAS ▓███
███▓ The Classical Greece. The place and the age where not only the ▓███
███▓ western civilzation flourishes, but the very same structure of our ▓███
███▓ Thought and the ethical and aestethical categories which are the ▓███
███▓ foundations of our most lasting and deep cultural roots are formed ▓███
███▓ and come to life. For this reason, the devastation and the cold ▓███
███▓ genocide committed against the Greek People by financial criminal ▓███
███▓ cliques take on the specific characteristics of a real epitome - ▓███
███▓ the paradigm of a civilization perverted enough to hate its very ▓███
███▓ own origin and imbued with a blind and demented anxiety of ▓███
███▓ levelling down. ▓███
███▓ There was a time when the Continental Europe gave birth to artists ▓███
███▓ and heroes who chose to fight and die for a land they weren't born ▓███
███▓ in but that ideally was the cradle of all the people of the West. ▓███
███▓ Today that very same part of Europe sends to Greece only financial ▓███
███▓ inspections and liquidators. ▓███
███▓ The Ancient Gods stand and watch helplessly, in stunned silence. ▓███
███▓ But for how long? ▓███
███▓ ▓███
███▓ COME FERRO BATTENTE û Just Like Striking Iron ▓███
███▓ In times less smarmy and sickly than our age, even rants and ▓███
███▓ tirades had to be subjected to the Canon. They could and had to be ▓███
███▓ turned into Art and, just for this reason, if they were well ▓███
███▓ devised, they could aspire to divert the course of History. ▓███
███▓ Today everyone thinks he's entitled to speak his mind about ▓███
███▓ everything, but all is completely irrelevant. A foggy nebula made ▓███
███▓ of unquestionable ideas and politically correct languages consigned ▓███
███▓ to the dumpster of History any possible debate and any further ▓███
███▓ analysis other than those universally approved. ▓███
███▓ The Rebel finds it hard to get the center stage, but he doesn't ▓███
███▓ give up on wielding his words and thoughts like mauls, and he ▓███
███▓ thanks the present age for all the new suggestions provided to his ▓███
███▓ uncompromising opposition and his cold contempt. ▓███
███▓ Featuring Cristiano Santini (Disciplinatha) ▓███
███▓ ▓███
███▓ RESURGENTE - Resurgence ▓███
███▓ Milan, 1848. As in the rest of Europe, the long awaited fire ▓███
███▓ smouldering under the ashes of the Romantic Age at last is finally ▓███
███▓ raging even here. ▓███
███▓ Announced by scuffles occurring during a premiere at La Scala Opera ▓███
███▓ House, the first riots break up, turning soon into open revolts. In ▓███
███▓ such circumstaces û when History starts to speed up its course and ▓███
███▓ the events unfold quickly as if they were driven by otherwordly ▓███
███▓ forces û even a marginal and short role, like the one played by our ▓███
███▓ female protagonist, can become a key moment in a lifetime. ▓███
███▓ A heartbreaking moment cherished for the rest of her life. A memory ▓███
███▓ that has the bittersweet aftertaste of nostalgia and regret, in the ▓███
███▓ light of the disenchanted realism of the old age. ▓███
███▓ ▓███
███▓ ▓███
███▓ CANONE EUROPEO - European Canon ▓███
███▓ The European Canon is here. ▓███
███▓ And it's here to stay despite the blatant death of the civilization ▓███
███▓ that produced it. Despite the orders that faceless authorities ▓███
███▓ have been barking at us for decades. ▓███
███▓ Despite the fact that the most excellent and exquisite heritage of ▓███
███▓ all time is depreciating and dissolving by the manifest ▓███
███▓ incompetence of its unworthy heirs. ▓███
███▓ But the Canon is still here anyway. Because the Golden Rule, the ▓███
███▓ infallible norm becomes a celestial matter although it's born from ▓███
███▓ human roots. ▓███
███▓ The Canon is a fixed star standing out in the dreadful void that ▓███
███▓ they built for us. It's a self-explanatory enigma. It's the black ▓███
███▓ light exposing the traits of the Brutal and the Miserable which is ▓███
███▓ tirelessly assaulting us. It's our only residual decency that, as ▓███
███▓ such, is firmly situated in the Past. From that Past it plants a ▓███
███▓ seed of Doubt in the apathetic soul of servants and introduces a ▓███
███▓ nagging thought in the mind of the new masters,who are too dull and ▓███
███▓ vulgar to have one in their turn. ▓███
███▓ Today ôEuropeö is just an irrelevant name and ôFutureö an ill omen. ▓███
███▓ This has happened because we have allowed a bunch of nobodies to ▓███
███▓ confiscate these two words and use them to store only their own ▓███
███▓ dreams and projects. ▓███
███▓ The Canon is the Stone Guest at a Feast of Death which - even worse ▓███
███▓ - is lacking in style. ▓███
███▓ It's the inner code of the Aware Hearts. It's the monument in time ▓███
███▓ of a contradictory but nevertheless lost greatness. But it will ▓███
███▓ still tell us stories and will tell others stories about us. Tales ▓███
███▓ of a tireless pursuit of harmonies and eternal proportions then ▓███
███▓ fallen in the dust of History. Tales of idealism, boldness and ▓███
███▓ Sprezzatura. Tales of the magnificence and the grandeur they let ▓███
███▓ drift away into the damnation of the Panta Rei, in cosmos more and ▓███
███▓ more viciously useless. ▓███
███▓ ▓███
███▓ Featuring the great Enrico Ruggeri (thank you, Sir!) ▓███
███▓ ▓███
███▓ LE RITAL ▓███
███▓ Paris, 1912. The most iconic work of art of all times - ôLa ▓███
███▓ Giocondaö aka Mona Lisa û has been recently stolen from the Louvre ▓███
███▓ Museum, where the famous Lady had been smiling cryptically for ▓███
███▓ centuries. ▓███
███▓ At first people think that it must be the masterful robbery of some ▓███
███▓ sophisticated and professional thieves, then perhaps the ▓███
███▓ iconoclastic act of some avantgarde intellectuals. Once the truth ▓███
███▓ is revealed at the end of 1913, the news comes as a letdown for ▓███
███▓ everyone. The man who tricked the security and every surveillance û ▓███
███▓ escaping for months one of the best police forces in the world û is ▓███
███▓ nothing but an Italian house painter, Vincenzo Peruggia, ridiculed ▓███
███▓ for his awkward behaviour and his poor French. Peruggia claims he ▓███
███▓ didn't steal the painting for money, but as a sort of ôrevengeö for ▓███
███▓ all the rudeness and the insults that he and his fellow countrymen ▓███
███▓ have been suffering in France and, most of all, for what he ▓███
███▓ regarded as a real plundering committed against his homeland. ▓███
███▓ Considering that our opinions on France are much higher than ▓███
███▓ Peruggia's ones, our sympathy for him remains the same. Because ▓███
███▓ Vincenzo typifies an innate characteristic of Italian people û the ▓███
███▓ ability to surprise when the arrogant underestimating and the ▓███
███▓ pompous mockery of some other ôEuropean brothersö leave them no ▓███
███▓ other choice but to persist out of pique. And this whole story ▓███
███▓ shows how the trait of ôSprezzaturaö - in other countries an ▓███
███▓ exclusive prerogative of a few noble souls û in our country can ▓███
███▓ dwell in somewhat humble and simple men. ▓███
███▓ ▓███
███▓ ▓███
███▓ ROMBO DI GIOVANE ALA - The Rumble Of A Young Wing ▓███
███▓ Probably the most famous and media-sensational of all ▓███
███▓ D'Annunzio's war exploits, the bloodless û and altogether unnerving ▓███
███▓ û Flight Over Vienna, as seen through the eyes of one of those ▓███
███▓ young pilots who joined Il Comandante. ▓███
███▓ Maybe, on another plane of existence. that flight is still going ▓███
███▓ on... ▓███
███▓ ▓███
███▓ L'ALBA DELLE CENERI - Dawn Of The Ashes ▓███
███▓ Every decline of civilizations has its own seers and every ▓███
███▓ catastrophe its Cassandra curses. Throughout the 20th century ▓███
███▓ runs a long and fatal chain of famous suicides dotting that ôSunset ▓███
███▓ Boulevardö with an equal number of memorial stones. ▓███
███▓ The Artist sometimes acts as an antenna tuned to some unearthly ▓███
███▓ frequencies and, very often, he just can't bear the violence of ▓███
███▓ this gift for too long. Therefore a civilization permeated by ▓███
███▓ evident self-destructive urges could only be sung, on the edge of ▓███
███▓ its abyss, by bards equally devoted to self-destrucion. The ▓███
███▓ second-rate rationalism and scientism prevailing today associate ▓███
███▓ every urge to the field of psychiatry, but oddly enough they elude ▓███
███▓ every interpretation regarding a phenomenon just as pathological ▓███
███▓ and absolutely modern: the complete submission of Art to the diktat ▓███
███▓ of the dominant ideology. ▓███
███▓ Even at the risk of sounding pathetic and farcical û nothing is ▓███
███▓ more embarassing than a ôsaboteurö loyal to the regime. ▓███
███▓ Very loosely based on Michele Mari's ôTutto Il Ferro Della Torre ▓███
███▓ Eiffelö ▓███
███▓ ▓███
███▓ BENVENUTO ▓███
███▓ Benvenuto Cellini is maybe one of the figures that best exemplifies ▓███
███▓ the idea of ôincomparable lifeö, just the way D'Annunzio himself ▓███
███▓ understood and achieved a few centuries later. ▓███
███▓ He's also a very good example of the uniquely Italian duality where ▓███
███▓ a minority of flamboyant souls is in contrast to a reticent, ▓███
███▓ cautious, ultraconservative and familistic majority. ▓███
███▓ A bold, daring and adventurous minority following aestheticism and ▓███
███▓ with an aggressive approach in relation to life, society and arts. ▓███
███▓ In short, another perfect archetype of that all-Italian Sprezzatura ▓███
███▓ we gladly give the floor to, to tell his story in his own words and ▓███
███▓ with the lexicon he's comfortable with. ▓███
███▓ ▓███
███▓ NESSUNA CROCE MANCA û No One's Cross Is Missing ▓███
███▓ To be part of the opposition today may result in a multiple-choice ▓███
███▓ situation, including the one of being deliberately marginal, in ▓███
███▓ order to watch the current destruction with bitter skepticism. ▓███
███▓ One thing is certain: the post-modern rebel can no longer just feel ▓███
███▓ outraged by his contemporaries; it's time for him to be aware that ▓███
███▓ his disgust should also be extended to their values and ▓███
███▓ aspirations. But he must nerve himself and be brave enough to face ▓███
███▓ the retaliatory measures that inevitably start to arise. ▓███
███▓ In fact, he must be so able to draw from the retaliations the ▓███
███▓ strength not to let them muzzle him. ▓███
███▓ Because it's in him and for the short time he's allowed that the ▓███
███▓ voices of all those who had been definitively silenced in the past ▓███
███▓ and before him can be heard at last. ▓███
███▓ ▓███
███▓ ▓███
███▓ CUMMANDAR AS SHAITAN ▓███
███▓ East Africa, 1942. ▓███
███▓ The Allied Forces led by the British Army are now essentially the ▓███
███▓ masters of the situation, while all that is left of the Italian ▓███
███▓ Colonial Troops is withdrawing northwards. ▓███
███▓ An officer of Italian Royal Cavalry, Baron Amedeo Guillet, decides ▓███
███▓ that a capitulation is not part of his list of acceptable options. ▓███
███▓ And therefore he starts his private war supported by a handful of ▓███
███▓ his compatriots and an instant army of native horsemen of the most ▓███
███▓ various tribes. In a few months Cummandar As Shaitan (ôThe Devil ▓███
███▓ Commanderö) as he is now nicknamed by his loyal ôsoldiersö, takes ▓███
███▓ the name of Abdellah Al Redai and leads the guerrilla army, ▓███
███▓ becoming a real thorn in the side of the British Army, and ▓███
███▓ inflicting upon his opponents many bitter humiliations. ▓███
███▓ Respected by his enemies and idolized by the natives, he will keep ▓███
███▓ on serving his country on the post-war period following a ▓███
███▓ diplomatic career, with the usual dedication. Although with an ▓███
███▓ elegant and refined disillution for the past and, most of all, for ▓███
███▓ the present time. ▓███
███▓ ▓███
███▓ ▓███
███▓ PATMOS ▓███
███▓ Children Of Chthonia, ▓███
███▓ We'll leap over the bull once more. ▓███
███▓ ▓███
███▓ Guests: Massimiliano Bolcioni (yes, weÆre lucky enough to work with ▓███
███▓ a FelliniÆs actor) and Magister Rex Church. ▓███
███▓ ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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