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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Tim Buckley ▄▄▀█▓
▐▓▌▐█▌ Album : Wings: The Complete Singles 1966-1974 ▐█▌▓▌
▐▀▄██ Label : Omnivore Recordings ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-11-18 ██▀▄▌
▐▓▌▐█▌ Quality : 745 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 388.54 MB ███▓
▀ ▀█▌ Time : 67:00 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/y86c5vmb ███▄▓
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▄██▀ ▀██▄
██▌ 1. Wings 2:34 ▐██
██▌ 2. Grief In My Soul 2:07 ▐██
██▌ 3. Aren't You The Girl 2:05 ▐██
██▌ 4. Strange Street Affair Under Blue 3:12 ▐██
██▌ 5. Once Upon A Time 2:20 ▐██
██▌ 6. Lady, Give Me Your Key 2:38 ▐██
██▌ 7. Morning Glory 2:57 ▐██
██▌ 8. Knight-Errant 2:02 ▐██
██▌ 9. Once I Was 3:26 ▐██
██▌ 10. Pleasant Street 5:17 ▐██
██▌ 11. Carnival Song 3:14 ▐██
██▌ 12. Happy Time 3:15 ▐██
██▌ 13. So Lonely 3:28 ▐██
██▌ 14. Move With Me 3:42 ▐██
██▌ 15. Nighthawkin' 3:22 ▐██
██▌ 16. Quicksand 3:24 ▐██
██▌ 17. Stone In Love 3:30 ▐██
██▌ 18. Dolphins 3:14 ▐██
██▌ 19. Honey Man 4:12 ▐██
██▌ 20. Wanda Lu 2:39 ▐██
██▌ 21. Who Could Deny You 4:22 ▐██
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▄███▌ ▐███▄
████ Tim Buckley was a singularly gifted singer and songwriter, but ████
████ his body of work seems to defy the traditional logic of a ████
████ single-disc career-spanning anthology. Buckley was a creatively ████
████ restless artist, and he jumped from solo acoustic purity to ████
████ folk-rock to psychedelia to jazz to R&B to purposefully scuzzy ████
████ rock in the course of a recording career that lasted just eight ████
████ years. The beauty and strength of his voice and his skills as a ████
████ songwriter were the sole unifying threads in his discography, and ████
████ many fans will even argue about those when it comes to his final ████
████ three albums. 2001's Morning Glory: The Tim Buckley Anthology ████
████ comes closest to capturing the artist's many facets, in part ████
████ because it's a two-disc set that takes the time to examine his ████
████ catalog with real scope, but Omnivore Recordings has taken a ████
████ novel approach to summarizing Buckley's work with Wings: The ████
████ Complete Singles 1966-1974. This collection features 21 songs ████
████ that were released as single sides during Buckley's lifetime, ████
████ including one unreleased track that was intended to be the B-side ████
████ to a 1967 45 that never saw the light of day. The previously ████
████ unheard number, "Lady, Give Me Your Key," is a gem, a lovely ████
████ exercise in Baroque folk-rock that certainly justifies the ████
████ release of this collection, as well as the inclusion of classic ████
████ tunes like "Morning Glory," "Once I Was," "Aren't You the Girl," ████
████ and "Pleasant Street." But Wings also confirms one bit of ████
████ conventional wisdom about Tim Buckley: he thought in terms of ████
████ albums, not singles, and as good as most of these tracks are, ████
████ they sound a bit too ornate to have been pop radio favorites in ████
████ their day. One senses the labels who released these tracks were ████
████ grasping at straws choosing which might miraculously please a ████
████ radio programmer. This set also passes on some of Buckley's best ████
████ known songs because they were never released in 7" format (most ████
████ notably, "Buzzin' Fly" and "Song of the Siren"), and three of his ████
████ albums -- 1969's Happy Sad, 1970's Lorca, and 1970's Starsailor ████
████ -- are completely unrepresented. However, while 1973's Sefronia ████
████ is generally considered a botch, Buckley's cover of Fred Neil's ████
████ "Dolphins" is here to show the album had a hidden gem, and the ████
████ R&B raunch of "Move with Me" and "Wanda Lu" plays better here ████
████ than in the context of the albums where they were first released. ████
████ Wings doesn't do better than most Tim Buckley collections in ████
████ making sense of his fascinating, sometimes contradictory ████
████ songbook, but it does bring together an hour of good to brilliant ████
████ songs from a one-of-a-kind artist, and the set includes an ████
████ interview with Buckley's friend and writing partner Larry Beckett ████
████ that lends some welcome insights into how these recordings came ████
████ to be. ████
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