FxpHD.Production.Nuke.Finishing-TUTOR

Section
Appz
Group
TUTOR
Size
6,00 GB
Files
0
Date
2017-07-06

NFO

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                    Production Nuke Finishing (c) FxpHD                    

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    ▀█▄▄█▀ ▀▄▀    ▄▄▄▄▄            2017-07-06           ▄▄▄▄▄    ▀▄▀ ▀█▄▄█▀   
     ▀▓▄▀▀▄▄   ▄▓▀▓▀  ▀▀▄                             ▄▀▀  ▀▓▀▓▄   ▄▄▀▀▄▓▀     
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▄ ▄█▓▓▀▀█▀  ▄     ▀   ▓▓██▄██▓░  .: I N F O :.  ░▓██▄██▓▓   ▀     ▄  ▀█▀▀▓▓█▄ ▄
    ▓   ▄              ▀▀▀▒▓███▄               ▄███▓▒▀▀▀              ▄   ▓ 
                                                                     
     In this advanced level NUKE course, members explore what it takes to       
     truly take a shot to final, from a film visual effects perspective.        
     Professor Alex Fry, fresh off his stint as lead compositor at Animal       
     Logic for The Great Gatsby, works through several scenes of a recent       
     independent project and show advanced techniques for getting great         
     composites in NUKE.                                                        
                                                                                
     Many artists are under the impression that getting a shot to final         
     relies merely on technical correctness and creative polish. While those    
     are obviously two major factors, an often-overlooked influenced can be     
     the most critical: the client. And by client that could be a paying        
     client or -- at a facility -- the person the artist is working for: a      
     sequence supervisor, vfx supervisor, director, or even the studio. The     
     reality is that finalling a shot isn't really about any particular         
     skill, but rather responding to feedback correctly and giving people up    
     the chain what they want.                                                  
                                                                                
     Alex works through advanced techniques and knowledge required for          
     compositing, such as utilizing position data and mastering camera          
     techniques. While at the same time shows how to correctly address          
     feedback from reviews over the iterative process of finalling a shot.      
                                                                                
     As an example, to 'sell' several shots in a recent feature film, Alex      
     built extensive '3D' background elements of vast complexity all inside     
     NUKE. This avoided vast amounts of rendering and yet still provided        
     randomness and structured animation. Alex also has a very extensive        
     background in building complex NUKE Stereo pipelines for large scale       
     productions, including production stereo color management. This extra      
     work allowed for less front end 3D rendering and brought several huge      
     key shots in on time and on budget, with the flexibility to tweak the      
     shots until the end of the show.                                           
                                                 

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▄ ▄█▓▓▀▀█▀  ▄     ▀   ▓▓██▄██▓░  .: M E T A :.  ░▓██▄██▓▓   ▀     ▄  ▀█▀▀▓▓█▄ ▄
    ▓   ▄              ▀▀▀▒▓███▄               ▄███▓▒▀▀▀              ▄   ▓ 

     Type .... : Instructional Video
     Genre ... : Bookware
     Disks ... : 65
     URL ..... : https://www.fxphd.com

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▒█▓▒█                                                                     █▒▓█▒
█▓▒ ▓       A) Unpack this release using your favorite RAR unpacker.      ▓ ▒▓█
▒█▓▒█       B) Load up the tutorial, and expand your knowledge.           █▒▓█▒
█▓▒ ▓       C) Sit back, and enjoy!                                       ▓ ▒▓█
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▄▄▄█▓▓▀▀█▀  ▄     ▀   ▓▓██▄██▓░  .: J O I N :.  ░▓██▄██▓▓   ▀     ▄  ▀█▀▀▓▓█▄▄▄
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       ▄█▄                FIND US, HELP US, JOIN US!                  ▄█▄
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      ▀██▀▀▓██▄▄▄▄█▀  ▄▄▄▄▄▄                       ▄▄▄▄▄▄  ▀▓▄▄▄▄██▓▀▀██▀
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                   ▀▓▓▄            ▀▀▀▀ ▀▀▀▀            ▄▓▓▀ 
                      ▀▀▀      QUALITY BOOKWARE!      ▀▀▀   

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