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┌────────┐
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Justin Townes Earle
Title | Midnight At The Movies
Genre | Country Format | Album
Source | CDDA Time | 32:42
Label | Bloodshot Records Store | 2009
Catalog | BS 160 Rip | 2017
Bitrate | 232 kbps Size | 57.23 MB
Freq | 44.1 kHz Encoder | Lame 3.98.4
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Midnight At The Movies 3:22
02. What I Mean To You 2:57
03. They Killed John Henry 2:46
04. Mama's Eyes 2:19
05. Dirty Rag 0:34
06. Can't Hardly Wait 2:48
07. Black Eyed Suzy 2:19
08. Poor Fool 2:59
09. Halfway To Jackson 3:28
10. Someday I'll Be Forgiven For This 3:00
11. Walk Out 2:06
12. Here We Go Again 4:04
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
In some respects, Justin Townes Earle seemed destined from birth to be a
musician - his father, Steve Earle, is one of America's most acclaimed
singer/songwriters, and he was named in part for Townes Van Zandt, a close
friend to Earle and an equally legendary tunesmith. But Justin also grew up
learning the downside of the musician's life, and came up against some of
the same demons that haunted his father. Born in 1982, Justin Townes Earle
didn't see much of his dad through most of his childhood; after the release
of his first album in 1986, Steve was often on the road, and a serious drug
habit sidelined him through much of the early 90s. Despite it all, Justin
developed an appetite for music, and in his teens began playing and singing
with two different Nashville groups, a rock band called The Distributors
and a bluegrass-influenced acoustic combo, The Swindlers.
'I am my father's son / I've never known when to shut up / I ain't foolin'
no one /I am my father's son'. These words lead off the fourth song on
Townes Earle's second album, "Midnight At The Movies", and given that many
people still know him as the son of iconic singer/songwriter Steve Earle,
it's a brave and startling statement. But at the same time, much like his
2008 debut "The Good Life", Earle's second album works because he seems
determined not be his father's son; the tone and the feel of this music
owes precious little to the family line, and Earle sounds appreciably more
relaxed, confident, and in control here than he did on his fine debut.
Earle's music has one toe tangled in hillbilly tradition on the folk ballad
pastiche "They Killed John Henry", the uptempo string band number "Black
Eyed Suzy", and the honky tonk swing of "Poor Fool", but he can write about
love and life with a clear and unaffected eye that's effortlessly timeless.
The title song is a musical snapshot that gets its Nighthawks details just
right, "Someday I'll Be Forgiven For This" and "Here We Go Again" are
painfully intimate examinations of what can happen between people who care
for each other, and while "Poor Fool" and "Walk Out" sound jaunty, they
have a weight behind them that's telling.
And while Earle doesn't sound like a guy who should be covering The
Replacements, his version of "Can't Hardly Wait" finds a sweet heartache at
the core that Paul Westerberg was afraid to show in his recording.
"Midnight At The Movies" plays more like a subtle step forward for Justin
Townes Earle than a quantum leap, but if the The Good Life suggested he was
a talent to watch, this record confirms that he's a new writer to be
reckoned with who doesn't need to trade on his family name.
Proper reason: previous rip had bad encoding quality, value changed, q2 not
allowed.
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