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a r t i s t : Chris Dahlgren
t i t l e : Resonance Impeder
d a t e : 1998
l a b e l : Cimp
g e n r e : Jazz
r l s. d a t e : May-2005
t r a c k s : 14
b i t r a t e : VBRkbps
s i z e : 97,0 MB
_______________________________________________________________________
Chris Dahlgren (bass);
Briggan Krauss (alto saxophone, reed slide trombone,
clarinet);
Jay Rosen (drums, percussion).
Recorded on October 29 & 30, 1997.
CIMP (Creative Improvised Music Projects)- 1998
Briggan Krauss:
"Our music has gotten into some pretty bizarre almost
performance art kinds of zones. I don't quite know how to
describe it yet but for one thing it's not always loud and
dense as you might expect it to be as it gets more and more
strange. I like the quiet almost eventless spaces waiting..."
_________________________________________
At All Costs Unknown - Resonance Impeders
By Glenn Astarita print
The 'Resonance Impeders' represents a modern
jazz/improvisational troupe willing to seek out previously
uncharted musical frontiers. Simply put, alto saxophonist
Briggan Krausse, bassist Chris Dahlgren and drummer Jay Rosen
are among the best and brightest of a genre that some are now
referring to as the ' 'new music'. These chaps continue to
reinvent the tried and true, as they respectively possess
individual voices, which at times, distinguishes them from
many of their peers.
On the opener, 'Say Then But The Two Gone', Krauss exhibits
his unique darkly hued tonalities amid fleeting lines, as the
band pursues an abstract type Indian raga motif in conjunction
with Western style scales and polyrhythmic back beats. Here,
the saxophonist blows exuberant, high-octane choruses and
prophetic statements. With 'Ant Farming Cousin', the musicians
engage in emotive dialogue as Krauss' buzz-saw attack
contrasts Rosen's playful utilization of bells, whistles and
the traps, while Dahlgren perpetuates thick, rumbling notes.
Hence, the band takes the listener on an unlikely voyage to
some inexplicable, far away land.
The band's inventiveness continues on 'All That Dies Gladly
Dies' as they get down and dirty via a loosely implemented New
Orleans shuffle groove marked by surrealistic qualities,
thanks to Krauss' darting and jabbing motifs and Dahlgren's
subdued yet effective employment of electronics. Basically,
these musicians continue to surge past boundaries that often
represent stumbling blocks for more than just a few. Overall,
the music is intellectually stimulating yet affably
entertaining! Highly recommended
_______________________________________________________________________
01-Pennies [06:39]
02-Noodle March [05:28]
03-Extrapolation of an Elongation [05:26]
04-Close but No Tomorrow - take 3 [03:20]
05-Sum Total - tak 1 [06:59]
06-Sum Total - take 2 [04:21]
07-John [06:28]
08-Tumble Tumble [04:55]
09-Trolls [04:39]
10-Outback Bob [03:12]
11-Skate [05:03]
12-Boodha [05:25]
13-1320-61 [03:46]
14-Close but No Tomorrow - take 1 [03:16]
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68:57 min