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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Black Lips ▄▄▀█▓
▐▓▌▐█▌ Album : Satan's Graffiti Or Gods Art? ▐█▌▓▌
▐▀▄██ Label : Black Lips / Vice Music ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-05-05 ██▀▄▌
▐▓▌▐█▌ Quality : 885 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 373.94 MB ███▓
▀ ▀█▌ Time : 54:30 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/k2qu2wf ███▄▓
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▄██▀ ▀██▄
██▌ 1. Overture: Sunday Mourning 0:55 ▐██
██▌ 2. Occidental Front (Ft. Yoko Ono) 2:49 ▐██
██▌ 3. Can't Hold On 3:39 ▐██
██▌ 4. The Last Cul De Sav 3:46 ▐██
██▌ 5. Interlude: Got Me All Alone 3:32 ▐██
██▌ 6. Crystal Night 3:38 ▐██
██▌ 7. Squatting In Heaven 3:00 ▐██
██▌ 8. Interlude: Bongos Baby 0:30 ▐██
██▌ 9. Rebel Intuition 3:02 ▐██
██▌ 10. Wayne 4:03 ▐██
██▌ 11. Interlude: E'lektric Spider Webz 2:47 ▐██
██▌ 12. We Know 4:19 ▐██
██▌ 13. In My Mind There's A Dream 4:14 ▐██
██▌ 14. Lucid Nightmare 3:03 ▐██
██▌ 15. Come Ride With Me 3:30 ▐██
██▌ 16. It Won't Be Long 2:36 ▐██
██▌ 17. Loser's Lament 4:02 ▐██
██▌ 18. Finale: Sunday Morning 1:05 ▐██
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████ When Mark Ronson and Patrick Carney want to clean up your act, ████
████ what do you do? If you're in the Black Lips, you go along, which ████
████ turned out to be a good idea on 2011's Arabia Mountain, produced ████
████ by Ronson, and not so great on 2014's Underneath the Rainbow, ████
████ with Carney of the Black Keys at the controls. If those two ████
████ albums don't do much to advance your career beyond your current ████
████ cult following, what's your next move? Well, you start hanging ████
████ out with your friend Sean Lennon, and get him to produce an album ████
████ that throws you back into the deep end of murk. Released in 2017, ████
████ Satan's Graffiti or God's Art? not only reestablishes the group's ████
████ former sonic personality as the fuzzy nexus between the Fall and ████
████ the Trashmen, it's one of the most chaotic things the Black Lips ████
████ have cut since 2005's Let It Bloom. With John Lennon's son at the ████
████ mixing board, no one is likely to second guess your production ████
████ choices, and while Sean gives the Black Lips a punchier sound ████
████ than they had pre-Ronson, ultimately this is the work of a band ████
████ that was clearly encouraged to get loose after a few years of ████
████ struggling to be tight. And loose is clearly the band's comfort ████
████ zone, with these performances wandering all over the place ████
████ between the ragged guitars, honking saxophones, and wailing ████
████ keyboards, though the rhythm section valiantly labors to keep ████
████ things traveling in the same direction. However, while the Black ████
████ Lips seem to be having a good time conjuring up some dirty-ass ████
████ rock & roll on these sessions, their songwriting takes a serious ████
████ hit, and the most memorable songs are the seriously awful ones ████
████ (most notably the clumsily tasteless "Crystal Night," which ████
████ includes guitar and vocals from Saul Adamczewski of Fat White ████
████ Family). And the band even botches its opportunity to have Yoko ████
████ Ono do a guest scream on the album, with her trademark wailing on ████
████ "Occidental Front" mostly buried under the guitars. The Black ████
████ Lips still sound like the rulers of an unwholesome party ████
████ underworld on Satan's Graffiti or God's Art?, but it's hard not ████
████ to feel like both hosts and guests are running out of steam. ████
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