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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Little Big Town ▄▄▀█▓
▐▓▌▐█▌ Album : The Breaker ▐█▌▓▌
▐▀▄██ Label : Liberty Records ██▄▀▌
▄███▌ Genre : Country ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2017-02-24 ██▀▄▌
▐▓▌▐█▌ Quality : 950 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 299.28 MB ███▓
▀ ▀█▌ Time : 41:47 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/yd69daqz ███▄▓
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▄██▀ ▀██▄
██▌ 1. Happy People 2:47 ▐██
██▌ 2. Night On Our Side 3:55 ▐██
██▌ 3. Lost In California 4:47 ▐██
██▌ 4. Free 3:28 ▐██
██▌ 5. Drivin' Around 3:15 ▐██
██▌ 6. We Went To The Beach 3:06 ▐██
██▌ 7. Better Man 4:23 ▐██
██▌ 8. Rollin' 2:37 ▐██
██▌ 9. Don't Die Young, Don't Get Old 3:14 ▐██
██▌ 10. Beat Up Bible 3:35 ▐██
██▌ 11. When Someone Stops Loving You 3:49 ▐██
██▌ 12. The Breaker 2:51 ▐██
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████ Rebounding from the Pharrell Williams-produced detour of 2016 -- ████
████ the mini-LP Wanderlust, which seemed to be commercially abandoned ████
████ as soon as it was released -- Little Big Town get back to basics ████
████ on The Breaker, the de facto sequel to their 2014 blockbuster ████
████ Pain Killer. That album was anchored on "Girl Crush," a ████
████ smoldering slow-burner that crossed over into the pop charts ████
████ because it sounded more Southern Californian than Southern, and ████
████ the same could be said for The Breaker. Here, the quartet double ████
████ down on soft rock and supple harmonies, sounding like a 21st ████
████ century revival of Fleetwood Mac, albeit one without the roiling ████
████ internal tension. Smoothness is a selling point with Little Big ████
████ Town: their melodies slide, their harmonies glide, their music ████
████ seems utterly at peace with the moment. Sometimes, the group ████
████ kicks up the aggression -- "Drivin' Around" and "Rollin'," two ████
████ songs that give away the game with their titles, feel designed to ████
████ fill out arenas -- but for the most part, The Breaker shimmers ████
████ sweetly, alternating between sculpted sweetness and folky ████
████ introspection. Often, the latter trumps the former -- "Better ████
████ Man," a song written by Taylor Swift that feels like a throwback ████
████ to Fearless, exists in a middle ground between these two extremes ████
████ -- but that's also the appeal of The Breaker: it's a confident ████
████ pop record, one that celebrates sound as much as song. In some ████
████ respects, Little Big Town no longer feel like a country band -- ████
████ this, more than the blatant overtures of Wanderlust, seems like a ████
████ bid for adult alternative airplay, simply because it sticks to ████
████ the middle of the road -- but that's also their strength. Little ████
████ Big Town cherish the gentler moments, and this ease with ████
████ sensitivity turns The Breaker into something of a quiet triumph: ████
████ it's intended as a balm, and it succeeds. ████
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