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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Jenny Hval ▄▄▀█▓
▐▓▌▐█▌ Album : Blood Bitch ▐█▌▓▌
▐▀▄██ Label : Sacred Bones Records ██▄▀▌
▄███▌ Genre : Indie ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-09-30 ██▀▄▌
▐▓▌▐█▌ Quality : 719 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 204.88 MB ███▓
▀ ▀█▌ Time : 36:26 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/yav52wa5 ███▄▓
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▄██▀ ▀██▄
██▌ 1. Ritual Awakening 1:42 ▐██
██▌ 2. Female Vampire 3:37 ▐██
██▌ 3. In The Red 2:21 ▐██
██▌ 4. Conceptual Romance 4:32 ▐██
██▌ 5. Untamed Region 4:51 ▐██
██▌ 6. The Great Undressing 4:00 ▐██
██▌ 7. Period Piece 2:41 ▐██
██▌ 8. The Plague 5:57 ▐██
██▌ 9. Secret Touch 4:39 ▐██
██▌ 10. Lorna 2:06 ▐██
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████ Leave it to Jenny Hval to make an album that taps into the full ████
████ symbolic power of blood: Her voice and music have a piercing, ████
████ penetrating quality that suggests a knife, or in this case, ████
████ fangs. Her fourth album under her own name, Blood Bitch -- a ████
████ title that calls to mind a red-soaked Carrie -- uses vampire and ████
████ menstrual imagery to express different kinds of hunger and ████
████ purging in scary, sexy, raw, and sophisticated ways. "The Great ████
████ Undressing" is all of these at once, a confession of creative and ████
████ emotional need that compares capitalism to unrequited love in a ████
████ stream-of-consciousness gush. Though Hval is no stranger to ████
████ visceral moments like this, she offers them with less distance ████
████ than ever before on Blood Bitch. "Period Piece" makes this point ████
████ more literally, when a gynecologist's speculum leaves her feeling ████
████ connected instead of separated. Similarly, Hval presents the ████
████ dense layers within her art with a lighter touch -- an equal and ████
████ opposite reaction to the sometimes overwhelming Apocalypse, Girl. ████
████ For the first time since her work as Rockettothesky, Hval's music ████
████ is almost poppy. It's a move that feels even more subversive ████
████ considering she co-produced Blood Bitch with noise artist Lasse ████
████ Marhaug. Indeed, the album's pretty synth-pop surfaces only make ████
████ it more complex: Named after a 1973 horror movie, "Female ████
████ Vampire" is ominously alluring as it introduces the gender-fluid ████
████ vampire that haunts Blood Bitch, trapped in an eternal night ████
████ fleshed out by distant saxophones and panting breath. And if ████
████ these songs are more structured than Hval's previous work, ████
████ they're also more vulnerable; her fragile singing on the ████
████ rapturous "Secret Touch" and the cerebral yet tender "Conceptual ████
████ Romance" expands on the transporting beauty hinted at on ████
████ Innocence Is Kinky. Hval's music often borders on performance ████
████ art, and Blood Bitch is no exception. The album could pass for a ████
████ soundtrack or a radio play, and the evocative sound design taps ████
████ into the subconscious on "In the Red," where heavy breathing ████
████ blurs the line between lust and dread. The '60s and '70s cult ████
████ horror homages are inspired; "Ritual Awakening" could be the ████
████ title of an old movie, while "Untamed Region" juxtaposes flutey ████
████ synths that evoke the dreamlike feel of Valerie and Her Week of ████
████ Wonders with Adam Curtis' thoughts on nonlinear warfare to evoke ████
████ horrors both fantastic and all too real. On the climax "The ████
████ Plague," Hval and Marhaug blend the naked terror of vintage ████
████ horror -- haunted house screams and sobs, a church organ that ████
████ sounds sacred and sacrilegious -- with postmodern humor as Hval ████
████ stops the song dead to mention ôlast night I took my birth ████
████ control with rosΘ.ö It's just another example of how sounds and ████
████ concepts flow into each other as potently as blood itself on ████
████ Blood Bitch, a bewitching album from an artist at the peak of her ████
████ powers. ████
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