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▐███▓██▀▀▓▀░ [ J U S T F U N . P R E S E N T S ] ██▓▓█▀▀
░ ▓████▓▌ ░ ▐▓▀▀
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▀█▄▓████▓▓▄█▀ Artist.......: Cecil Taylor ░▓ ▌
▄▀██▓██▓▓▀ Album.Title..: Unit Structures (1966) ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: Blue Note ░▓░ █▓▌
▐█▓▓ ▀▓ Genre........: Jazz ░▓▓▓ ▐█▓▓
▓█▓▌ ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
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░▓▓░ ▐█▓▓ ░ ░▓▓░ rip.date....: May-04-2005 ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ str.date....: 000-00-1987 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ ripper......: JUST ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ quality.....: VBR kbps ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ size........: 78,0 MB ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ playtime....: 56:43 min ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ Catnr.......: B2-84237 ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ URL.........: http://www.ubu.com/sound ░▒░ ░▓░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. steps 10:21 ▓▌
▓████▓▌ 02. enter, evening (soft line structure) 11:07 ▓▌
▓████▓▌ 03. enter, evening (alternate take) 10:12 ▓▌
▓████▓▌ 04. unit structure/as of now/section 17:48 ▓▌
▓████▓▌ 05. tales (8 whisps) 07:15 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ Cecil Taylor (piano, bells) ▓▌
▓████▓▌ Ken McIntyre (alto saxophone, bass clarinet, oboe) ▓▌
▓████▓▌ Jimmy Lyons (alto saxophone) ▓▌
▓████▓▌ Eddie Gale (trumpet) ▓▌
▓████▓▌ Alan Silva (bass) ▓▌
▓████▓▌ Henry Grimes (bass) ▓▌
▓████▓▌ Andrew Cyrille (drums) ▓▌
▓████▓▌ ▓▌
▓████▓▌ From liner notes written by Cecil Taylor: "Sound ▓▌
▓████▓▌ Structure of Subculture Becoming Major Breath/Naked ▓▌
▓████▓▌ Fire Gesture ... THE first level or statement of ▓▌
▓████▓▌ three an opening field of question, how large it ▓▌
▓████▓▌ ought or ought not to be. From Anacrusis to Plain ▓▌
▓████▓▌ patterns and possibility converge, mountain sides ▓▌
▓████▓▌ to dry rock beds, a fountain spread before prairie, ▓▌
▓████▓▌ form is possibility; content, quality and change ▓▌
▓████▓▌ growth in addition to direction found. 3rd part is ▓▌
▓████▓▌ area where intuition and given material mix group ▓▌
▓████▓▌ interaction. Simultaneous invention heard which ▓▌
▓████▓▌ these words describe. The paths of harmonic and ▓▌
▓████▓▌ melodic light, give architecture sound structures ▓▌
▓████▓▌ acts creating flight. Each instrument has strata. ▓▌
▓████▓▌ Physiognomy, inherent matter-calling-stretched into ▓▌
▓████▓▌ sound (Layers) in rhythms regular and irregular ▓▌
▓████▓▌ measuring coexisting bodies of sound. Measurement ▓▌
▓████▓▌ of sound is its silences. Acknowledging silence its ▓▌
▓████▓▌ definition in absence. Reactive occult, in action ▓▌
▓████▓▌ unknowable -- detached -- rationalization of ▓▌
▓████▓▌ inaction and detachment mathematical series, ▓▌
▓████▓▌ permutation and row-underlying premise = idea ▓▌
▓████▓▌ precedes experience." ▓▌
▓████▓▌ ▓▌
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▓████▓▌ ▓▌
▓████▓▌ One of the most important albums of the 1960s ▓▌
▓████▓▌ free-jazz movement, UNIT STRUCTURES is an exemplary ▓▌
▓████▓▌ document of advanced musical conception and ▓▌
▓████▓▌ fiercely intense improvisation. Cecil Taylor had ▓▌
▓████▓▌ been working as a pianist, composer, bandleader, ▓▌
▓████▓▌ and iconoclast since the mid-'50s, with an ▓▌
▓████▓▌ increasing allegiance to radical, atonal music; his ▓▌
▓████▓▌ innovations kept pace with (and, in many cases, ▓▌
▓████▓▌ preceded) those of contemporaries like Ornette ▓▌
▓████▓▌ Coleman. The influence of modern classical music ▓▌
▓████▓▌ (the dramatic, fragmentary scores of Stravinsky, ▓▌
▓████▓▌ for example) plays heavily in Taylor's vision. The ▓▌
▓████▓▌ presence of oboe, bass clarinet, and bells on UNIT ▓▌
▓████▓▌ STRUCTURES (in addition to trumpet, alto sax, and a ▓▌
▓████▓▌ standard rhythm section) highlights the parallel. ▓▌
▓████▓▌ As a pianist, Taylor specializes in violent, ▓▌
▓████▓▌ rapid-fire chord clusters, churning up clouds of ▓▌
▓████▓▌ sound with machine gun-like rapidity. His lengthy ▓▌
▓████▓▌ compositions have a dynamic ebb and flow, weaving a ▓▌
▓████▓▌ tapestry of voice-like cries and phrases that build ▓▌
▓████▓▌ in tension before exploding in a cacophonous ▓▌
▓████▓▌ frenzy. For all its turbulence, UNIT STRUCTURES is ▓▌
▓████▓▌ perfectly balanced, revealing interlocking parts ▓▌
▓████▓▌ that make good on the album's title. A certified ▓▌
▓████▓▌ free-jazz classic, UNIT STRUCTURES is a must for ▓▌
▓████▓▌ anyone remotely interested in the style. ▓▌
▓████▓▌ ▓▌
▓████▓▌ ▓▌
▓████▓▌ Check the above url for cecil taylor sound poetry. ▓▌
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░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
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▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music ▓▌
▀▓ like indie rock, trip-hop, ethnic, jazz, french, ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▄ ▓▌
░ ground scene. If you have, like us, a passion for ▄▄█▌ ▓▌
░ music, don't hesitate to contact us ! ▄████▓▌ ▓▌
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░ GREETinGs : Nuhs . Hit2000 . DGN . Ksi . SEQ . CHR ░███ ▓▌
░ Om . Rh . Fuffens . Remix . FMF . SB ██▌ ▓▌
Kw . LOGOS . iTs . i . ATM . Aaf ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
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