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JAM ROCK OUTERNATIONAL
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░Presents░
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Artist | Keith Hudson
Title | Tuff Gong Encounter
Genre | Reggae
Source | CDDA
Format | Album (CD)
Label | VP Records
Catalog | VPCD2527
Release | 2015-00-00
Ripped | 2017-07-02
Quality | average of 239 kbps at 44.1 kHz
Encoder | LAME 32bits version 3.98.4 (http://www.mp3dev.org/) -V0
Size | 94.49 MB
Playtime | 52:37
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░ TTTT RRRR AA CCC K K L IIII SSS TTTT ░
░ TT R R A A C K K L II S TT ░
░ TT RRR AAAA C KKK L II SS TT ░ ...gwaan hol' a vibe...
░ TT R R A A C K K L II S TT ░
░ TT R R A A CCC K K LLLL IIII SSS TT ░
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01. I Know My Rights 3:52
02. White Africa 3:37
03. Run Run Run 5:55
04. Rebel Rasta 5:28
05. Starlight 3:45
06. I Know My Rights Version 2 3:53
07. Rites Of Dub 3:51
08. Dub Africa 3:35
09. Run The Version 5:49
10. Rasta Dub 4:58
11. Star Dub 3:56
12. Rites Of Version 3:58
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░ RRRR EEEE L EEEE AA SSS EEEE IIII N N FFFF OO ░
░ R R E L E A A S E II NN N F O O ░
░ RRR EEEE L EEEE AAAA SS EEEE II NN N FFFF O O ░ ...relax...
░ R R E L E A A S E II N NN F O O ░
░ R R EEEE LLLL EEEE A A SSS EEEE IIII N N F OO ░
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Keith Hudson aka the "Dark Prince of Reggae" (1946 û 14 November 1984),
was a Jamaican reggae artist and record producer. He is known for his
influence on the Dub movement.Raised in a musical family, Hudson attended
Boys Town School in Kingston, where he organised school concerts with
schoolmates including Bob Marley, Delroy Wilson, and Ken Boothe. He was an
ardent follower of Coxsone Dodd's Downbeat sound system and was soon
hanging out with musicians such as Don Drummond, carrying his trombone
into sessions at Dodd's Brentford Road studio when he was around fourteen.
He produced his first track in 1960, an instrumental featuring musicians
who would go on to join The Skatalites, although it wasn't released until
1968 (as "Shades of Hudson"), by which time Hudson had launched his own
Inbidimts label. After leaving school he served an apprenticeship in
dentistry, and used these skills to raise money for recording sessions. In
1968 he obtained some Termites and Carl Bryan rocksteady rhythms from
Olympic Records, and recorded new vocals over them, such as "Old Broom"
and "You Must be Popular". These early 45s on his own Imbidmts and Rebind
labels enjoyed sufficient success to enable him to purchase some studio
time of his own. His first recording session produced Ken Boothe's
Jamaican hit "Old Fashioned Way", later versioned by Dennis Alcapone as
"Spanish Omega" and U Roy as "Dynamic Fashion Way". In the following
months he worked with vocalists Delroy Wilson ("Run, Run"), Alton Ellis,
Bunny Gale and John Holt ("Never Will I Hurt My Baby"). He was one of the
first to record DJ U-Roy in 1969, although U-Roy's first recording had in
fact been made with Peter Tosh for Lee Perry û "Earth's Rightful Ruler".
Other deejay productions included numerous tunes with Dennis Alcapone
(e.g. "Shades of Hudson"), and Big Youth's "S.90 Skank" released in 1972
became the deejay's biggest hit, with added motorcycle noises recorded in
the studio beginning a trend followed by other producers such as Dodd and
Perry. In the first half of the 1970s he regularly used the Soul Syndicate
band, featuring George "Fully" Fullwood and Carlton "Santa" Davis.
In 1970 he began to record his own vocal tracks. Whilst always somewhat
limited vocally, he recorded countless tracks as a singer, and
concentrated on his singing career from 1972. He started further record
labels such as the Mafia label. His early Jamaican albums Furnace and
Class and Subject featured his own distinctive rasping vocals, along with
dubs and deejay versions. In 1974, Hudson released his classic Pick a Dub,
widely considered to have been the first deliberately thematic dub album,
with tracks specifically mixed in the dub style for the purpose of
appearing together on an album. It featured dubwise mixes of his "We Will
Work It Out", the basic track for "S-90 Skank", with a fresh melodica part
by Augustus Pablo, Skiddy and Detroit's "The Exile Song", and remakes of
The Abyssinians "Satta Massagana" and "Declaration of Rights". It was also
the first dub album to gain a release in the United Kingdom.
By now, he had effectively stopped recording other singers and DJs to
concentrate on his own singing. He had completed a large number of backing
tracks and, after the limited success of his third LP Entering the Dragon
he emigrated to the United Kingdom, where he signed up with Brent Clarke's
Atra label and worked at Chalk Farm Studios in London with a number of
British-based reggae musicians, overdubbing his Jamaican rhythms. The
first album to emanate from these sessions was Flesh of My Skin, Blood of
my Blood (1974), his first UK only release and an album that has been
described as "a masterpiece", and one of the first reggae albums proper,
rather than merely a collection of singles and fillers. It has also been
described as "reggae's first true concept album", with the lyrics relating
to black history and "conscious" themes. The album was not released in
Jamaica, although it acquired a formidable reputation there amongst more
progressive musicians. His next UK-based album Torch of Freedom featured
vocal cuts with their instrumental versions following immediately after, a
format that was to come into fashion three years later during the
"Showcase" craze.
In 1976 he moved to New York City and signed a four-year contract with
Virgin Records, the first release being the soul-influenced album, Too
Expensive, which was poorly received by critics and didn't sell well.
Hudson returned to reggae with the "(Jonah) Come Out Now" single, released
under the pseudonym Lloyd Linberg, and Virgin terminated his contract.
Hudson then started a new label of his own, Joint. He resumed working with
the Soul Syndicate, who had backed him on many of his best recordings in
Jamaica. His album Rasta Communication (1978), which had been preceded by
its issue on dub as Brand, was well received by a wider audience and is
considered a roots reggae classic. It was followed by Nuh Skin Up Dub and
its vocal counterpart From One Extreme to Another in 1979. Hudson also
released a deejay album by Militant Barry based on the Brand rhythms,
Green Valley. By the early 1980s, he was considerably out of step with
modern trends in "dancehall" music. He reverted to his classic rhythms for
his next to last album Playing It Cool (1981), recording new vocals on
heavily overdubbed mixes of the earlier tunes. He released one final album
in 1982, Steaming Jungle, which attracted little attention. It was
reported in 1984 that he was once more working with Aston and Carlton
Barrett, who had played on Pick a Dub and Torch of Freedom. Hudson was
diagnosed with lung cancer in August 1984, and appeared to be responding
well to treatment, but on the morning of 14 November he complained of
stomach pains, collapsed and died.
Here comes the Tuff Gong Encounter LP combined with the complete Jammys
Dub Encounter LP.
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░ JJJJ RRRR OO ░
░ J R R O O ░
░ J RRR O O ░ ...grab up di coco chalice...
░ J J R R O O ░
░ JJ R R OO ░
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Shoutout to all the Quality Groups. You know who you are!
One last thing....
KEEP OUR SHIT OFF P2P Fuckers!!!
░
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..hail king selassie.. ..ascii by jro <3..