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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Sun Kil Moon
Album : Common As Light And Love Are Red Valleys of Blood
Label : Caldo Verde Records
Genre : Rock
Street Date : 2017-02-24
Quality : 232 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.98.4 -V0
Size : 226.85MB
Time : 129:47min
Url : http://tinyurl.com/y8rm5al2
[Tracks]
Disc 1/2
1. God Bless Ohio 10:36
2. Chili Lemon Peanuts 8:58
3. Philadelphia Cop 10:47
4. The Highway Song 7:54
5. Lone Star 9:13
6. Window Sash Weights 6:29
7. Sarah Lawrence College Song 5:13
8. Butch Lullaby 8:33
Disc 2/2
1. Stranger Than Paradise 12:23
2. Early June Blues 7:16
3. Bergen To Trondheim 7:59
4. I Love Portugal 7:58
5. Bastille Day 5:38
6. Vague Rock Song 7:08
7. Seventies TV Show Theme Song 7:29
8. I Love You Forever And Beyond Eternity 6:13
[Notes]
Following a full-length collaboration with Jesu (and directly preceding a
second by a few months), Common as Light and Love Are Red Valleys of Blood
is the first album credited solely to Sun Kil Moon since 2015's excellent
Universal Themes. At over two hours long, it's easily one of Mark Kozelek's
most ambitious undertakings yet -- or one of the most self-indulgent,
depending on the listener's perspective. The album was edited from
improvisations with former Sonic Youth drummer Steve Shelley, and other than
a few bass or keyboard parts and saxophone on one song, Kozelek played all
of the other instruments on the album. It's far less guitar-centric than
usual for him, and considering that guitar has always been his main
instrument, the album is quite a diversion for his sound. Some fans have
even remarked that it's the closest thing he's come to writing a hip-hop
album so far. He's the first to admit that he's a stranger to playing bass
guitar and keyboards, but he's intrigued at what he's come up with. The
music on this album tends to be quite repetitive and the rhythms are often
similar, and since none of the songs really have hooks, it can be hard to
tell when songs end if you're listening to the album all the way through. As
with the last two SKM albums, there are many spoken word breaks and detours,
making the release seem more like an opera than a conventional album.
Lyrically, only a few tracks (particularly opener "God Bless Ohio") come
close to the fond reminiscences of Benji. He does still occasionally mourn
the passing of friends and celebrities, but many of the songs comment on
specific news items, and the album is easily his most explicitly political
work yet. Among other things, he supports transgender rights, wishes an end
to gun violence, and blames Trump's presidency on society's obsession with
social media, as well as its lack of attention span or concern with
important issues. He also continues to ruthlessly make fun of hipsters,
particularly during the scathing "Philadelphia Cop," and he directly jabs at
anyone who doesn't like the direction he's taking with his music. "Vague
Rock Song" is his biggest piece of audio trollery yet, starting out as an
attempt to write a simple, catchy tune, but interrupting it with an
unexpected Zappa-inspired part and faux Afro-pop section, and eventually he
can't help going back to commenting about his daily activities and the
injustice of the world. More so than ever, Kozelek's writing style is
literal yet roundabout, and it almost seems like he's more of a social
critic or satirist than a musician at this point. However, there is
(usually) a point to his rambling -- for all of his bluster, he is truly a
humanist, and wishes the best for the world, even if it seems like it's
falling apart.