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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Moreland & Arbuckle ▄▄▀█▓
▐▓▌▐█▌ Album : Promised Land Or Bust ▐█▌▓▌
▐▀▄██ Label : Alligator Records ██▄▀▌
▄███▌ Genre : Blues ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2016-05-06 ██▀▄▌
▐▓▌▐█▌ Quality : 882 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 259.48 MB ███▓
▀ ▀█▌ Time : 38:55 min ▐█▀ ▀
▓▄███ Url : http://tinyurl.com/klk9a69 ███▄▓
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██▌ 1. Take Me With You (When You Go) 4:07 ▐██
██▌ 2. Mean And Evil 3:17 ▐██
██▌ 3. Hanna 4:50 ▐██
██▌ 4. When The Lights Are Burning Low 3:05 ▐██
██▌ 5. Woman Down In Arkansas 4:13 ▐██
██▌ 6. Mount Comfort 4:14 ▐██
██▌ 7. Long Did I Hide It 2:35 ▐██
██▌ 8. Waco Avenue 3:00 ▐██
██▌ 9. I'm A King Bee 2:49 ▐██
██▌ 10. Long Way Home 3:09 ▐██
██▌ 11. Why'd She Have To Go (And Let Me Down) 3:36 ▐██
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████ Promised Land or Bust is Moreland & Arbuckle's Alligator Records ████
████ debut. The Kansas bluesmen re-enlisted producer Matt Bayles ████
████ (Mastodon, the Sword) -- who also helmed their brilliant 7 Cities ████
████ in 2013. The Kansas bluesmen claim Alligator was a natural fit, ████
████ since their first signing was Hound Dog Taylor & the ████
████ Houserockers, an enormous influence on their sound. Guitarist ████
████ Aaron Moreland, vocalist and harmonicist Dustin Arbuckle, and ████
████ drummer Kendall Newby are supported on about half these tracks by ████
████ guests: bassist Mark Foley and keyboardist Scott Williams adding ████
████ depth to the band's considerable firepower. Here, roots ████
████ inspirations of Mississippi Delta and Hill Country blues are ████
████ re-examined and reaffirmed and balanced with electric roadhouse ████
████ boogie and hard, heartland rock. What sets M&A apart from ████
████ virtually every modern blues act is that their energy, rawness, ████
████ and virtuosic instrumental skill are matched by excellent ████
████ songwriting. The tunes on Promised Land or Bust highlight and ████
████ exacerbate the poles of tension between spiritual quandaries and ████
████ sensual pleasures. Opener "Take Me with You When You Go," is a ████
████ swampy, howling prayer for cosmic deliverance from earthly ████
████ struggle. The emotional depth in Arbuckle's vocal is underscored ████
████ by his haunted harmonica solo and Moreland's supercharged guitar ████
████ break. (It nods at George Harrison's "While My Guitar Gently ████
████ Weeps"). The squalling slide roar in "Mean & Evil" fuels a lyric ████
████ notion that some people are so black-hearted that they're even ████
████ unworthy of hell. The grungy, gritty, allegorical murder ballad ████
████ "Hannah" -- written by Mike Hosty -- finds the protagonist in a ████
████ terminal state of regret after killing his lover. He claims ████
████ madness -- α la Satan whispering in his head -- but reveals the ████
████ real truth: the real demon was his rage, fueled by jealousy and ████
████ feelings of inadequacy. Angels and spirits of disconnection and ████
████ loneliness haunt the bluesy country-rock in "Mount Comfort." On ████
████ the Delta-inspired gallop of "Long Did I Hide It" (one of two ████
████ songs by Ryan Taylor), Arbuckle soulfully imparts the ████
████ psychological and supernatural consequences of living with ████
████ secrets. But the carnal beast rises up to claim its own in the ████
████ swaggering heat on "When the Lights Are Low," a riotous cover of ████
████ Slim Harpo's "I'm a King Bee," and Lee McBee's smoking boogie, ████
████ "Woman Down in Arkansas." (McBee, a fellow Kansan, was a ████
████ legendary blues harmonica player who passed in 2014.) "Long Way ████
████ Home" is a snarling tale of betrayal (by a bedeviled red-headed ████
████ woman). It turns back on the speaking subject though, revealing ████
████ willing complicity in his circumstances, just as scorching slide ████
████ guitars and taut snares rip through the middle. The beauty on ████
████ Promised Land or Bust is that M&A approach the spiritual and ████
████ carnal as forever inseparable. Here they are bound together in a ████
████ rowdy, soulful, infectious whirllwind of modern blues; it's all ████
████ killer, no filler. ████
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