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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Grateful Dead ▄▄▀█▓
▐▓▌▐█▌ Album : 30 Trips Around the Sun: The Definitive Live ▐█▌▓▌
▐▀▄██ Label : Greatful Dead / Rhino Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2015-09-18 ██▀▄▌
▐▓▌▐█▌ Quality : 793 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 1642.67 MB ███▓
▀ ▀█▌ Time : 276:52min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y99jzv63 ███▄▓
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▄██▀ ▀██▄
██▌ Disc 1/4 ▐██
██▌ ▐██
██▌ 1. Caution (Do Not Stop On Tracks) 3:17 ▐██
██▌ 2. Cream Puff War (Live At Fillmore Auditorium, San Francisco, 5:09 ▐██
██▌ CA 7/3/66) ▐██
██▌ 3. Viola Lee Blues (Live At Shrine (Exhibition Hall, Los 15:16 ▐██
██▌ Angeles, CA1/10/67) ▐██
██▌ 4. Dark Star (Live At Greek Theater, Berkeley, CA 10/20/68) 10:31 ▐██
██▌ 5. Doin' That Rag (Live At Dream Bowl, Vallejo, CA 2/22/69) 6:52 ▐██
██▌ 6. Dancing In The Street (Live At Winterland, San Francisco,ca 11:30 ▐██
██▌ 4/15/70) ▐██
██▌ 7. Ain't It Crazy (The Rub) (Live At Fox Theater, St. Louis, MO 4:42 ▐██
██▌ 3/18/71) ▐██
██▌ 8. Tomorrow Is Forever (Live At The Palace Theater, Waterbury, 5:32 ▐██
██▌ CT 9/24/72) ▐██
██▌ 9. Here Comes Sunshine (Live From San Diego Sports Arena 12:59 ▐██
██▌ 11/14/73) ▐██
██▌ ▐██
██▌ ▐██
██▌ Disc 2/4 ▐██
██▌ ▐██
██▌ 1. Uncle John's Band (Live From Parc Des Expositions, Dijon, 9:28 ▐██
██▌ France 9/18/74) ▐██
██▌ 2. Franklin's Tower (Live From Lindley Meadows, Golden Gate 7:52 ▐██
██▌ Park, San Francisco 9/28/75) ▐██
██▌ 3. Scarlet Begonias (Live At Cobo Hall, Detroit, MI 10/3/76) 12:00 ▐██
██▌ 4. Estimated Prophet (Live At Capital Theatre, Passaic, NJ 7:59 ▐██
██▌ 4/25/77) ▐██
██▌ 5. Samson and Delilah (Live At Providence Civic Center, 10:20 ▐██
██▌ Providence, RI 5/14/78) ▐██
██▌ 6. Lost Sailor>Saint of Circumstance (Live At Cape Cod Coliseum, 12:27 ▐██
██▌ South Yarmouth, MA 10/27/79) ▐██
██▌ 7. Deep Elem Blues (Live At Lakeland Civic Center, Lakeland, FL 4:59 ▐██
██▌ 11/28/80) ▐██
██▌ ▐██
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██▌ Disc 3/4 ▐██
██▌ ▐██
██▌ 1. Shakedown Street (Live At Cornell University, Ithaca, NY 16:31 ▐██
██▌ 5/16/81) ▐██
██▌ 2. Bird Song (Live At Manor Downs, Austin, TX 7/31/82) 9:42 ▐██
██▌ 3. My Brother Esau (Live At The Centrum, Worchester, MA 5:21 ▐██
██▌ 10/21/83) ▐██
██▌ 4. Feel Like A Stranger (Live At Agusta Civic Center, Agusta, ME 10:06 ▐██
██▌ 10/12/84) ▐██
██▌ 5. Let It Grow (Live At River Bend Music Center, Cincinnati, OH 12:38 ▐██
██▌ 6/24/85) ▐██
██▌ 6. Comes A Time (Live At Cal Expo Amphitheatre, Sacramento, CA 7:51 ▐██
██▌ 5/3/86) ▐██
██▌ 7. Morning Dew (Live At Madison Square Garden, New York, NY 11:21 ▐██
██▌ 9/18/87) ▐██
██▌ ▐██
██▌ ▐██
██▌ Disc 4/4 ▐██
██▌ ▐██
██▌ 1. Not Fade Away (Live At Oxford Plains Speedway, Oxford, ME 8:02 ▐██
██▌ 7/3/88) ▐██
██▌ 2. Blow Away (Live At Miami Arena, Miami, FL 10/26/89) 7:52 ▐██
██▌ 3. Ramble On Rose (Live At Zenith, Paris, France 10/27/90) 7:32 ▐██
██▌ 4. High Time (Live From Madison Square Garden, New York, NY 7:38 ▐██
██▌ 9/10/91) ▐██
██▌ 5. Althea (Live At Copps Coliseum, Ontario Canada 3/20/92) 7:30 ▐██
██▌ 6. Broken Arrow (Live At Knickerbocker Arena, Albany, NY 6:03 ▐██
██▌ 3/27/1993) ▐██
██▌ 7. So Many Roads (Live At Boston Garden, Boston, MA 10/1/94) 7:30 ▐██
██▌ 8. Visions of Johanna (Delta Center, Salt Lake City, UT 2/21/95) 10:22 ▐██
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████ Initially released as a limited-edition box set so lavish it was ████
████ on the verge of being absurd, 30 Trips Around the Sun is a deep ████
████ exploration of a simple idea: tell the Grateful Dead's story ████
████ through unreleased live performances taken from every year of ████
████ their life. This concept reaches its full fruition in its 80-CD ████
████ incarnation, containing a full unreleased show for every year ████
████ between 1966 and 1995, but the four-CD distillation operates in a ████
████ similar fashion and may seem more attractive to Deadheads ████
████ unwilling to immerse themselves in a monthlong listening session. ████
████ The closest analogy to 30 Trips in their discography is 1999's So ████
████ Many Roads (1965-1995), a five-disc box heavy on unreleased live ████
████ material, but that set wound up skipping over the fallow periods ████
████ a chronological march inevitably hits. Aware of this pitfall, the ████
████ archivists behind 30 Trips selected the finest unreleased shows ████
████ from each of these 30 years and, for this set, chose to showcase ████
████ songs that rarely appeared in the Dead's repertoire. This turns ████
████ out to be a fairly broad category, encompassing Pigpen singing ████
████ Lightnin' Hopkins "The Rub" in 1971 and Donna Jean Godchaux ████
████ debuting with the band in 1972 via a duet with Jerry Garcia on ████
████ Dolly Parton's "Tomorrow Is Forever," as well as Phil Lesh ████
████ singing Robbie Robertson's "Broken Arrow" in 1993 and a ████
████ bittersweet "Visions of Johanna" from 1995 that closes out the ████
████ set. As its considerably shorter than its parent, the four-disc ████
████ 30 Trips Around the Sun never lingers upon the eras of the Dead ████
████ that cause consternation among fans -- here, Brent Mydland's ████
████ synths don't seem quite so prominent and Vince Welnick's penchant ████
████ for sambas is hidden -- yet this shorter box still illustrates ████
████ how these eras bled together or echoed throughout the Dead's ████
████ history. Most of all, 30 Trips illustrates how the Dead kept ████
████ circling back to their folk and blues beginnings no matter who ████
████ supplemented the core quintet of Jerry Garcia, Bob Weir, Phil ████
████ Lesh, Bill Kreutzmann, and Mickey Hart. While the four or five ████
████ main keyboardists brought their own signatures (particularly ████
████ Pigpen, whose rough-hewn growl provided a gritty counterpart to ████
████ the band's spacy early explorations), come 1971, the year after ████
████ the twin masterpieces of Workingman's Dead and American Beauty, ████
████ the Dead maintained a groove more psychedelic in spirit than ████
████ sound. Although this truncation emphasizes this continuity, it's ████
████ still possible to hear how the band's first 15 years were a rapid ████
████ progression while the second 15 were about reliability, but ████
████ perhaps the most affecting thing about 30 Trips is the simple ████
████ passing of time. By the end, Jerry's voice sounds rough and ████
████ fragile, Weir's confidence surges, Lesh's lines are elastic, and ████
████ the "Drums" showcase for Kreutzmann and Hart turns exploration ████
████ into schtick -- it's a mix of emotion and show that's endearing ████
████ and even moving. If you take all 30 trips, the Dead's journey ████
████ feels long and sweet and unlike anything else in rock. ████
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