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F u F F E N S p r o u d l y p r e s e n t s a r e l e a s e w h i c h
i n t e n t i o n i s t o p l e a s e a n d t o e n l i g h t e n t h
o s e l e s s a w a r e o f t h e t r u e m e a n i n g a n d q u a l
i t y o f m u s i c d u e t o d a m a g e s r e l a t e d t o m t v b
u t w i t h o u t f u r t h e r a d o f u f f e n s o f f e r y o u t
o i n c r e a s e y o u r k n o w l e d e g e a b o u t m u s i c a n
d i n t h a t w a y c r e a t e a b e t t e r w o r l d f o r o u r c
h i l d r e n t h e f o l l o w i n g m a s t e r p i e c e o f a r t
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a r t i s t savina yannatou & primavera en salonico
a l b u m sumiglia
l a b e l ECM
g e n r e ethnic
r i p d a t e 30-05-2005
s t r e e t d a t e 00-00-2005
o r i g i n a l r e l 2005
s u p p l i e r CYN
s o u r c e cd
b i t r a t e VBR
e n c o d e r lame 3.90.3
r e l e a s e n o t e s
Savina Yannatou voice
Primavera en Salonico:
Kostas Vomvolos accordion, qanun, kalimba
Yannis Alexandris tamboura, oud, guitar
Michalis Siganidis double-bass
Kyriakos Gouventas violin, viola
Harris Lambrakis ney
Kostas Theodorou percussion
Savina Yannatou made her ECM debut with the live album Terra Nostra,
which alerted the worldÆs press to the work of this exceptional Greek
singer and her maverick band of free-thinking musicians, Primavera en
Salonico. They play the traditional musics of the world in a spirited
and liberated manner, and with a wide perspective that is far from
traditional.
Now Sumiglia, YannatouÆs first ECM studio album and her first
creative collaboration with producer Manfred Eicher, takes the music
to another level. Pooling songs from Greece, Corsica, Italy, Sicily,
Galicia, Palestine, Albania, Bulgaria, Armenia, Moldavia and the
Ukraine, Sumiglia both celebrates the differences between the
traditions and the common ground they share.
Sumiglia both celebrates the differences between the traditions and
the common ground they share. The musicians reveal a deep feeling for
the melodies they explore, treat them with great respect, and when
the music seems to demand it, follow their implications until
increasingly free improvisation becomes an inevitability.
Global Rhythm
Dark-toned but ambrosial, highly disciplined yet seemingly bursting
with a soul of pure flame, the rather staggering Athens-born singer
Savina Yannatou is a virtuosic chameleon adept at an extensive range
of vocal traditions (and languages) from the Mediterranean region û
not just interpreting but leaping off from these old folk musics with
a daring, exploratory technique and far-flung tonal scope that allows
her to stamp it all with a brash intelligence and some might say
punky attitude. ThereÆs not a thing dried-up or academic about her
new takes on ancient songsà Yannatou really lets the blood out of
these songs, brazenly improvising on them, as if called by some inner
primal force, kneeding and kneedling them, caressing them, smearing
their borders and launching out something entirely new in the
process.
John Payne, L.A. Weekly
...and remember: s t a y f u f f e n s f o r l i f e
t r a c k l i s t
evga mana mou 03:59
mui±eira 04:23
yanno yannovitse 04:51
porondos viz partjan 04:15
sedi yanna 02:37
orrio tto fengo 04:34
ta chervona ta kalinonka 03:01
terra ca nun senti 03:41
sumiglia 03:56
sta kala lu serenu 02:49
ganchum em yar ari 03:14
tulbah 03:18
smarte moj 03:44
ela ipne ke pare to 05:30
53:52
MB 64,10
g r o u p n e w s
From now on, we rip everything in VBR, using the alt-preset standard.
h e l p f u f f e n s
We are looking for quality sites in Europe and US, to be afilliated
on. Remember, we are not in it for the creds, but for the spreading
of quality music - we just want to get our releases out to the ppl
that wants/needs it. More pre sites fills this purpose.
Contact us on fuffed_up@hotmail.com
g r e e t s
CMS CMG diss DPS HiT2000 IGR JUST kw miso NuHS om sb sfE smc soup BCC
s p e c i a l g r e e t s t o : SChiZO and FRAGMENT
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i f y o u l i k e t h i s r e l e a s e t h e n g e t y o u r l e e c
h a s s d o w n t o y o u r l o c a l r e c o r d d e a l e r a n d b
u y t h e s t u f f b e c a u s e t h i s i s m a d e b y r e a l a r
t i s t s a p a r t f r o m t h e m a i n s t r e a m p r o d u c t s
t h a t s i n t h e t o p 2 5 l i s t i n t h a t s t o r e y o u w i
l l v i s i t r i g h t a w a y t o s h o w y o u r s u p p o r t t o
t h e t r u e a r t i s t s o f m u s i c - t h e f u f f e n s a r t
i s t s t h a t s i n i t f o r t h e m u s i c n o t t h e m o n e y
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a l w a y s d o r e m e m b e r : s t a y f u f f e n s f o r l i f e
⌐ FuFFENS 2 0 0 4