Cut_Copy-Bright_Like_Neon_Love-(MODCD027)-CD-FLAC-2004-HOUND

Section

MP3/FLAC

Group

HOUND

Size

268,82 MB

Files

16

Date

2017-08-16

NFO

HOUND presents...

Artist.......: Cut Copy
Album........: Bright Like Neon Love
Label........: Modular Recordings
Genre........: Electronic
Catnr........: MODCD027
Source.......: CD (LP)
Rip.date.....: 2017-08-14
Str.date.....: 2004-00-00
Quality......: 863kbps/44.1kHz/2 channels
Url..........: http://cutcopy.net

track  title                                          time

 1.    Time Stands Still                              4:28
 2.    Future                                         5:10
 3.    Saturdays                                      3:37
 4.    Saturdays (Reprise)                            1:31
 5.    Going Nowhere                                  3:47
 6.    DD-5                                           0:24
 7.    That Was Just a Dream                          2:35
 8.    Zap Zap                                        2:30
 9.    The Twilight                                   5:18
 10.   Autobahn Music Box                             4:05
 11.   Bright Neon Payphone                           4:20
 12.   A Dream                                        3:57


                                            Runtime  41:42
                                            Size     266.30


Release Notes:

Melbourne's Cut Copy used to be just Dan Whitford. Then his sampler exploded, so
he recruited some live musicians and recorded the rock-dance debutBright Like
Neon Love.
Today's electro-pop records make the fusing of post-punk basslines, pop-synths
and electro pulses and production sheen of the future their raison d'etre. Cut
Copy's is no exception.
But their deep knowledge of their musical influences and intimate interactions
with their machines help dissolve those demarcations in the same naturalistic
way that Joy Division's dreary goth-rock magically morphed into the electronic
pop of New Order.
The ghosts of both these bands can be heard throughout Bright Like Neon Love.
The album's roots are firmly embedded in the world of classic 80s synth-pop, but
though Whitfords voice is eerily similar to Bernard Sumner's, the music - 'a
collection of 12 digital love letters' is much more effete than anything New
Order or Depeche Mode ever produced.
Cut Copy's diluted vision, all optimistic synth-swirls and chugging 4/4 grooves,
could easily have freefalled into cheese. But by restricting lyrics to short,
rhythmic statements and allowing brief moments of jagged guitar to pierce the
fluffy synth-clouds, Whitford has avoided the fromagery ensured a more lasting
listen.




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