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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓▄██ ██▄▓
▓█▀▄▄ Artist : Chris Potter ▄▄▀█▓
▐▓▌▐█▌ Album : The Dreamer Is the Dream ▐█▌▓▌
▐▀▄██ Label : ECM / Verve Records ██▄▀▌
▄███▌ Genre : Jazz ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-04-28 ██▀▄▌
▐▓▌▐█▌ Quality : 729 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 274.53 MB ███▓
▀ ▀█▌ Time : 50:02 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y6wlklrw ███▄▓
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▄██▀ ▀██▄
██▌ 1. Heart In Hand 8:19 ▐██
██▌ 2. Ilimba 9:52 ▐██
██▌ 3. The Dreamer Is The Dream 8:18 ▐██
██▌ 4. Memory And Desire 7:52 ▐██
██▌ 5. Yasodhara 10:07 ▐██
██▌ 6. Sonic Anomaly 5:34 ▐██
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████ Over a 20-plus-year career, saxophonist Chris Potter has ████
████ established himself as a fine sideman, soloist, and bandleader, ████
████ and a purveyor of musical versatility. A list of his credits ████
████ reads like a who's-who of modern music, and his own recordings ████
████ have run the gamut from fiery electric jazz to vanguard ████
████ experimentation to solid post-bop. The Dreamer Is the Dream is ████
████ his third leader date for ECM. Here he is accompanied by pianist ████
████ David Virelles, drummer Marcus Gilmore, and bassist Joe Martin. ████
████ The album is comprised of six Potter originals, most of which run ████
████ from nearly eight minutes to over ten. These tunes all offer ████
████ abundant opportunities to explore his diverse lyricism, ████
████ preponderance of interplay, and improvisation, and given this ████
████ particular lineup, showcase his rhythmic muscle. "Heart in Hand" ████
████ opens as a duet between pianist and saxophonist; the ensemble ████
████ enters gradually, expanding the tune's ballad principle but ████
████ gradually shifting into more uptempo and exploratory terrain. ████
████ "Ilimba" commences with the sound of Gilmore's kalimba, but after ████
████ a brief modal statement by Potter, his double-timed drums ████
████ introduce Virelles' Afro-Latin groove and the entire jam becomes ████
████ a knotty, funky sprint that swings like mad. Potter examines the ████
████ margins in his solo, but remains tied to the pulse at the center. ████
████ He introduces the title cut via bass clarinet. Its lyrical beauty ████
████ is heightened by Martin's gorgeous bass solo. When the leader ████
████ reverts to his saxophone to play a duet with him, a textural ████
████ element is added onto the melody. "Yasodhara" is the longest ████
████ track here and the most kinetic. Gilmore's hand percussion leads ████
████ Potter's horn in, while Virelles and Martin follow very closely. ████
████ The head's harmonic center has within it just enough openness for ████
████ the band to develop it and they do, with knotty angles built in ████
████ by the composer. As they engage with one another, new levels of ████
████ harmony are absorbed into the mix, leading to fiery, complex ████
████ solos from Virelles and Potter. The Dreamer Is the Dream is ████
████ impressive for all the right reasons. Potter's tunes are all top ████
████ flight, for one. He appears to have written them for the ████
████ considerable strength of this band and he makes no attempt to ████
████ ride herd over them. For their part, the players' intuitive ████
████ engagement with him and one another is dictated by a collective ████
████ willingness to let the music do the primary talking and respond ████
████ in kind. This is yet another strong outing for Potter. ████
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