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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Jay Daniel ▄▄▀█▓
▐▓▌▐█▌ Album : Broken Knowz ▐█▌▓▌
▐▀▄██ Label : Technicolour Records ██▄▀▌
▄███▌ Genre : Electronic ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-11-25 ██▀▄▌
▐▓▌▐█▌ Quality : 904 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 306.99 MB ███▓
▀ ▀█▌ Time : 45:04 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y737mw4k ███▄▓
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▄██▀ ▀██▄
██▌ 1. Last Of The Dogons 2:38 ▐██
██▌ 2. Paradise Valley 4:42 ▐██
██▌ 3. Niiko 3:03 ▐██
██▌ 4. Nights 6:13 ▐██
██▌ 5. Squeaky Maya 6:01 ▐██
██▌ 6. $hake It Down 5:49 ▐██
██▌ 7. Knowledge Of Selfie 8:26 ▐██
██▌ 8. Boolin 1:26 ▐██
██▌ 9. Yemaya 6:46 ▐██
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████ Detroit's Jay Daniel first became known during the early 2010s ████
████ for his tag-team DJ sets with fellow Motor City wunderkind Kyle ████
████ Hall, as part of a monthly event called Fundamentals. Soon after, ████
████ he began releasing gritty, stripped-down house tracks inspired by ████
████ Detroit veterans like Moodymann and Theo Parrish, debuting in ████
████ 2013 with an EP on Parrish's highly regarded Sound Signature ████
████ label. Daniel expanded his sound through further releases, ████
████ including a double-EP on Hall's Wild Oats, and Broken Knowz is ████
████ his debut full-length, arriving by way of Ninja Tune's ████
████ Technicolour imprint. More fleshed out, loose, and spontaneous ████
████ than Daniel's earlier material, these tracks were recorded in his ████
████ mother's basement using a multi-track mixer, and they're built ████
████ around his own drumming and percussion. The tracks often feature ████
████ melodic keyboards that occasionally seem to imitate flutes and ████
████ other woodwinds, in addition to more atmospheric synth washes. ████
████ The release definitely feels homemade -- the loops are sometimes ████
████ scratchy and a little bit off-kilter, but through repetition they ████
████ begin to make more sense. While tracks like "Paradise Valley" ████
████ sound warm, inviting, and jazzy, others are more minimalist -- ████
████ "1001 Nights" features looped cymbals and congas that feel like ████
████ the intro to a disco song that never quite blooms the way you ████
████ expect it to. Instead, his songs chart their own courses and go ████
████ in their own directions. With highlight "Squeaky Maya," he starts ████
████ out with a rapidly thumping, complex beat pattern before lush ████
████ keyboards creep in. Again, the track never reaches a proper ████
████ climax, but it feels incredibly relaxing and reflective. "Shake ████
████ It Down" similarly features a busy, interlocking rhythm and ████
████ cosmic synths that casually saunter in. At one point the beat ████
████ briefly falls apart, but it quickly picks itself back up with no ████
████ worries. Closing number "Yemaya" has a thick, wobbly, kick-heavy ████
████ drum loop along with more exuberant yet calm synthesizer chords ████
████ and little disco-like arpeggios. Daniel still sounds like he's ████
████ developing his sound with this album, but it's a noble effort, ████
████ and certainly recommended for fans of Detroit dance music or the ████
████ rougher, more off-beat side of house. ████
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